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    Number of items: 18.

    Article

    Centeno Martin, Marcos P. (2019) Legacies of Hani Susumu’s documentary school. Arts 8 (3), e82. ISSN 2076-0752.

    Centeno Martin, Marcos P. (2019) Challenging eurocentric surveys: the transnational topic in film studies. Journal of Cinema and Media Studies Teaching Dossier 5 (2), pp. 1-5.

    Centeno Martin, Marcos P. (2018) Introduction. The misleading discovery of Japanese National Cinema. Arts 7 (4), pp. 87-100. ISSN ISSN 2076-0752.

    Centeno Martin, Marcos P. (2018) Contextualising N. G. Munro’s filming of the Ainu Bear Ceremony. Japan Society Proceedings , pp. 90-106. ISSN 0952-2050. (In Press)

    Centeno Martin, Marcos P. (2018) The limits of fiction in the Japanese Avant-Garde documentary. Los límites de la subjetividad en la vanguardia documental japonesa. Kokoro 27 , pp. 1-9. ISSN 2254- 8300.

    Centeno Martin, Marcos P. (2018) The limits of fiction: politics and absent scenes in Susumu Hani’s Bad Boys (Furyōshōnen, 1960). A film re-reading through its script. Journal of Japanese and Korean Cinema 10 (1), pp. 1-15. ISSN 1756-4905.

    Centeno Martin, Marcos P. (2018) Deceiving ‘Primitivism’. Ainu people in 1910s Travelogues. Annals of Dimitrie Cantemir Christian University: Linguistics, Literature and Methodology of Teaching 18 (1), pp. 127-144. ISSN 2065–0868.

    Centeno Martin, Marcos P. (2017) Gazes outside the representation: early film portrayals of the Ainu People. Orientalia Parthenopea 17 , pp. 189-210. ISSN 1972-3598.

    Centeno Martin, Marcos P. (2017) Transnational circulation of images of the Pacific War (1941-1945): The Japanese Empire seen through Spanish newsreels. Irish Journal of Asian Studies 3 , pp. 1-17. ISSN 2009-8448..

    Centeno Martin, Marcos P. (2017) The fight for self-representation: Ainu imaginary, ethnicity and assimilation. Aphaville: Journal of Film and Screen Media 13 , pp. 69-89. ISSN 2009-4078.

    Book Review

    Centeno Martin, Marcos P. (2018) Interrogating forms of dissidence. An approach to physical and mental escapes from Japan. [Book Review]

    Book Section

    Centeno Martin, Marcos P. (2019) Tokyo 1958: postwar narratives through Avant-garde documentary. In: Guarné,, B. and Lozano-Mendez, A. and Martínez, D.P. (eds.) Persistently Postwar: Media and the Politics of Memory in Japan. New York, U.S.: Berghahn Books. ISBN 9781785339592. (In Press)

    Centeno Martin, Marcos P. (2018) Comunicación visual de conflictos. La masacre de Nankín. In: Arévalo Salinas, A.I. and Vilar Sastre, G. and Al Najjar Trujillo, T. (eds.) Comunicación, Paz y Conflictos. Madrid, Spain: Dykinson. ISBN 9788491489252.

    Centeno Martin, Marcos P. (2018) Method directors. Susumu Hani and Yasujirō Ozu: a comparative approach across paradigms. In: Becker, A. (ed.) Yasujirô Ozu and the Aesthetics of his Time. Goethe-Universität Frankfurt and Darmstadt: Büchner-Verlag, pp. 125-152. ISBN 9783963171116.

    Centeno Martin, Marcos P. (2016) Transcultural corporeity in Taiyôzoku cinema: some notes on the contradictions of Japaneseness in the economic miracle. In: Adachi-Rabe, K. and Becker, A. (eds.) Körperinszenierungen im japanischen Film/Presentation of Bodies in Japanese Films. Goethe-Universität Frankfurt and Darmstadt: Büchner-Verlag, pp. 145-162. ISBN 9783941310735.

    Centeno Martin, Marcos P. (2016) The rediscovery of the Japanese documentary cinema. The contemporary study of the unknown works of Susumu Hani in Iwanami Eiga. In: Lozano Méndez, A. (ed.) El Japón Contemporáneo. Una aproximación desde los Estudios Culturales,. Barcelona, Spain: Ed. Bellaterra, pp. 33-54. ISBN 9788472907577.

    Centeno Martin, Marcos P. (2011) Views of Modern and Postmodern Tokyo: dehumanization, urban and body changes. In: Biserna, E. and Brown, P. (eds.) Cinema, Architecture, Dispositif. Pasian di Prato: Campanotto Editore, pp. 156-161. ISBN 8845612176.

    Other

    Centeno Martin, Marcos P. (2014) Ainu. Pathways to Memory. Universitat de Valencia, TAU.

    This list was generated on Mon Jan 11 10:38:47 2021 GMT.