A

Alcorn, A. and Pain, H. and Rajendran, G. and Smith, Tim J. and Lemon, O. and Porayska-Pomsta, Kaska and Foster, M.E. and Avramides, K. and Frauenberger, C. and Bernardini, S. (2011) Social communication between virtual characters and children with autism. In: Biswas, G. and Bull, S. and Kay, J. and Mitrovic, A. (eds.) Artificial Intelligence in Education. Lecture Notes in Computer Science 6738. Berlin, Germany: Springer, pp. 7-14. ISBN 9783642218682.

B

Brady, M. and Leal, Joanne (2011) Wim Wenders and Peter Handke: collaboration, adaptation, recomposition. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft 147. Amsterdam, The Netherlands: Rodopi. ISBN 9789042032477.

C

Cook, Matt (2011) Homes fit for homos: Joe Orton, masculinity, and the domesticated queer. In: Arnold, John H. and Brady, Sean (eds.) What is Masculinity? Historical Dynamics from Antiquity to the Contemporary World. Genders and Sexualities in History. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230278134.

D

Dalzel-Job, S. and Oberlander, J. and Smith, Tim J. (2011) Contested staring: issues and the use of mutual gaze as an on-line measure of social presence. In: UNSPECIFIED (ed.) International Society for Presence Research Annual Conference – ISPR 2011. International Society for Presence Research. ISBN 9780979221743.

F

Friend, Stacie (2011) Fictive utterance and imagining II. Aristotelian Society Supplementary Volume 85 (1), pp. 163-180. ISSN 0309-7013.

Friend, Stacie (2011) The great beetle debate: a study in imagining with names. Philosophical Studies 153 (2), pp. 183-211. ISSN 0031-8116.

L

Leal, Joanne (2011) The interpersonal is political: locating the ethical subject in Katharina Hacker’s "Die Habenichtse". Angermion 4 , pp. 165-182. ISSN 1438-2091.

M

Maisey, S. and Smithen, P. and Vilaro Soler, A. and Smith, Tim J. (2011) Recovering from destruction: the conservation, reintegration and perceptual analysis of a flood-damaged painting by John Martin. In: ICOM-CC 2011 16th Triennial Conference, 19-23 Sep 2011, Lisbon, Portugal.

Mital, P.K. and Smith, Tim J. and Hill, R.L. and Henderson, J.M. (2011) Clustering of gaze during dynamic scene viewing is predicted by motion. Cognitive Computation 3 (1), pp. 5-24. ISSN 1866-9956.

Mulvey, Laura (2011) Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929). In: Labanyi, J. and Passerini, L. and Diehl, K. (eds.) Europe and Love in Cinema. Bristol, UK: Intellect Ltd., pp. 87-100. ISBN 9781841503790.

Mulvey, Laura (2011) Max Ophuls's auteurist adaptations. In: MacCabe, Colin and Murray, K. and Warner, R. (eds.) True to the Spirit: Film Adaptation and the Question of Fidelity. Oxford, UK: Oxford University Press, pp. 75-89. ISBN 9780195374667.

Mulvey, Laura (2011) Rear projection and the paradoxes of Hollywood realism. In: Nagib, L. and Perriam, C. and Dudrah, R. (eds.) Theorizing World Cinema. Tauris World Cinema Series. London, UK: I.B. Tauris, pp. 207-220. ISBN 9781848854925.

O

Owen, Louise (2011) "Identity correction": The Yes Men and acts of discursive "leverage". Performance Research 16 (2), pp. 28-36. ISSN 1352-8165.

Owen, Louise (2011) A response to 'Beyond Angels, Elephants, Good Intentions and Red-Nose Rebellion'. In: Beyond Angels, Elephants, Good Intentions and Red-Nose Rebellion: What is the Future for Art in the Public Realm?, June 2011, Armada House, Telephone Avenue, Bristol, UK, BS1 4BQ.

S

Smith, Tim J. and Henderson, J.M. (2011) Does oculomotor inhibition of return influence fixation probability during scene search? Attention, Perception, & Psychophysics 73 (8), pp. 2384-2398. ISSN 1943-3921.

Smith, Tim J. and Henderson, J.M. (2011) Looking back at Waldo: oculomotor inhibition of return does not prevent return fixations. Journal of Vision 11 (1), p. 3. ISSN 1534-7362.

T

Temple, Michael (2011) 'Cet incomparable Wilde': étude de trois scénarios de Marcel L'Herbier pour l'adaptation du 'Portrait de Dorian Gray'. 1895 : bulletin de l'Association française de recherche sur l'histoire du cinéma 64 , pp. 103-120. ISSN 0769-0959.

Temple, Michael (2011) “Cet incomparable Wilde”: étude des scénarios de Marcel L’Herbier pour l’adaptation du Portrait de Dorian Gray. 1895 revue d’histoire du cinéma 64 , pp. 102-119.

Temple, Michael (2011) Film begets television : l'histoire audiovisuelle du cinéma. In: Bertin-Maghit, J.P. (ed.) Lorsque Clio S'empare Du Documentaire: Ecriture de l'histoire. Les Médias en actes 1. Paris, France: Editions Harmattan, pp. 75-84. ISBN 9782296550148.

Temple, Michael (2011) Histoire-fiction de l’occupation nazie du Royaume-Uni dans It Happened Here. In: Lescot, D. and Veray, L. (eds.) Les mises en scène de la guerre au XXè siècle: Théâtre et cinéma. Paris, France: Editions Nouveau Monde. ISBN 9782847365764.

Temple, Michael (2011) Pour qu’il n’en ressortît jamais ? trois vies de Jean-Luc Godard. 1895 revue d’histoire du cinéma 64 , pp. 183-194. (Unpublished)

Temple, Michael (2011) Project the legend: la représentation du producteur comme personnage dans l’histoire du cinéma. In: Creton, L. and Dehée, Y. and Layerle, S. and Moine, C. (eds.) Les producteurs: Enjeux créatifs, enjeux financiers. Paris, France: Nouveau monde, pp. 27-41. ISBN 9782847366075.

Temple, Michael (2011) Project the legend: la représentation du producteur comme personnage dans l’histoire du cinéma. In: Creton, L. and Dehée, Y. and Layerle, S. and Monk, C. (eds.) Les Producteurs, enjeux créatifs, enjeux financiers. Paris, France: Éditions Nouveau Monde, pp. 27-41. ISBN 9782847366075.

V

Vilaro, A. and Smith, Tim J. (2011) Subtitle reading effects on visual and verbal information processing in films. Perception 40 , p. 153. ISSN 0301-0066.