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Armstrong, Isobel (2009) What do authors want? Journal of Victorian Culture 14 (1), pp. 115-124. ISSN 1355-5502.
Bale, Anthony (2008) Christian antisemitism and intermedial experience in late medieval England. In: Dimmock, M. and Hadfield, A. (eds.) The Religions of the Book: Christian Perceptions, 1400-1660. Early Modern Literature in History. Basingstoke, UK: Palgrave MacMillan, pp. 23-44. ISBN 9780230020047.
Bale, Anthony (2010) Feeling persecuted: Christians, Jews and images of violence in the middle ages. London, UK: Reaktion Books. ISBN 9781861897619.
Bale, Anthony (2008) From translator to Laureate: imagining the medieval author. Literature Compass 5 (5), pp. 918-934. ISSN 1741-4113.
Bale, Anthony (2012) Late medieval book-owners named John Leche. Bodleian Library Record 25 (1), pp. 105-112. ISSN 0067-9488.
Bale, Anthony (2009) A Norfolk gentlewoman and Lydgatian patronage: Lady Sibylle Boys and her cultural environment. Medium Aevum 78 (2), pp. 394-413. ISSN 0025-8385.
Bale, Anthony (2009) St Edmund in fifteenth-century London: the Lydgatian miracles of St Edmund. In: Bale, Anthony (ed.) St Edmund King and Martyr: Changing Images of a Medieval Saint. Woodbridge, UK: Boydell & Brewer, pp. 145-162. ISBN 9781903153260.
Bale, Anthony (2010) 'A maner latyn corrupt': Chaucer and the absent religions. In: Phillips, H. (ed.) Chaucer and Religion. Christianity and Culture: Issues in Teaching/Research. Woodbridge, UK: Boydell & Brewer. ISBN 9781843842293.
Bauer, Heike (2009) English literary sexology: translations of inversion, 1860-1930. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230221635.
Bauer, Heike (2006) Is there a history of female cross-dressing? In: Bauer, Heike (ed.) Women and Cross-Dressing: 1800-1939. History of Feminism. London, UK: Routledge, xiii-xxxvii. ISBN 9780415323024.
Bauer, Heike (2011) Lesbian time. In: Giffney, N. and Sauer, M.S. and Watt, D. (eds.) The Lesbian Premodern. The New Middle Ages. Basingstoke, UK: Palgrave Macmillan, pp. 161-169. ISBN 9780230616769.
Bauer, Heike (2008) Measurements of civilisation: non-western female sexuality and the fin de siècle social body. In: Cryle, P. and Forth, C.E. (eds.) Sexuality at the Fin de Siècle: The Making of a "Central Problem". Deleware, U.S.: Delaware University Press, pp. 93-108. ISBN 9781611491010.
Bauer, Heike (2003) "Not a translation but a mutilation": the limits of translation and the discipline of Sexology. The Yale Journal of Criticism 16 (2), pp. 381-405. ISSN 0893-5378.
Bauer, Heike (2003) “Not a translation but a mutilation”: The limits of translation and the discipline of sexology. The Yale Journal of Criticism 16 (2), pp. 381-405. ISSN 0893-5378.
Bauer, Heike (2010) ‘Race’, normativity and the history of sexuality: Magnus Hirschfeld’s racism and the early-twentieth-century sexology. Psychology and Sexuality 1 (3), pp. 239-249. ISSN 1941-9899.
Bauer, Heike (2006) Scholars, scientists and sexual inverts: authority and sexology in Nineteenth-Century scientific thinking. In: Clifford, D. and Wadge, E. and Warwick, A. and Willis, M. (eds.) Repositioning Victorian Sciences: Shifting Centres in Nineteenth-Century Thinking. London, UK: Anthem Press, pp. 197-206. ISBN 9781843312123.
Bauer, Heike (2012) Sexology backward: Hirschfeld, Kinsey and the reshaping of sex research in the 1950s. In: Bauer, Heike and Cook, Matt (eds.) Queer 1950s: Rethinking Sexuality in the Postwar Years. Genders and Sexualities in History. Basingstoke, Uk: Palgrave Macmillan, pp. 133-149. ISBN 9780230300699.
Bauer, Heike (2012) Sexuality in enlightenment popular culture. In: Peakman, Julie (ed.) A Cultural History of Sexuality in the Enlightenment. The Cultural Histories Series 4. London, UK: Berg, pp. 159-183. ISBN 9781847888037.
Bauer, Heike (2009) Theorizing female inversion: sexology, discipline and gender at the fin de siècle. Journal of the History of Sexuality 18 (1), pp. 84-102. ISSN 1043-4070.
Bauer, Heike (2009) The origin of Italian sexological studies: female sexual inversion, ca. 1870-1900. Journal of the History of Sexuality 18 (1), pp. 84-102. ISSN 1043-4070.
Bauer, Heike and Cook, Matt (2012) Introduction: queer 1950S: rethinking sexuality in the postwar years. In: Bauer, Heike and Cook, Matt (eds.) Queer 1950s: Rethinking Sexuality in the Postwar Years. Gender and Sexualities in History. Basingstoke, UK: Palgrave Macmillan, pp. 1-10. ISBN 9780230300699.
Bauer, Heike and Cook, Matt (2012) Queer 1950s: rethinking sexuality in the postwar years. Genders and Sexualities in History. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230300699.
Beasley, Rebecca (2007) Ezra Pound and the visual culture of modernism. Cambridge: Cambridge University Press. ISBN 9780521870405.
Beasley, Rebecca (2002) Ezra Pound's Whistler. American Literature 74 (3), pp. 485-516. ISSN 0002-9831.
Beasley, Rebecca (2009) Literature and the visual arts: art and letters (1917-20) and the apple (1920-22). In: Brooker, P. and Thacker, A. (eds.) The Oxford Critical and Cultural History of Modernist Magazines Volume I: Britain and Ireland 1880-1955. Oxford, UK: Oxford University Press, pp. 485-504. ISBN 9780199211159.
Bown, Nicola (2009) Empty hands and precious pictures: post-mortem portrait photographs of children. Australasian Journal of Victorian Studies 14 (2), pp. 8-24.
Bown, Nicola (2001) Fairies in nineteenth-century art and literature. Cambridge Studies in Nineteenth-Century Literature and Culture 33. Cambridge: Cambridge University Press. ISBN 9780521793155.
Bown, Nicola (2011) Gilbert in fairyland: the enchanted forest and the transfigured landscape. In: Bucklow, S. and Woodcock, S. (eds.) Sir John Gilbert: Art and Imagination in the Victorian Age. Farnham, UK: Ashgate. ISBN 9781848220799.
Bown, Nicola (2011) Tender beauty: Victorian painting and the problem of sentimentality. Journal of Victorian Culture 16 (2), pp. 214-225. ISSN 1355-5502.
Bown, Nicola (2004) What is the stuff that dreams are made of? In: Bown, Nicola and Burdett, Carolyn and Thurschwell, P. (eds.) The Victorian Supernatural. Cambridge Studies in Nineteenth-Century Literature and Culture 42. Cambridge, UK: Cambridge University Press, pp. 151-172. ISBN 9780521810159.
Bown, Nicola (2010) What the alligator didn't know: natural selection and love in our mutual friend. 19: Interdisciplinary Studies in the Long Nineteenth Century (10), ISSN 1755-1560.
Bradby, D. and Delgado, M.M. and Monks, Aoife and Svich, C. (2010) Editorial. Contemporary Theatre Review 20 (1), pp. 3-5. ISSN 1048-6801.
Brake, Laurel (2008) Oscar Wilde's An Ideal Husband and W. Somerset Maugham's The Constant Wife. In: Bristow, J. (ed.) Oscar Wilde and Modern Culture: The Making of a Legend. Athens, U.S.: Ohio University Press, pp. 209-233. ISBN 9780821418383.
Brake, Laurel (2001) Print in transition: studies in media and book history. Basingstoke, UK: Palgrave Macmillan, pp. 27-51. ISBN 9780333770474.
Brake, Laurel (2001) 'The Trepidation of the Spheres' : Serials and Books in the Nineteenth Century. In: UNSPECIFIED (ed.) Print in Transition, 1850 – 1910: studies in media and book history. Basingstoke, Hants.: Palgrave, pp. 3-26. ISBN 0 333 77047 1.
Brake, Laurel (1997) Writing, cultural production, and the periodical press in the nineteenth century. In: Bullen, J.B. (ed.) Writing and Victorianism. Harlow, England: Addison Wesley Longman, pp. 54-72. ISBN 0 582 28916 5.
Brake, Laurel and Demoor, M. (2009) The lure of illustration in the Nineteenth Century. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230217317.
Brooker, Joseph (2003) Children of destiny: Brian O’Nolan and the Irish ready-made school. Precursors and Aftermaths: Literature in English, 1914-1945 2 (1), pp. 74-98. ISSN 1542-8109.
Brooker, Joseph (2004) Estopped by Grand Playsaunce: Flann O'Brien's Post-colonial Lore. Journal of Law and Society 31 (1), pp. 15-37. ISSN 0263-323X.
Brooker, Joseph (2005) Flann O'Brien. Writers and their works. Tavistock, Devon: Northcote House. ISBN 0 7463 1081 1.
Brooker, Joseph (2010) Has the world changed or have I changed? The Smiths and the challenge of Thatcherism. In: Campbell, S. and Coulter, C. (eds.) Why Pamper Life's Complexities? Essays on the Smiths. Manchester, UK: Manchester University Press. ISBN 9780719078408.
Brooker, Joseph (2010) Irish Mimes: Flann O’Brien. In: Wright, J.M. (ed.) A Companion to Irish Literature. Blackwell Companions to Literature and Culture. New York, U.S.: Wiley Blackwell, pp. 176-192. ISBN 9781405188098.
Brooker, Joseph (2004) Joyce's critics: transitions in reading and culture. Madison, Wis, USA: University of Wisconsin Press. ISBN 0 299 19604 6.
Brooker, Joseph (2010) Literature of the 1980s: after the watershed. The Edinburgh History of Twentieth-Century Literature in Britain 9. Edinburgh, Scotland: Edinburgh University Press. ISBN 9780748633944.
Brooker, Joseph (2011) Myles’ tones. In: Baines, J. (ed.) 'Is it about a bicycle?' Flann O'Brien in the Twenty-First Century. Dublin, Ireland: Four Courts Press, pp. 17-31. ISBN 9781846822407.
Brooker, Joseph (2005) Neo lines: Alan Hollinghurst and the apogee of the eighties. The Literary Criterion 40 (3&4), pp. 104-116. ISSN 0024-452X.
Brooker, Joseph (2009) Post-war Joyce. In: McCourt, J. (ed.) James Joyce in Context. Cambridge, UK: Cambridge University Press, pp. 52-64. ISBN 9780521886628.
Brooker, Joseph (2004) Shades of the eighties: The Colour of Memory. In: Phillips, L. (ed.) The Swarming Streets: Twentieth-Century Literary Representations of London. Costerus 154. Amsterdam: Editions Rodopi BV, pp. 139-152. ISBN 90-420-1663-9.
Brooker, Joseph (2004) Unknown quantity: Joyce's words. In other words: a journal for literary translators 24 ,
Brooker, Joseph (2001) What tedium: boredom in "Malone dies". Journal of Beckett Studies 10 (1-2), pp. 29-39.
Brooker, Joseph (2006) The middle years of Martin Amis. In: Mengham, Rod and Tew, Philip (eds.) British Fiction Today. London, UK; New York: Continuum International Publishing Group Ltd., pp. 3-14. ISBN 0826487319.
Burdett, Carolyn (2011) Is empathy the end of sentimentality? Journal of Victorian Culture 16 (2), pp. 259-274. ISSN 1355-5502.
Burdett, Carolyn (2011) New agenda sentimentalities: introduction. Journal of Victorian Culture 16 (2), pp. 187-194. ISSN 1355-5502.
Burdett, Carolyn (2009) Sexual selection, automata and ethics in George Eliot's The Mill on the Floss and Olive Schreiner's Undine and From Man to Man. Journal of Victorian Culture 14 (1), pp. 26-52. ISSN 1355-5502.
Burdett, Carolyn (2013) The new woman. In: Mallett, P. (ed.) Thomas Hardy in Context. Cambridge, UK: Cambridge University Press, pp. 363-373. ISBN 9780521196482. (In Press)
Burdett, Carolyn (2011) "The subjective inside us can turn into the objective outside": Vernon Lee's psychological aesthetics. 19: Interdisciplinary Studies in the Long Nineteenth Century 12 , ISSN 1755-1560.
Burdett, Carolyn (2010) A sweeter word? History Workshop Journal 70 (1), pp. 223-233. ISSN 1363-3554.
Cale, Luisa (2009) Belinda and exhibition culture: fiction, pictures and imaginary Ekphrasis. In: Orestano, F. and Frigerio, F. (eds.) Strange Sisters: Literature and Aesthetics in the Nineteenth Century. Cultural Interactions: Studies in the Relationship between the Arts 9. New York, U.S.: Peter Lang, pp. 13-26. ISBN 9783039118403.
Cale, Luisa (2008) Blake and the literary galleries. In: Haggarty, S. and Mee, J. (eds.) Blake and Conflict. Basingstoke, UK: Palgrave Macmillan, pp. 185-209. ISBN 9780230573871.
Cale, Luisa (2010) Dickens extra-illustrated: heads and scenes in monthly parts (The Case of Nicholas Nickleby). Yearbook of English Studies 40 (1/2), pp. 8-32. ISSN 0306-2473.
Cale, Luisa (2012) Gendering the margins of Gray: William Blake, classical visual culture, and the alternative bodies of Ann Flaxman’s book. In: Bruder, H. and Connolly, T.J. (eds.) Blake, Gender and Culture. The Body, Gender and Culture 10. London: Pickering and Chatto, pp. 133-143. ISBN 9781848933040.
Cale, Luisa (2011) Gray’s ode and Walpole’s China tub: the order of the book and the paper lives of an object. Eighteenth-Century Studies 45 (1), pp. 105-125. ISSN 0013-2586.
Cale, Luisa (2011) The nightmare disseminated: the poetics of the bedroom scene in Fuseli, Frankenstein, Film. In: Thornton, S. and Gillard-Estrada, A.F. (eds.) Circulation and transfer of key scenes in nineteenth-century literature. Cahiers Charles V 48. Paris, France: Institut d'études anglophones, Université Paris Diderot, pp. 85-106. ISBN 9782902937479.
Clark, Sandra (2007) Renaissance drama. Cambridge: Polity Press. ISBN 978-07456-3310-7.
Clark, Sandra (2003) Women and crime in the street literature of early modern England. Basingstoke: Palgrave Macmillan. ISBN 1-4039-0212-7.
Clark, Sandra (2002) The broadside ballad and the woman's voice. In: Malcolmson, C. and Suzuki, M. (eds.) Debating gender in early modern England, 1500-1700. Early modern cultural studies. Basingstoke: Palgrave Macmillan, pp. 103-120. ISBN 0-312-29457-3.
Clucas, Stephen (2010) ‘All the mistery of infinites’: mathematics and the atomism of Thomas Harriot. In: Rommevaux, S. (ed.) Mathématiques et connaissance du monde réel avant Galilée. Collection Histoire des savoirs. Montreuil, France: Edition Omniscience, pp. 113-154. ISBN 9782916097268.
Clucas, Stephen (2008) Cornelius Gemma and universal method. In: Hirai, H. (ed.) Cornelius Gemma, Cosmology, Medicine and Natural Philosophy in Renaissance Louvain. Bruniana & campanelliana 10. Pisa. Italy: Fabrizio Serra, pp. 113-128. ISBN 9788862271189.
Clucas, Stephen (2007) Dreams, prophecies and politics: John Dee and the Elizabethan court, 1575-85. In: Wiseman, Susan J. and Hodgkin, K. and O'Callaghan, M. (eds.) Reading the Early Modern Dream: The Terrors of the Night. Routledge Studies in Renaissance Literature and Culture. Abingdon, UK: Routledge, pp. 67-80. ISBN 9780415386012.
Clucas, Stephen (2009) Epilogue. In: Marr, A. (ed.) The Worlds of Oronce Fine: Mathematics, Instruments, and Print in Renaissance France. Donington, UK: Shaun Tyas, pp. 206-212. ISBN 9781900289962.
Clucas, Stephen (2008) Galileo, Bruno and the rhetoric of dialogue in seventeenth-century natural philosophy. History of Science 46 (4), pp. 405-429. ISSN 0073-2753.
Clucas, Stephen (2006) John Dee’s angelic conversations and the Ars notoria: Renaissance magic and mediaeval theurgy. In: Clucas, Stephen (ed.) John Dee: Interdisciplinary Studies in English Renaissance Thought. International Archives of the History of Ideas Archives internationales d'histoire des idées 193. New York, U.S.: Springer, pp. 231-274. ISBN 9781402042454.
Clucas, Stephen (2011) Magic, Memory and Natural Philosophy in the Sixteenth and Seventeenth Centuries. Variorum Collected Studies Series CS973. Farnham, UK: Ashgate. ISBN 9781409419754.
Clucas, Stephen (2011) Margaret Cavendish's materialist critique of van Helmontian chymistry. Ambix 58 (1), pp. 1-12. ISSN 0002-6980.
Clucas, Stephen (2010) Pythagorean number symbolism, alchemy, and the disciplina noua of John Dee's Monas Hieroglyphica. Aries 10 (2), pp. 149-167. ISSN 1567-9896.
Clucas, Stephen (2010) Samuel Hartlib, intelligencing and technology in Seventeenth Century Europe. In: Kretzschmar, R. and Lorenz, S. (eds.) Leonardo da Vinci und Heinrich Schickhardt : zum Transfer technischen Wissens im vormodernen Europa. Stuttgart, Germany: W. Kohlhammer, pp. 58-75. ISBN 9783170217485.
Clucas, Stephen (2010) Scientia and inductio scientifica in the Logica Hamburgensis of Joachim Jungius. In: UNSPECIFIED (ed.) Scientia in Early Modern Philosophy: Seventeenth-Century Thinkers on Demonstrative Knowledge from First Principles. Studies in History and Philosophy of Science 24. New York, U.S.: Springer, pp. 53-70. ISBN 9789048130764.
Clucas, Stephen (2012) ‘This paradoxall Restitution Iudaicall’: the apocalyptic correspondence of John Dee and Roger Edwardes. Studies in History and Philosophy of Science Part A 43 (3), pp. 509-518. ISSN 0039-3681. (In Press)
Clucas, Stephen (2009) Thomas Harriot’s brief and true report: knowledge-making and the Roanoke voyage. In: Sloan, K. (ed.) European Visions: American Voices. Oxford, UK: British Museum Press, pp. 17-23. ISBN 9780861591725.
Coleman, D. and Fraser, Hilary (2008) Introduction: minds, bodies, machines. 19: Interdisciplinary Studies in the Long Nineteenth Century (7), ISSN 1755-1560.
Connor, Steven (2009) Absolute levity. Comparative Critical Studies 6 (3), pp. 411-427. ISSN 1744-1854.
Connor, Steven (2008) Atmospherics. In: Birdsall, C. and Enns, A. (eds.) Sonic Mediations: Body, Sound, Technology. Newcastle, UK: Cambridge Scholars Publishing, pp. 159-174. ISBN 9781847188397.
Connor, Steven (2008) Beckett & Bion. Journal of Beckett Studies 17 (1-2), pp. 9-34. ISSN 0309-5207.
Connor, Steven (2009) Beckett and Sartre: the nauseous character of all flesh. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies. London, UK: Continuum Press, pp. 56-76. ISBN 9780826497147.
Connor, Steven (2010) Beckett and the loutishness of learning. In: Tonning, E. and Feldman, M. and Engelberts, M. and van Hulle, D. (eds.) Samuel Beckett: Debts and Legacies. Samuel Beckett Today/Aujourd'hui 22. Amsterdam, The Netherlands: Rodopi, pp. 255-273. ISBN 9789042031661.
Connor, Steven (2009) Beckett and the world. In: Smith, R. (ed.) Beckett and Ethics. Continuum Literary Studies. London, UK: Continuum Press, pp. 134-146. ISBN 9780826498366.
Connor, Steven (2011) Doing without art. New Literary History 42 (1), pp. 53-69. ISSN 1080-661X.
Connor, Steven (2008) Gasworks. 19: Interdisciplinary Studies in the Long Nineteenth Century (6), ISSN 1755-1560.
Connor, Steven (2010) 'I believe that the world'. In: Nunning, V. and Nunning, A. and Neumann, B. (eds.) Cover Cultural Ways of Worldmaking: Media and Narratives. Concepts for the Study of Culture (CSC). Berlin, Germany: De Gruyter. ISBN 9783110227550.
Connor, Steven (2009) I switch off: Beckett and the ordeals of radio. In: Cohen, D.R. and Coyle, M. and Lewty, J. (eds.) Broadcasting Modernism. Gainesville, U.S.: University of Florida Press, pp. 274-293. ISBN 9780813033495.
Connor, Steven (2009) Incidents of the breath: in pneumatic and electric ventriloquisms. In: Satz, A. and Wood, J. (eds.) Articulate Objects: Voice, Sculpture and Performance. Pieterlen, Switzerland: Peter Lang, pp. 63-80. ISBN 9783039107476.
Connor, Steven (2009) Introduction. In: Serres, M. and Sankey, M. and Cowley, P. (eds.) Five Senses: A Philosophy of Mingled Bodies. Athlone Contemporary European Thinkers. London, UK: Continuum Press. ISBN 9780826459848.
Connor, Steven (2011) James Joyce. Tavistock, UK: Northcote House. ISBN 9780746311677.
Connor, Steven (2009) Kulturowa historia brzuchomówstwa. Krakow, Poland: Universitas. ISBN 9788324213771.
Connor, Steven (2008) Next to nothing. Tate etc. (12), pp. 82-93. ISSN 1743-8853.
Connor, Steven (2008) 'On such and such a day... in such a world': Beckett's radical finitude. Samuel Beckett Today/Aujourd'hui 19 , pp. 35-50. ISSN 0927-3131.
Connor, Steven (2008) Overlooking. In: Ekman, U. and Tygstrup, F. (eds.) Witness: Memory, Representation, and the Media in Question. Copenhagen, Denmark: Museum Tusculanum Press, pp. 291-302. ISBN 9788763504256.
Connor, Steven (2011) Paraphernalia: the curious lives of magical things. London, UK: Profile Books. ISBN 9781846682704.
Connor, Steven (2011) Personifikationen/Personifications. In: UNSPECIFIED (ed.) Ars Viva 2011-12: Sprache/Language: Erik Bünger, Philipp Goldbach, Jeurgen Stach. Berlin, Germany: Kulturkreis der deutschen Wirtschaft, pp. 34-47.
Connor, Steven (2011) A Philosophy of Sport. London, UK: Reaktion Books. ISBN 9781861898692.
Connor, Steven (2009) Phonophobia: the dumb devil of stammering. In: Bangma, A. and Donoghue, D.M. and Issa, L. and Zdjelar, K. (eds.) Resonant Bodies, Voices, Memories. Berlin, Germany: Revolver, pp. 132-144. ISBN 9783868950229.
Connor, Steven (2008) Pregnable of eye: X-rays, vision and magic. Leamington Spa Art Gallery and Warwick Arts Centre, Leamington Spa.
Connor, Steven (2009) Pulverulence. Cabinet Magazine , pp. 71-77. ISSN 1531-1430.
Connor, Steven (2011) Rage, rage against the dying of delight. In: Schad, J. and Tearle, O. (eds.) Sighs, Cries, Lies, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism ... Not to Mention the University. Sussex, UK: Sussex Academic Press, pp. 63-78. ISBN 9781845193423.
Connor, Steven (2009) Strings in the earth and air. New Formations (66), pp. 58-67. ISSN 0950-2378.
Connor, Steven (2010) Thinking things. Textual Practice 24 (1), pp. 1-20. ISSN 0950-236X.
Connor, Steven (2009) The fizziness business. In: Saunders, C. and Maude, U. and Macnaughton, J. (eds.) The Body and the Arts. Basingstoke, UK: Palgrave MacMillan, pp. 55-71. ISBN 9780230552043.
Connor, Steven (2010) The matter of air: science and art of the ethereal. London, UK: Reaktion. ISBN 9781861897664.
Connor, Steven (2010) A philosophy of fidgets. In: Domela, P. (ed.) Touched. Liverpool, UK: Liverpool Biennial of Contemporary Art, pp. 30-37. ISBN 9780953676194.
Connor, Steven (2009) The right stuff. Modern painters , pp. 58-63. ISSN 0953-6698.
Connor, Steven (2008) The shakes: conditions of tremor. The Senses and Society 3 (2), pp. 205-220. ISSN 1745-8927.
Connor, Steven (2009) A short stirring to meekness. In: Birdsall, C. and Boletsi, M. and Sapir, I. and Verstraete, P. (eds.) Inside Knowledge: (Un)doing Ways of Knowing in the Humanities. Newcastle, UK: Cambridge Scholars Publishing, pp. 193-208. ISBN 9781443805773.
Connor, Steven and Stanek, B. (2008) Mucha: historia, antropologia, kultura. Krakow, Poland: Universitas. ISBN 9788324206612.
Cook, Matt (2012) Warm homes in a cold climate: Rex Batten and the queer domestic. In: Bauer, Heike and Cook, Matt (eds.) Queer 1950s: Rethinking Sexuality in the Postwar Years. Gender and Sexualities in History. Basingstoke, UK: Palgrave Macmillan, pp. 115-130. ISBN 9780230300699.
Davis, Isabel (2012) Calling: Langland, Gower and Chaucer on Saint Paul. Studies In The Age of Chaucer 34 , pp. 53-97. ISSN 0190-2407.
Davis, Isabel (2009) Expressing the middle English I. Literature Compass 6 (4), pp. 842-863. ISSN 1741-4113.
Davis, Isabel (2008) On the sadness of not being a bird: late-medieval marriage ideologies and the figure of Abraham in William Langland’s Piers Plowman. In: Kowaleski, M. and Goldberg, P.J.P. (eds.) Medieval Domesticity: Home, Housing and Household in Medieval England. Cambridge, UK: Cambridge University Press, pp. 209-231. ISBN 9780521899208.
Davis, Isabel (2008) Piers Plowman and the querelle of the rose: marriage, caritas and the peacock's 'pennes'. New Medieval Literatures 10 , pp. 49-86. ISSN 1465-3737.
Davis, Isabel (2011) "The Trinite is our everlasting lover": marriage and trinitarian love in the later Middle Ages. Speculum 86 (4), pp. 914-963. ISSN 0038-7134.
Davis, Isabel (2011) ‘Ye that pasen by þe weiye’: time, topology and the medieval use of Lamentations 1.12. Textual Practice 25 (3), pp. 437-472. ISSN 0950-236X.
Dobson, Michael (2010) John Philip Kemble. In: Holland, P. (ed.) Great Shakespeareans. London, UK: Continuum Books. ISBN 9780826471529.
Dobson, Michael (2011) Shakespeare and amateur performance: a cultural history. Cambridge, UK: Cambridge University Press. ISBN 9780521862349.
Dobson, Michael (2008) Shakespeare performances in England, 2007. In: Holland, P. (ed.) Shakespeare, Sound and Screen. Shakespeare Survey 61. Cambridge, UK: Cambridge University Press, pp. 318-350. ISBN 9780521898881.
Dobson, Michael (2011) The pageant of history: staging the local past, 1905-39. In: Burnett, M.T. and Streete, A. (eds.) Filming and Performing Renaissance History. Basingstoke, UK: Palgrave Macmillan, pp. 163-177. ISBN 9780230273436.
Feehily, Claire (2009) "The surest engagement with memory lies in its perpetual irresolution": the work of W.G. Sebald as counter-monument. In: Fischer, G. (ed.) W.G. Sebald: Schreiben ex patria / Expatriate Writing. Amsterdamer Beiträge zur neueren Germanistik 72. Amsterdam, The Netherlands: Rodopi, pp. 177-192. ISBN 9789042027817.
Finlay, Alison (2009) Chronology, genealogy, and conversion : the afterlife of St. Edmund in the north. In: Bale, Anthony (ed.) St Edmund, King and Martyr: Changing Images of a Medieval Saint. Woodbridge, UK: Boydell & Brewer. ISBN 9781903153260.
Finlay, Alison (2011) Risking one’s head: Vafþrúðnismál and the mythic power of poetry. In: Anlezark, D. (ed.) Myths, Legends, and Heroes: Essays on Old Norse and Old English Literature. Toronto, Canada: Toronto University Press, pp. 91-108. ISBN 9780802099471.
Finlay, Alison (2010) The saga of Ásmundr, killer of champions. In: Finlay, Alison and Arnold, M. (eds.) Making History: Essays on the Fornaldarsögur. London, UK: Viking Society for Northern Research, pp. 119-139. ISBN 9780903521840.
Fraser, Hilary (2012) Periodicals and reviewing. In: Flint, K. (ed.) The Cambridge History of Victorian Literature. Cambridge, UK: Cambridge University Press, pp. 56-76. ISBN 9780521846257.
Fraser, Hilary (2010) Women and the art of fiction. Yearbook of English Studies 40 (1/2), pp. 61-82. ISSN 0306-2473.
Fraser, Hilary (2010) Writing the past. In: Shattock, J. (ed.) The Cambridge Companion to English Literature 1830-1914. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 108-126. ISBN 9780521882880.
Fraser, Hilary (2008) The morals of genealogy. Raritan: A Quarterly Review 27 (4), pp. 115-132. ISSN 0275-1607.
Freshwater, Helen (2010) Delirium: in rehearsal with Theatre O. In: Mermikides, A. and Smart, J. (eds.) Devising in Process. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230573666.
Freshwater, Helen (2009) Theatre and audience. Theatre And. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230210288.
Freshwater, Helen (2009) Theatre censorship in Britain: silencing, censure and suppression. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230223783.
Freshwater, Helen (2011) ‘You say something’: audience participation and the author. Contemporary Theatre Review 21 (4), pp. 405-409. ISSN 1048-6801.
Gilman, M. and Gilman, Sander L. (2008) Electrotherapy and the human voice: a literature review of the historical origins and contemporary applications. Journal of Voice 22 (2), pp. 219-231. ISSN 0892-1997.
Gilman, M. and Gilman, Sander L. and Johns, M.M. (2009) Human papillomavirus, abstinence, and the other risks. The Lancet 373 (9673), pp. 1420-1421. ISSN 0140-6736.
Gilman, Sander L. (2008) Are Jews musical: historical notes on the question of Jewish musical modernism and nationalism. Modern Judaism 28 (3), pp. 239-256. ISSN 0276-1114.
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Gilman, Sander L. (2008) Are Jews smarter than everyone else? Mens Sana Monographs 6 (1), pp. 41-47. ISSN 0973-1229.
Gilman, Sander L. (2008) Bilingualism in the world of health and illness. Journal of Medical Humanities 29 (3), pp. 137-146. ISSN 1041-3545.
Gilman, Sander L. (2010) Diseases & diagnoses: the second age of Biology. Picataway, U.S.: Transaction Publishers. ISBN 9781412810494.
Gilman, Sander L. (2008) Fat: a cultural history of obesity. Cambridge, UK: Polity Press. ISBN 9780745644400.
Gilman, Sander L. (2007) Foreword. In: Berberi, T. and Hamilton, E.C. and Sutherland, I.M. (eds.) Worlds Apart? Disability and Foreign Language Learning. New Haven, U.S.: Yale University Press, ix-xii. ISBN 9780300116304.
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Gilman, Sander L. (2010) Obesity: the biography. Biographies of Disease. Oxford, UK: Oxford University Press. ISBN 9780199557974.
Gilman, Sander L. (2008) "Schwarze sexualitat und modernes bewusstsein" in Peter Altenberg's Ashantee. In: Altenberg, P. and Kopp, K. and Schwarz, M. (eds.) Ashantee: Afrika und Wien um 1900. Vienna, Austria: Loecker Erhard Verlag. ISBN 9783854094609.
Gilman, Sander L. (2008) Some weighty thoughts on dieting and epidemics. The Lancet 371 (9623), pp. 1498-1499. ISSN 0140-6736.
Gilman, Sander L. (2009) Vayera: joy of waiting. In: Salkin, J.K. (ed.) The modern men's Torah commentary: new insights from Jewish men on the 54 weekly Torah portions. Woodstock, U.S.: Jewish Lights. ISBN 9781580233958.
Gilman, Sander L. (2010) Wagner and Cinema. Indiana, U.S.: Indiana University Press. ISBN 9780253221636.
Gilman, Sander L. (2008) The abandonment of socialist ideals. Tikkun Magazine 23 (3), p. 42. ISSN 0887-9982.
Gilman, Sander L. (2008) An exploration of manic depression. The Lancet 371 (9609), pp. 293-294. ISSN 0140-6736.
Glaser, Eliane (2008) 'A parallel made with the Jewish Sanhedrin': tolerating Jews and Jewish precedents in the early modern Church and state. In: Dimmock, M. and Hadfield, A. (eds.) The Religions of the Book: Christian Perceptions, 1400-1660. Early Modern Literature in History. Basingstoke, UK: Palgrave Macmillan, pp. 159-179. ISBN 9780230020047.
Hamblyn, Richard (2008) Notes from underground: Lisbon after the earthquake. Romanticism 14 (2), pp. 108-118. ISSN 1354-991X.
Hamblyn, Richard (2009) Terra: tales of the Earth. London: Picador. ISBN 9780330490733.
Hamblyn, Richard (2011) The art of science: a natural history of ideas. London: Picador. ISBN 9780330490764.
Hamblyn, Richard (2009) The whistleblower and the canary: rhetorical constructions of climate change. Journal of Historical Geography 35 (2), pp. 223-236. ISSN 0305-7488.
Hamblyn, Richard and Callanan, M.J. (2010) Data soliloquies. London, UK: Slade Press. ISBN 9780903305044.
Hamblyn, Richard and Southam, J. (2012) The river - Winter. In: UNSPECIFIED (ed.) The River - Winter. London, UK: Mack Books, pp. 87-94. ISBN 9781907946288. (In Press)
Hartnell, Anna (2011) Between Exodus and Egypt: Israel-Palestine and the break-up of the Black-Jewish Alliance. In: Orrells, D. and Bhambra, G.K. and Roynon, T. (eds.) African Athena: New Agendas. Classical Presences. Oxford, UK: Oxford University Press, pp. 122-138. ISBN 9780199595006.
Hartnell, Anna (2008) Between Exodus and Egypt: Malcolm X, Islam, and the ‘natural’ religion of the oppressed. European Journal of American Culture 27 (3), pp. 207-226. ISSN 1466-0407.
Hartnell, Anna (2011) Domesticating Katrina: eliding the international coordinates of a ‘natural’ disaster. In: Sewell, B. and Lucas, S. (eds.) Challenging US Foreign Policy: America and the World in the Long Twentieth Century. Basingstoke, UK: Palgrave Macmillan, pp. 244-259. ISBN 9780230249899.
Hartnell, Anna (2009) Exodus and redemption in Toni Morrison’s Paradise: a magical encounter with the Bible. In: Hawkins Benedix, B. (ed.) Subverting Scriptures: Critical Reflections on the Use of the Bible. New York, U.S.: Palgrave Macmillan. ISBN 9780230610699.
Hartnell, Anna (2012) Hurricane Katrina as visual spectacle: hurricane on the bayou and the reframing of American national identity. In: Cusack, T. (ed.) Art and Identity at the Water's Edge. Farnham, UK: Ashgate. ISBN 9781409421214. (In Press)
Hartnell, Anna (2010) Israel under the shadow of the Holocaust in David Grossman’s "See Under: Love": a post-religious national entity? In: Carruthers, J. and Tate, A. (eds.) Spiritual Identities: Literature and the Post-Secular Imagination. Cultural Interactions: Studies in the Relationship between the Arts 17. New York, U.S.: Peter Lang, pp. 177-196. ISBN 9783039119257.
Hartnell, Anna (2009) Katrina tourism and a tale of two cities: visualizing race and class in New Orleans. American Quarterly 61 (3), pp. 723-747. ISSN 0003-0678.
Hartnell, Anna (2010) Moving through America: race, place and resistance in Mohsin Hamid's "The Reluctant Fundamentalist". Journal of Postcolonial Writing 46 (3-4), pp. 336-348. ISSN 1744-9855.
Hartnell, Anna (2009) Re-drawing the east/west boundary: orientalizing Jewish identity in Allen Ginsberg’s “Kaddish”. In: Sielke, S. and Kloeckner, C. (eds.) Orient and Orientalisms in US-American Poetry and Poetics. Transcription 4. New York, U.S.: Peter Lang, pp. 235-256. ISBN 9783631576083.
Hartnell, Anna (2011) Rewriting Exodus: American Futures from Du Bois to Obama. London, UK: Pluto Press. ISBN 9780745329567.
Hartnell, Anna (2010) W. E. B. Du Bois, William Faulkner, and the dialectic of black and white: in search of Exodus for a postcolonial American south. Callaloo 33 (2), pp. 521-536. ISSN 1080-6512.
Hartnell, Anna (2012) When the levees broke: inconvenient truths and the limits of national identity. African American Review 45 (1-2), pp. 17-31. ISSN 1062-4783.
Healy, Tom (2003) Drama, Ireland, and the question of civility. In: Richards, J. (ed.) Early Modern Civil Discourses. Early Modern Literature in History. Basingstoke, UK: Palgrave Macmillan, pp. 131-145. ISBN 9781403917362.
James, H. (2009) The portrait of a lady. Oxford World's Classics. Oxford, UK: Oxford University Press. ISBN 9780199217946.
Jones, Russell Celyn (2010) Adaptation: on reworking the Mabinogion. New Welsh Review (88), pp. 9-14. ISSN 0954-2116.
Jones, Russell Celyn (2011) Is this a dirty word in Dorchester? In: Moore, D. and Raymond, G. and Wild, S. (eds.) The Raconteur: America. Swansea, UK: Parthian. ISBN 9781908069641.
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Jones, Russell Celyn (2009) The ninth wave. New Stories from the Mabinogion. Bridgend, UK: Seren. ISBN 9781854115140.
Ledger, Sally (2004) From Queen Caroline to Lady Dedlock: Dickens and the popular radical imagination. Victorian Literature and Culture 32 (2), pp. 575-600. ISSN 1060-1503.
Leslie, Esther (2006) Add value to contents: the valorisation of culture today. Transversal: machines and subjectivation 11 , ISSN 1811-1696.
Leslie, Esther (2007) American splendor. In: Merck, M. (ed.) America First: Naming the Nation in US Film. London, UK: Routledge. ISBN 9780415374965.
Leslie, Esther (2007) Blake's lines: seven digressions through time and space. ImageTexT 3 (2), ISSN 1549-6732.
Leslie, Esther (2005) Book review: enough is enough! Variant: Cross Currents in Culture 22 (12), pp. 33-34. ISSN 0954-8815.
Leslie, Esther (2011) Bouleversed Baudelairizing. Other. Veer, London, UK.
Leslie, Esther (2011) Critical criticism’s critique: 13 theses, or, it is all rubbish. In: Schad, J. and Tearle, O. (eds.) Crrritic! Sighs, Cries, Lies, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism ... Not to Mention the University. Eastbourne, UK: Sussex Academic Press. ISBN 9781845193423.
Leslie, Esther (2013) Crowds, clouds, politics and aesthetics, flipping again. Nordic Journal of Aesthetics , ISSN 2000-9607. (In Press)
Leslie, Esther (2011) Eisenstein - Joyce - Marx; cosmic, comic. Enclave Review, Cork, Ireland.
Leslie, Esther (2008) Flux and flurry: stillness and hypermovement in animated worlds. Radical Philosophy 152 , pp. 21-30. ISSN 0300-211X.
Leslie, Esther (2006) From stillness to movement and back: cartoon theory today. Radical Philosophy 137 , pp. 8-12. ISSN 0300-211X.
Leslie, Esther (2005) Globalica: communism, culture and the commodity. In: UNSPECIFIED (ed.) Economising Culture On the (Digital) Culture Industry. New York, USA: Autonomedia. ISBN 9781570271687.
Leslie, Esther (2004) Hollywood flatlands: animation, critical theory and the avant-garde. London, UK: Verso. ISBN 9781844675043.
Leslie, Esther (2009) Houses of the future. Modern painters 21 (1), pp. 28-30. ISSN 0953-6698.
Leslie, Esther (2009) Icy scenes from three centuries. In: Pajaczkowska, C. and White, L. (eds.) The Sublime Now. Newcastle, UK: Cambridge Scholars Publishing, pp. 36-49. ISBN 9781443813020.
Leslie, Esther (2009) It's Mickey Mouse. In: Furniss, M. (ed.) Animation - Art & Industry: A Reader. New Barnet, UK: John Libbey. ISBN 9780861966806.
Leslie, Esther (2006) Kandinsky, Oskar Fischinger: where abstraction and comics collide. Tate etc. 7 , ISSN 1743-8853.
Leslie, Esther (2007) Kracauer’s Weimar geometry and geomancy. New Formations 61 , pp. 34-48. ISSN 0950-2378.
Leslie, Esther (2010) Lines in the landscape. Hammer Museum and DelMonico Books, an imprint of Prestel Publishing, Los Angeles, U.S..
Leslie, Esther (2013) Loops and joins: Muybridge and the optics of animation. Early Popular Visual Culture 11 (1), pp. 28-40. ISSN 1746-0654.
Leslie, Esther (2010) Recycling. In: Beaumont, M. and Dart, G. (eds.) Restless Cities. London, UK: Verso. ISBN 9781844674053.
Leslie, Esther (2006) Ruin and rubble in the arcades. In: Hansen, B. (ed.) Walter Benjamin and the Arcades Project. Walter Benjamin Studies. London, UK: Continuum. ISBN 9780826463876.
Leslie, Esther (2011) Shadowy, shape-shifting, shaky: animation as subversion. In: Wagner, B. and Grausgruber, W. (eds.) Tricky Women: Animations Film Kunst von Frauen. Vienna, Asutria: Schueren. ISBN 9783894727239.
Leslie, Esther (2009) Shudder - Shutter - Shatter. Animate Projects.
Leslie, Esther (2011) Slumberland, architecture and the technological unconscious. In: Libero, A. (ed.) Spielraum: W. Benjamin et l’Architecture. Paris, France: Editions La Villette. ISBN 9782915456608.
Leslie, Esther (2011) Smashing time. In: Loftus, B. (ed.) Sigismund's Watch. London, UK: Phillip Wilson Publishing, pp. 85-98. ISBN 9780856677090.
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Leslie, Esther (2005) Synthetic worlds: nature, art and the chemical industry. London, UK: Reaktion Books. ISBN 9781861892485.
Leslie, Esther (2007) Walter Benjamin. Critical Lives. London, UK: Reaktion. ISBN 9781861893437.
Leslie, Esther (2010) Walter Benjamin, politics, aesthetics. Kunst Spektakel Revolution, Weimar, Germany.
Leslie, Esther (2000) Walter Benjamin: overpowering conformism. Modern European Thinkers. London, UK: Pluto Press. ISBN 9780745315737.
Leslie, Esther (1998) Walter Benjamin: traces of craft. Journal of Design History 11 (1), pp. 5-13. ISSN 1741-7279.
Leslie, Esther and Jackson, M. (2010) The Urpflanze. London, UK: The Drawing Room and Matt's Gallery London. ISBN 9780955829925.
Leslie, Esther and McCail, C. (2009) Chad McCail in conversation with Esther Leslie. Stanley Picker Gallery Public Lectures on Art 3. Kingston-Upon-Thames, UK: Centre for Useless Splendour. ISBN 9780956378231.
Leslie, Esther and Wayne, M. (2009) Preface. In: Bould, M. and Miéville, China (eds.) Red Planets: Marxism and Science Fiction. Lebanon, U.S.: Univeristy Press of New England. ISBN 9780819569134.
Litt, Toby (2007) Hospital. London, UK: Hamish Hamilton. ISBN 9780241142806.
Litt, Toby (2009) I play the drums in a band called okay. London, UK: Penguin. ISBN 9780141017921.
Litt, Toby (2009) Journey into Space. London, UK: Penguin. ISBN 9780141902906.
Litt, Toby (2010) King Death. London, UK: Penguin. ISBN 9780141902920.
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Luckhurst, Roger (2010) Beyond trauma: torturous times. European Journal of English Studies 14 (1), pp. 11-21. ISSN 1382-5577.
Luckhurst, Roger (2008) Contemporary photography and the technological sublime, or, can there be a science fiction photography? Journal of the Fantastic In the Arts 19 (2), pp. 181-195. ISSN 0897-0521.
Luckhurst, Roger (2009) Greg Bear. In: Bold, M. and Butler, A. and Roberts, A. and Vint, S. (eds.) Fifty Key Figures in Science Fiction. Routledge Key Guides. Abingdon, UK: Routledge, pp. 27-32. ISBN 9780415439503.
Luckhurst, Roger (2011) In the zone: topologies of genre weirdness. In: Wasson, S. and Alder, E. (eds.) Gothic Science Fiction 1980-2010. Liverpool, UK: Liverpool University Press. ISBN 9781846317071.
Luckhurst, Roger (2009) Introduction. In: Luckhurst, Roger (ed.) The Portrait of a Lady. Oxford World's Classics. Oxford, UK: Oxford University Press, vii-xxxiv. ISBN 9780199217946.
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Luckhurst, Roger (2009) Late Victorian Gothic tales. Oxford World's Classics. Oxford, UK: Oxford University Press. ISBN 9780199538874.
Luckhurst, Roger (2012) Martian montage: Chris Marker's SF. Science Fiction Film and Television 5 (2), pp. 273-285. ISSN 1754-3770.
Luckhurst, Roger (2009) Psuedoscience. In: Bold, M. and Butler, A. and Roberts, A. and Vint, S. (eds.) The Routledge Companion to Science Fiction. Routledge Literature Companions. Abingdon, UK: Routledge, pp. 403-412. ISBN 9780415453783.
Luckhurst, Roger (2009) Reflections on Joan Didion's The Year of Magical Thinking. New Formations (67), pp. 91-100. ISSN 0950-2378.
Luckhurst, Roger (2010) Religion, psychical research, spiritualism, and the occult. In: Brooker, P. and Gasiorek, A. and Longworth, D. and Thacker, A. (eds.) The Oxford Handbook of Modernisms. Oxford, UK: Oxford University Press. ISBN 9780199545445.
Luckhurst, Roger (2009) Remembering Eve Sedgwick. Science Fiction Studies 35 (3), pp. 395-397. ISSN 0091-7729.
Luckhurst, Roger (2010) Science fiction and cultural history. Science Fiction Studies 37 (1), ISSN 0091-7729.
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Luckhurst, Roger (2008) The found-footage science fiction film: five films by Craig Baldwin, Werner Herzog, and Patrick Keiller. Science Fiction Film & Television 1 (2), pp. 193-214. ISSN 1754-3770.
Luckhurst, Roger (2010) The mummy's curse: a study in rumour. Critical Quarterly 52 (3), pp. 6-22. ISSN 0011-1562.
Luckhurst, Roger (2010) An occult gazetteer of Bloomsbury: an experiment in method. In: Phillips, L. and Witchard, A. (eds.) London Gothic: Place, Space and the Gothic Imagination. Continuum Literary Studies. London, UK: Continuum Press, pp. 50-62. ISBN 9781441106827.
Luckhurst, Roger (2009) The politics of the network: the science in the capital trilogy. In: Burling, W.J. and Palumbo, D.E. and Sullivan III, C.W. (eds.) Kim Stanley Robinson Maps the Unimaginable. Jeferson, U.S.: Mcfarland Press, pp. 170-180. ISBN 9780786433698.
Luckhurst, Roger (2009) The productive convergence of SF criticism and critical theory. Science Fiction Studies 36 (3), pp. 513-521. ISSN 0091-7729.
Luckhurst, Roger (2012) The public sphere, popular culture and the true meaning of the zombie apocalypse. In: Glover, D. and McCracken, S. (eds.) The Cambridge Companion to Popular Fiction. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press. ISBN 9780521513371. (In Press)
Luckhurst, Roger (2012) The sinking of the Titanic: Stead's death (and slight return). In: Luckhurst, Roger and Brake, Laurel and Mussell, J. and King, E. (eds.) W.T. Stead: Newspaper Revolutionary. London, UK: British Library Press, pp. 181-196. ISBN 9780712358668. (In Press)
Luckhurst, Roger (2008) The trauma question. Abingdon, UK: Routledge. ISBN 9780415402712.
Luckhurst, Roger (2008) The uncanny after Freud: the contemporary trauma subject and the fiction of Stephen King. In: Collins, J. and Jervis, J. (eds.) Uncanny Modernity: Cultural Theories, Modern Anxieties. Basingstoke, UK: Palgrave MacMillan, pp. 128-145. ISBN 9780230517714.
MacCabe, Colin (2009) Birth of a cinema. Critical Quarterly 51 (1), pp. 126-131. ISSN 0011-1562.
MacCabe, Colin (2009) Breaking the British movie myth. Prospect (166), ISSN 1359-5024.
MacCabe, Colin (2009) Cannes notebook: a very good year. Film Quarterly 63 (1), pp. 68-70. ISSN 0015-1386.
MacCabe, Colin (2008) In words we are made flesh: towards a new Cambridge philology. Critical Quarterly 50 (1-2), pp. 64-84. ISSN 0011-1562.
MacCabe, Colin (2008) Life after death. New Statesman , pp. 36-38. ISSN 1364-7431.
MacCabe, Colin (2008) The hunger artist. Modern painters 20 (7), p. 48. ISSN 0953-6698.
Mandeville, J. and Bale, Anthony (2012) The book of marvels and travels. Oxford World's Classics. Oxford, UK: Oxford University Press. ISBN 9780199600601.
McAllister, David (2009) Artificial respiration in "Our Mutual Friend". The Dickensian 105 (478), pp. 101-108. ISSN 0012-2440.
McAllister, David (2009) Artificial respiration in 'Our Mutual Friend'. The Dickensian 105 (478), pp. 101-108. ISSN 0012-2440.
McAllister, David (2013) Living with the dead in Wordsworth's "Lyrical Ballads". Modern Language Review 108 (2), pp. 416-437. ISSN 0026-7937.
McAllister, David (2007) "Subject to the sceptre of imagination": sleep, dreams, and unconsciousness in Oliver Twist. Dickens Studies Annual 38 , pp. 1-17. ISSN 0084-9812.
McAllister, David (2011) A subject dead is not worth presenting: Cromwell, the past and the haunting of Thomas Carlyle. Romanticism and Victorianism on the Net (59-60), ISSN 1916-1441.
McAllister, David (2012) A use in measured language: poetic allusion and the Victorian culture of death. Forum for Modern Language Studies , ISSN 0015-8518. (In Press)
McLoughlin, Kate (2011) Authoring war: the literary representation of war from the Iliad to Iraq. Cambridge, UK: Cambridge University Press. ISBN 9781107003903.
McLoughlin, Kate (2007) "Dispute Incarnate": Philip Roth's Operation Shylock, the Demjanjuk Trial, and eyewitness testimony. Philip Roth Studies 3 (2), pp. 115-130. ISSN 1547-3929.
McLoughlin, Kate (2011) Glamour goes to war: Lee Miller's writings for British Vogue, 1939–45. Journal of War & Culture Studies 3 (3), pp. 335-348. ISSN 1752-6272.
McLoughlin, Kate (2013) Interruption overload: telephones in Ford Madox Ford’s "4692 Padd", "A Call" and "A Man Could Stand Up". Journal of Modern Literature , ISSN 0022-281X. (In Press)
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McLoughlin, Kate (2008) Voices of the Munich Pact. Critical Inquiry 34 (3), pp. 543-62. ISSN 0093-1896.
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McLoughlin, Kate (2009) War in print journalism. In: McLoughlin, Kate (ed.) The Cambridge Companion to War Writing. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 47-57. ISBN 9780521720045.
Monks, Aoife (2009) Looking for Fiona: gender and nationality in the work of Fiona Shaw. In: Sihra, M. and Murphy, P. (eds.) The Dreaming Body: Contemporary Irish Theatre. Ulster Editions & Monographs 16. Gerrards Cross, UK: Colin Smythe. ISBN 9780861404650.
Monks, Aoife (2009) The actor in costume. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230216990.
Msiska, Mpalive-Hangson (2009) Detecting globalisation, modernity and gender subjectivity in David Maillu's Benni Kamba 009 in Operation DXT. Journal of East African Studies 3 (1), pp. 132-152. ISSN 1753-1055.
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Salisbury, Laura (2011) Bulimic Beckett: food for thought and the archive of analysis. Critical Quarterly 53 (3), pp. 60-80. ISSN 0011-1562.
Salisbury, Laura (2011) Linguistic trepanation: brain damage, penetrative seeing and a revolution of the word. In: Coleman, D. and Fraser, Hilary (eds.) Minds, Bodies, Machines, 1770-1930. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave Macmillan, pp. 179-208. ISBN 9780230284678.
Salisbury, Laura (2010) Narration and neurology: Ian McEwan's mother tongue. Textual Practice 24 (5), pp. 883-912. ISSN 0950-236X.
Salisbury, Laura (2012) Samuel Beckett: laughing matters, comic timing. Edinburgh, Scotland: Edinburgh University Press. ISBN 9780748647484.
Salisbury, Laura (2010) "Something or nothing": Beckett and the matter of language. In: Caselli, D. (ed.) Beckett and Nothing. Manchester, UK: Manchester University Press. ISBN 9780719080197.
Salisbury, Laura (2010) Sounds of silence: aphasiology and the subject of modernity. In: Salisbury, Laura and Shail, A. (eds.) Neurology and Modernity: A Cultural History of Nervous Systems, 1800-1950. Basingstoke, UK: Palgrave MacMillan, pp. 204-230. ISBN 9780230233133.
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Walsh, Fintan (2005) "About time" and Irish theatre practice. Contemporary Theatre Review 15 (1), pp. 171-174. ISSN 1048-6801.
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Walsh, Fintan (2010) Big love: relationality, ethics and the art of letting go. Theatre Research International 35 (1), pp. 17-31. ISSN 0307-8833.
Walsh, Fintan (2009) Cock tales: homosexuality, trauma and the cosmopolitan queer. Film Ireland (120), pp. 16-18. ISSN 0791-7546.
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Walsh, Fintan (2009) Homelysexuality and the “beauty” pageant. In: Brady, S. and Walsh, Fintan (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke, UK: Palgrave Macmillan, pp. 196-210. ISBN 9780230219984.
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Walsh, Fintan (2012) Queer publics, public queers. Performing Ethos: International Journal of Ethics in Theatre and Performance 2 (2), pp. 91-94. ISSN 1757-1979.
Walsh, Fintan (2009) Redressing the past, cross-dressing the future. Foilsiú: Interdisciplinary Journal of Irish Studies 8 , pp. 79-92.
Walsh, Fintan (2008) Shirley Temple Bar at the Abbey: Irish theatre, queer performance and the politics of disidentification. Irish Theatre International 1 (1), pp. 53-72. ISSN 2009-0870.
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Walsh, Fintan (2006) The law of the father, and of the son, and of the evil queer: (en)gendering violence in 'The Passion of the Christ'. In: UNSPECIFIED (ed.) Journal of Postgraduate Research. Dublin, Ireland: Trinity College Dublin, pp. 171-174. ISBN 9780955054723.
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Wood, Benjamin (2012) Voices. National Post, Ontario, Canada.
Wood, Benjamin (2012) The bellwether revivals. London, UK: Simon & Schuster. ISBN 9780857206954.
Wood, Benjamin (2012) A place I used to be. National Post, Ontario, Canada.
Wood, Benjamin (2012) The silent grass. National Post, Ontario, Canada.
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Woods, Gillian (2009) New directions: the confessional identities of "'Tis Pity She’s a Whore". In: Hopkins, L. (ed.) 'Tis Pity She's a Whore: A Critical Guide. London, UK: Continuum, pp. 114-135. ISBN 9780826499332.
Woods, Gillian (2013) Shakespeare's unreformed fictions. Oxford English Monographs. Oxford, UK: Oxford University Press. ISBN 9780199671267. (In Press)
Woods, Gillian (2012) Shakespeare: Romeo and Juliet. Readers' Guides to Essential Criticism. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230222069. (In Press)
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