Marie Ndiaye: blankness and recognition
Asibong, Andrew (2013) Marie Ndiaye: blankness and recognition. Liverpool, UK: Liverpool University Press. ISBN 9781846319464.
Abstract
Book synopsis: This is the first critical study in English to focus exclusively on the work of Marie NDiaye, born in central France in 1967, winner of the Prix Femina (2001), the Prix Goncourt (2009), shortlisted for the Man Booker International Prize (2013), and widely considered to be one of the most important French authors of her generation. Andrew Asibong argues that at the heart of NDiaye’s world lurks an indefinable ‘blankness’ which makes it impossible for the reader to decode narrative at the level of psychology or event. NDiaye’s texts explore social stigmata and familial disintegration with a violence unmatched by any of her contemporaries, but in doing so they remain as strangely affectless and ‘unrecognizable’ as their dissociated protagonists. Considering each of NDiaye’s works in chronological order (including her novels, theatre, short fiction and writing for children), Asibong assesses the aesthetic, emotional and political stakes of NDiaye’s portraits of impenetrable selfhood. His book provides an original and provocative framework within which to read NDiaye as a simultaneously hybrid and hyper-French cultural figure, fascinating and fantastical practitioner of the postmodern – and reluctantly postcolonial – ‘blank arts’.
Metadata
| Item Type: | Book |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Research Centres and Institutes: | Birkbeck Interdisciplinary Research in Media and Culture (BIRMAC) (Closed), Aesthetics of Kinship and Community, Birkbeck Research in (BRAKC) |
| Depositing User: | Administrator |
| Date Deposited: | 09 Oct 2013 14:27 |
| Last Modified: | 09 Aug 2023 12:34 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/8415 |
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