Leslie, Esther (2004) Hollywood flatlands: animation, critical theory and the avant-garde. London, UK: Verso. ISBN 9781844675043.Full text not available from this repository.
Book synopsis: With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno’s and Max Horkheimer’s film viewing affected their intellectual development, and reconsiders Sergei Eisenstein’s famous handshake with Mickey Mouse at Disney’s Hyperion Studios in 1930.
|School or Research Centre:||Birkbeck Schools and Research Centres > School of Arts > English and Humanities|
|Depositing User:||Prof Esther Leslie|
|Date Deposited:||08 Nov 2012 10:42|
|Last Modified:||17 Apr 2013 12:26|
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