Biernoff, Suzannah (2010) Flesh poems: Henry Tonks and the art of surgery. Visual Culture in Britain 11 (1), pp. 25-47. ISSN 1471-4787.
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This article focuses on Henry Tonks’ pastel studies of wounded First World War servicemen before, after, and during facial surgery. Viewed alongside archival photographs of the same patients from the Cambridge Hospital at Aldershot and The Queen’s Hospital in Sidcup, Tonks’ drawings disturb the conventions both of medical illustration and portraiture: they are discussed here in relation to the visual cultures of modern medicine (in particular nineteenth and twentieth-century traditions of medical illustration and photography) and the artist’s own thoughts on artistic objectivity and beauty. For Tonks, good drawing was tactile: without this sensibility and skill, he believed, the draughtsman’s art was like playing a piano without hearing the notes. In light of Tonks’ wartime collaboration with the surgeon Harold Gillies this paper explores the hypothesis that the history of surgery – and to some extent the history of medical representation – is a history of touch as much as a product of visual practices and conventions.
|Additional Information:||The research for this article was supported by a Wellcome Trust Research Leave Award [no. 082864] Published version available via Gold Open Access at http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3158130/?tool=pmcentrez|
|School or Research Centre:||Birkbeck Schools and Research Centres > School of Arts > History of Art|
|Depositing User:||Dr Suzannah Biernoff|
|Date Deposited:||15 Nov 2012 11:49|
|Last Modified:||08 Apr 2014 11:51|
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