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    Carey Young’s 'Palais de Justice'

    Gaakeer, J. and Herz, R. and Kee, J. and Mulcahy, L. and Pilcher, Jeremy and Watt, G. and Young, C. (2018) Carey Young’s 'Palais de Justice'. Law and Humanities 12 (2), pp. 278-310. ISSN 1752-1483.

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    Abstract

    The symposium for this issue comprises six responses to the video artwork Palais de Justice (2017) by artist Carey Young. The video presents a study of the life of Brussels’ vast, late-nineteenth-century court building. In Palais de Justice, Young presents ‘a legal system seemingly centered on, and perhaps controlled by women’. The respondents are Jeanne Gaakeer, Ruth Herz, Joan Kee, Linda Mulcahy, Jeremy Pilcher and Gary Watt. Jeanne Gaakeer and Ruth Herz have the distinction of being, not only internationally respected scholars, but also experienced judges. Jeanne Gaakeer is a judge practicing in the Netherlands and Ruth Herz was formerly a judge in Germany. The six responses are followed by the artist’s own reflections on her artwork and her response to the commentators’ responses. Joan Kee writes that ‘Young highlights access as a key entry point for thinking about the law. Who can avail themselves of the law? Who may enter (or exit) the courts? Who is excluded and by whose authority? The surreptitious looking and peering that define the experience of watching the film suggests how these questions deny ready answers’.

    Metadata

    Item Type: Article
    Additional Information: This is an Accepted Manuscript of an article published by Taylor & Francis, available online at the link above.
    Keyword(s) / Subject(s): Palais de Justice, Brussels, architecture, documentary, clandestine, camera, lens, women judges, women lawyers, art
    School: Birkbeck Schools and Departments > School of Law
    Depositing User: Jeremy Pilcher
    Date Deposited: 06 Dec 2018 15:08
    Last Modified: 30 Jul 2019 11:01
    URI: http://eprints.bbk.ac.uk/id/eprint/25141

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