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Number of items at this level: 528.

A

Aranda, M. and Arner, K. and del Castillo, L. and Cowie, H. and Crawford, M. and Cullon, J. and Figueroa, M. and Gherini, C. and Grafe, M. and Irving, S. and Kashanipour, R. and Lois, C. and López-Denis, A. and Mandelblatt, B. and Montero Sobrevilla, I. and Murphy, K. and Otremba, E. and Parsons, C. and Peterson, H. and Senior, Emily and Vergara, T. and Wisecup, K. and Zilberstein, A. (2010) The history of Atlantic science: collective reflections from the 2009 Harvard seminar on Atlantic history. Atlantic Studies 7 (4), pp. 493-509. ISSN 1478-8810.

Armstrong, Isobel (2009) What do authors want? Journal of Victorian Culture 14 (1), pp. 115-124. ISSN 1355-5502.

B

Bale, Anthony (2008) Christian antisemitism and intermedial experience in late medieval England. In: Dimmock, M. and Hadfield, A. (eds.) The Religions of the Book: Christian Perceptions, 1400-1660. Early Modern Literature in History. Basingstoke, UK: Palgrave MacMillan, pp. 23-44. ISBN 9780230020047.

Bale, Anthony (2010) Feeling persecuted: Christians, Jews and images of violence in the middle ages. London, UK: Reaktion Books. ISBN 9781861897619.

Bale, Anthony (2008) From translator to Laureate: imagining the medieval author. Literature Compass 5 (5), pp. 918-934. ISSN 1741-4113.

Bale, Anthony (2012) Late medieval book-owners named John Leche. Bodleian Library Record 25 (1), pp. 105-112. ISSN 0067-9488.

Bale, Anthony (2009) A Norfolk gentlewoman and Lydgatian patronage: Lady Sibylle Boys and her cultural environment. Medium Aevum 78 (2), pp. 394-413. ISSN 0025-8385.

Bale, Anthony (2009) St Edmund in fifteenth-century London: the Lydgatian miracles of St Edmund. In: Bale, Anthony (ed.) St Edmund King and Martyr: Changing Images of a Medieval Saint. Woodbridge, UK: Boydell & Brewer, pp. 145-162. ISBN 9781903153260.

Bale, Anthony (2010) 'A maner latyn corrupt': Chaucer and the absent religions. In: Phillips, H. (ed.) Chaucer and Religion. Christianity and Culture: Issues in Teaching/Research. Woodbridge, UK: Boydell & Brewer. ISBN 9781843842293.

Bauer, Heike (2012) Dead Wilde: translation and the emotional undercurrents of modern queer culture. In: Queer and/in Translation, 2012.

Bauer, Heike (2009) English literary sexology: translations of inversion, 1860-1930. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230221635.

Bauer, Heike (2006) Is there a history of female cross-dressing? In: Bauer, Heike (ed.) Women and Cross-Dressing: 1800-1939. History of Feminism. London, UK: Routledge, xiii-xxxvii. ISBN 9780415323024.

Bauer, Heike (2011) Lesbian time. In: Giffney, N. and Sauer, M.S. and Watt, D. (eds.) The Lesbian Premodern. The New Middle Ages. Basingstoke, UK: Palgrave Macmillan, pp. 161-169. ISBN 9780230616769.

Bauer, Heike (2008) Measurements of civilisation: non-western female sexuality and the fin de siècle social body. In: Cryle, P. and Forth, C.E. (eds.) Sexuality at the Fin de Siècle: The Making of a "Central Problem". Deleware, U.S.: Delaware University Press, pp. 93-108. ISBN 9781611491010.

Bauer, Heike (2003) "Not a translation but a mutilation": the limits of translation and the discipline of Sexology. The Yale Journal of Criticism 16 (2), pp. 381-405. ISSN 0893-5378.

Bauer, Heike (2003) “Not a translation but a mutilation”: The limits of translation and the discipline of sexology. The Yale Journal of Criticism 16 (2), pp. 381-405. ISSN 0893-5378.

Bauer, Heike (2010) ‘Race’, normativity and the history of sexuality: Magnus Hirschfeld's racism and the early-twentieth-century sexology. Psychology and Sexuality 1 (3), pp. 239-249. ISSN 1941-9899.

Bauer, Heike (2010) ‘Race’, normativity and the history of sexuality: Magnus Hirschfeld’s racism and the early-twentieth-century sexology. Psychology and Sexuality 1 (3), pp. 239-249. ISSN 1941-9899.

Bauer, Heike (2006) Scholars, scientists and sexual inverts: authority and sexology in Nineteenth-Century scientific thinking. In: Clifford, D. and Wadge, E. and Warwick, A. and Willis, M. (eds.) Repositioning Victorian Sciences: Shifting Centres in Nineteenth-Century Thinking. London, UK: Anthem Press, pp. 197-206. ISBN 9781843312123.

Bauer, Heike (2014) Sex, popular beliefs and culture. In: Peakman, J. (ed.) A Cultural History of Sexuality in the Enlightenment (1650-1820). The Cultural Histories Series. London, UK: Berg, pp. 159-183. ISBN 9781472554765.

Bauer, Heike (2012) Sexology backward: Hirschfeld, Kinsey and the reshaping of sex research in the 1950s. In: Bauer, Heike and Cook, Matt (eds.) Queer 1950s: Rethinking Sexuality in the Postwar Years. Genders and Sexualities in History. Basingstoke, Uk: Palgrave Macmillan, pp. 133-149. ISBN 9780230300699.

Bauer, Heike (2012) Sexuality in enlightenment popular culture. In: Peakman, Julie (ed.) A Cultural History of Sexuality in the Enlightenment. The Cultural Histories Series 4. London, UK: Berg, pp. 159-183. ISBN 9781847888037.

Bauer, Heike (2009) Theorizing female inversion: sexology, discipline and gender at the fin de siècle. Journal of the History of Sexuality 18 (1), pp. 84-102. ISSN 1043-4070.

Bauer, Heike (2013) Towards a Global History of Sexuality, 1880-1950. In: Leslie Centre for the Humanities summer institute, 2013, Dartmouth.

Bauer, Heike (2013) Tuning gender studies. In: Tuning Gender Studies: Teaching Gender Studies between Hopes and Expectations, 2013, Department of Gender Studies, Central European University, Budapest. (Unpublished)

Bauer, Heike (2013) The cultural translations of sexuality in European context. In: Institute of Advanced Study and Connecting Cultures Global Research Programme: The cultural translations of sexuality in European context, 2013, Warwick.

Bauer, Heike (2009) The origin of Italian sexological studies: female sexual inversion, ca. 1870-1900. Journal of the History of Sexuality 18 (1), pp. 84-102. ISSN 1043-4070.

Bauer, Heike and Cook, Matt (2012) Introduction: queer 1950S: rethinking sexuality in the postwar years. In: Bauer, Heike and Cook, Matt (eds.) Queer 1950s: Rethinking Sexuality in the Postwar Years. Gender and Sexualities in History. Basingstoke, UK: Palgrave Macmillan, pp. 1-10. ISBN 9780230300699.

Bauer, Heike and Cook, Matt (2012) Queer 1950s: rethinking sexuality in the postwar years. Genders and Sexualities in History. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230300699.

Beasley, Rebecca (2007) Ezra Pound and the visual culture of modernism. Cambridge: Cambridge University Press. ISBN 9780521870405.

Beasley, Rebecca (2002) Ezra Pound's Whistler. American Literature 74 (3), pp. 485-516. ISSN 0002-9831.

Beasley, Rebecca (2009) Literature and the visual arts: art and letters (1917-20) and the apple (1920-22). In: Brooker, P. and Thacker, A. (eds.) The Oxford Critical and Cultural History of Modernist Magazines Volume I: Britain and Ireland 1880-1955. Oxford, UK: Oxford University Press, pp. 485-504. ISBN 9780199211159.

Bown, Nicola (2009) Empty hands and precious pictures: post-mortem portrait photographs of children. Australasian Journal of Victorian Studies 14 (2), pp. 8-24.

Bown, Nicola (2001) Fairies in nineteenth-century art and literature. Cambridge Studies in Nineteenth-Century Literature and Culture 33. Cambridge: Cambridge University Press. ISBN 9780521793155.

Bown, Nicola (2011) Gilbert in fairyland: the enchanted forest and the transfigured landscape. In: Bucklow, S. and Woodcock, S. (eds.) Sir John Gilbert: Art and Imagination in the Victorian Age. Farnham, UK: Ashgate. ISBN 9781848220799.

Bown, Nicola (2011) Tender beauty: Victorian painting and the problem of sentimentality. Journal of Victorian Culture 16 (2), pp. 214-225. ISSN 1355-5502.

Bown, Nicola (2004) What is the stuff that dreams are made of? In: Bown, Nicola and Burdett, Carolyn and Thurschwell, P. (eds.) The Victorian Supernatural. Cambridge Studies in Nineteenth-Century Literature and Culture 42. Cambridge, UK: Cambridge University Press, pp. 151-172. ISBN 9780521810159.

Bown, Nicola (2010) What the alligator didn't know: natural selection and love in our mutual friend. 19: Interdisciplinary Studies in the Long Nineteenth Century (10), ISSN 1755-1560.

Bradby, D. and Delgado, M.M. and Monks, Aoife and Svich, C. (2010) Editorial. Contemporary Theatre Review 20 (1), pp. 3-5. ISSN 1048-6801.

Brake, Laurel (2008) Oscar Wilde's An Ideal Husband and W. Somerset Maugham's The Constant Wife. In: Bristow, J. (ed.) Oscar Wilde and Modern Culture: The Making of a Legend. Athens, U.S.: Ohio University Press, pp. 209-233. ISBN 9780821418383.

Brake, Laurel (2001) Print in transition: studies in media and book history. Basingstoke, UK: Palgrave Macmillan, pp. 27-51. ISBN 9780333770474.

Brake, Laurel (2001) 'The Trepidation of the Spheres' : Serials and Books in the Nineteenth Century. In: UNSPECIFIED (ed.) Print in Transition, 1850 – 1910: studies in media and book history. Basingstoke, Hants.: Palgrave, pp. 3-26. ISBN 0 333 77047 1.

Brake, Laurel (1997) Writing, cultural production, and the periodical press in the nineteenth century. In: Bullen, J.B. (ed.) Writing and Victorianism. Harlow, England: Addison Wesley Longman, pp. 54-72. ISBN 0 582 28916 5.

Brake, Laurel and Demoor, M. (2009) The lure of illustration in the Nineteenth Century. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230217317.

Brooker, Joseph (2003) Children of destiny: Brian O’Nolan and the Irish ready-made school. Precursors and Aftermaths: Literature in English, 1914-1945 2 (1), pp. 74-98. ISSN 1542-8109.

Brooker, Joseph (2004) Estopped by Grand Playsaunce: Flann O'Brien's Post-colonial Lore. Journal of Law and Society 31 (1), pp. 15-37. ISSN 0263-323X.

Brooker, Joseph (2005) Flann O'Brien. Writers and their works. Tavistock, Devon: Northcote House. ISBN 0 7463 1081 1.

Brooker, Joseph (2010) Has the world changed or have I changed? The Smiths and the challenge of Thatcherism. In: Campbell, S. and Coulter, C. (eds.) Why Pamper Life's Complexities? Essays on the Smiths. Manchester, UK: Manchester University Press. ISBN 9780719078408.

Brooker, Joseph (2012) Introduction: listen to "Money" singing. Textual Practice 26 (1), pp. 1-10. ISSN 0950-236X.

Brooker, Joseph (2012) Introduction: listen to 'Money' singing. Textual Practice 26 (1), pp. 1-10. ISSN 0950-236X.

Brooker, Joseph (2010) Irish Mimes: Flann O’Brien. In: Wright, J.M. (ed.) A Companion to Irish Literature. Blackwell Companions to Literature and Culture. New York, U.S.: Wiley Blackwell, pp. 176-192. ISBN 9781405188098.

Brooker, Joseph (2004) Joyce's critics: transitions in reading and culture. Madison, Wis, USA: University of Wisconsin Press. ISBN 0 299 19604 6.

Brooker, Joseph (2009) License is given: money and the menace of comedy. Critical Engagements: A Journal of Criticism and Theory (Special issue on Contemporary Satire) 3 (2), pp. 73-90. ISSN 1754-0984.

Brooker, Joseph (2010) Literature of the 1980s: after the watershed. The Edinburgh History of Twentieth-Century Literature in Britain 9. Edinburgh, Scotland: Edinburgh University Press. ISBN 9780748633944.

Brooker, Joseph (2011) Myles’ tones. In: Baines, J. (ed.) 'Is it about a bicycle?' Flann O'Brien in the Twenty-First Century. Dublin, Ireland: Four Courts Press, pp. 17-31. ISBN 9781846822407.

Brooker, Joseph (2005) Neo lines: Alan Hollinghurst and the apogee of the eighties. The Literary Criterion 40 (3&4), pp. 104-116. ISSN 0024-452X.

Brooker, Joseph (2009) Post-war Joyce. In: McCourt, J. (ed.) James Joyce in Context. Cambridge, UK: Cambridge University Press, pp. 52-64. ISBN 9780521886628.

Brooker, Joseph (2009) Postwar Joyce. In: McCourt, John (ed.) James Joyce in Context. Cambridge, UK: Cambridge University Press, pp. 52-64. ISBN 9780521886628.

Brooker, Joseph (2012) Sado-monetarism: Thatcherite subjects in Alasdair Gray and Martin Amis. Textual Practice 26 (1), pp. 135-154. ISSN 0950-236X.

Brooker, Joseph (2004) Shades of the eighties: The Colour of Memory. In: Phillips, L. (ed.) The Swarming Streets: Twentieth-Century Literary Representations of London. Costerus 154. Amsterdam: Editions Rodopi BV, pp. 139-152. ISBN 90-420-1663-9.

Brooker, Joseph (2011) "That Carrousel Inside and Outside My Head": Flann O’Brien and pale fire. Review of Contemporary Fiction 31 (3), pp. 120-133. ISSN 0276-0045.

Brooker, Joseph (2004) Unknown quantity: Joyce's words. In other words: a journal for literary translators 24 ,

Brooker, Joseph (2001) What tedium: boredom in "Malone dies". Journal of Beckett Studies 10 (1-2), pp. 29-39.

Brooker, Joseph (2013) The art of offence: British literary censorship since 1971 (1971 - present day). In: Bradshaw, D. and Potter, R. (eds.) Prudes on the Prowl: Literature, Obscenity and Censorship in England, 1850 to the Present Day. Oxford, UK: Oxford University Press, pp. 179-207. ISBN 9780199697564.

Brooker, Joseph (2006) The middle years of Martin Amis. In: Mengham, Rod and Tew, Philip (eds.) British Fiction Today. London, UK; New York: Continuum International Publishing Group Ltd., pp. 3-14. ISBN 0826487319.

Burdett, Carolyn (2013) Book review: "Affective Worlds": Writing, Feeling and Nineteenth-Century Literature by John Hughes. Victorian Studies 55 (3), ISSN 0042-5222.

Burdett, Carolyn (2013) Emotions. In: Rodensky, L. (ed.) The Oxford Handbook of the Victorian Novel. Oxford, UK: Oxford University Press. ISBN 9780199533145.

Burdett, Carolyn (2011) Introduction. Journal of Victorian Culture 16 (2), pp. 187-194. ISSN 1355-5502.

Burdett, Carolyn (2011) Introduction: psychology/aesthetics in the Nineteenth Century. 19: Interdisciplinary Studies in the Long Nineteenth Century 12 , ISSN 1755-1560.

Burdett, Carolyn (2011) Is empathy the end of sentimentality? Journal of Victorian Culture 16 (2), pp. 259-274. ISSN 1355-5502.

Burdett, Carolyn (2014) Modernity, the occult, and psychoanalysis. In: Marcus, L. and Mukherjee, A. (eds.) A Concise Companion to Psychoanalysis, Literature and Culture. Oxford, UK: Wiley. ISBN 9781405188609.

Burdett, Carolyn (2014) Modernity, the occult, and psychoanalysis. In: Marcus, L. and Mukherjee, A. (eds.) A Concise Companion to Psychoanalysis, Literature and Culture. Oxford, UK: Wiley-Blackwell. ISBN 9781405188609.

Burdett, Carolyn (2011) New agenda sentimentalities: introduction. Journal of Victorian Culture 16 (2), pp. 187-194. ISSN 1355-5502.

Burdett, Carolyn (2011) Olive Schreiner. Writers and Their Work. Plymouth, UK: Northcote House. ISBN 9780746310885.

Burdett, Carolyn (2014) Olive Schreiner. In: Crane, R. and Stafford, J. and Williams, M. (eds.) The World Novel to 1950. The Oxford History of the Novel in English 9. Oxford, UK: Oxford University Press. (In Press)

Burdett, Carolyn (2009) Sexual selection, automata and ethics in George Eliot's The Mill on the Floss and Olive Schreiner's Undine and From Man to Man. Journal of Victorian Culture 14 (1), pp. 26-52. ISSN 1355-5502.

Burdett, Carolyn (2013) That difficult thing, the liberal self. Journal of Victorian Culture 18 (1), pp. 173-175. ISSN 1355-5502.

Burdett, Carolyn (2014) Victorian sentimentality at Tate Britain. Victorian Literature and Culture: Victorians Live 42 (1), pp. 153-158. ISSN 1060-1503.

Burdett, Carolyn (2013) The new woman. In: Mallett, P. (ed.) Thomas Hardy in Context. Cambridge, UK: Cambridge University Press, pp. 363-373. ISBN 9780521196482.

Burdett, Carolyn (2011) "The subjective inside us can turn into the objective outside": Vernon Lee's psychological aesthetics. 19: Interdisciplinary Studies in the Long Nineteenth Century 12 , ISSN 1755-1560.

Burdett, Carolyn (2011) The subjective inside us can turn into the objective outside’: Vernon Lee’s psychological aesthetics. 19: Interdisciplinary Studies in the Long Nineteenth Century 12 , ISSN 1755-1560.

Burdett, Carolyn (2010) A sweeter word? History Workshop Journal 70 (1), pp. 223-233. ISSN 1363-3554.

Burdett, Carolyn and Parejo-Vadillo, Ana and White, P. (2010) Science, literature and the Darwin legacy. 19: Interdisciplinary Studies in the Long Nineteenth Century 11 , ISSN 1755-1560.

C

Cale, Luisa (2009) Belinda and exhibition culture: fiction, pictures and imaginary Ekphrasis. In: Orestano, F. and Frigerio, F. (eds.) Strange Sisters: Literature and Aesthetics in the Nineteenth Century. Cultural Interactions: Studies in the Relationship between the Arts 9. New York, U.S.: Peter Lang, pp. 13-26. ISBN 9783039118403.

Cale, Luisa (2008) Blake and the literary galleries. In: Haggarty, S. and Mee, J. (eds.) Blake and Conflict. Basingstoke, UK: Palgrave Macmillan, pp. 185-209. ISBN 9780230573871.

Cale, Luisa (2010) Dickens extra-illustrated: heads and scenes in monthly parts (The Case of Nicholas Nickleby). Yearbook of English Studies 40 (1/2), pp. 8-32. ISSN 0306-2473.

Cale, Luisa (2012) Gendering the margins of Gray: William Blake, classical visual culture, and the alternative bodies of Ann Flaxman’s book. In: Bruder, H. and Connolly, T.J. (eds.) Blake, Gender and Culture. The Body, Gender and Culture 10. London: Pickering and Chatto, pp. 133-143. ISBN 9781848933040.

Cale, Luisa (2011) Gray’s ode and Walpole’s China tub: the order of the book and the paper lives of an object. Eighteenth-Century Studies 45 (1), pp. 105-125. ISSN 0013-2586.

Cale, Luisa (2011) The nightmare disseminated: the poetics of the bedroom scene in Fuseli, Frankenstein, Film. In: Thornton, S. and Gillard-Estrada, A.F. (eds.) Circulation and transfer of key scenes in nineteenth-century literature. Cahiers Charles V 48. Paris, France: Institut d'études anglophones, Université Paris Diderot, pp. 85-106. ISBN 9782902937479.

Clark, Sandra (2007) Renaissance drama. Cambridge: Polity Press. ISBN 978-07456-3310-7.

Clark, Sandra (2003) Women and crime in the street literature of early modern England. Basingstoke: Palgrave Macmillan. ISBN 1-4039-0212-7.

Clark, Sandra (2002) The broadside ballad and the woman's voice. In: Malcolmson, C. and Suzuki, M. (eds.) Debating gender in early modern England, 1500-1700. Early modern cultural studies. Basingstoke: Palgrave Macmillan, pp. 103-120. ISBN 0-312-29457-3.

Clucas, Stephen (2010) "All the mistery of infinites": mathematics and the atomism of Thomas Harriot. In: Rommevaux, S. and Chemla, K. and Delbraccio, M. (eds.) Mathématiques et connaissance du monde réel avant Galilée. Histoire des Savoirs. Montreuil: Edition Omniscience, pp. 113-154. ISBN 9782916097268.

Clucas, Stephen (2010) ‘All the mistery of infinites’: mathematics and the atomism of Thomas Harriot. In: Rommevaux, S. (ed.) Mathématiques et connaissance du monde réel avant Galilée. Collection Histoire des savoirs. Montreuil, France: Edition Omniscience, pp. 113-154. ISBN 9782916097268.

Clucas, Stephen (2008) Cornelius Gemma and universal method. In: Hirai, H. (ed.) Cornelius Gemma, Cosmology, Medicine and Natural Philosophy in Renaissance Louvain. Bruniana & campanelliana 10. Pisa. Italy: Fabrizio Serra, pp. 113-128. ISBN 9788862271189.

Clucas, Stephen (2007) Dreams, prophecies and politics: John Dee and the Elizabethan court, 1575-85. In: Wiseman, Susan J. and Hodgkin, K. and O'Callaghan, M. (eds.) Reading the Early Modern Dream: The Terrors of the Night. Routledge Studies in Renaissance Literature and Culture. Abingdon, UK: Routledge, pp. 67-80. ISBN 9780415386012.

Clucas, Stephen (2009) Epilogue. In: Marr, A. (ed.) The Worlds of Oronce Fine: Mathematics, Instruments, and Print in Renaissance France. Donington, UK: Shaun Tyas, pp. 206-212. ISBN 9781900289962.

Clucas, Stephen (2008) Galileo, Bruno and the rhetoric of dialogue in seventeenth-century natural philosophy. History of Science 46 (4), pp. 405-429. ISSN 0073-2753.

Clucas, Stephen (2006) John Dee’s angelic conversations and the Ars notoria: Renaissance magic and mediaeval theurgy. In: Clucas, Stephen (ed.) John Dee: Interdisciplinary Studies in English Renaissance Thought. International Archives of the History of Ideas Archives internationales d'histoire des idées 193. New York, U.S.: Springer, pp. 231-274. ISBN 9781402042454.

Clucas, Stephen (2011) John Dee’s annotations to Ficino’s translation of Plato. In: Clucas, Stephen and Forshaw, P.J. and Rees, V. (eds.) Laus Platonici Philosophi: Marsilio Ficino and His Influence. Brill's Studies in Intellectual History 198. Leiden, The Netherlands: Brill, pp. 227-248. ISBN 9789004188976.

Clucas, Stephen (2011) Magic, Memory and Natural Philosophy in the Sixteenth and Seventeenth Centuries. Variorum Collected Studies Series CS973. Farnham, UK: Ashgate. ISBN 9781409419754.

Clucas, Stephen (2011) Margaret Cavendish's materialist critique of van Helmontian chymistry. Ambix 58 (1), pp. 1-12. ISSN 0002-6980.

Clucas, Stephen (2010) Pythagorean number symbolism, alchemy, and the disciplina noua of John Dee's Monas Hieroglyphica. Aries 10 (2), pp. 149-167. ISSN 1567-9896.

Clucas, Stephen (2010) Samuel Hartlib, intelligencing and technology in Seventeenth Century Europe. In: Kretzschmar, R. and Lorenz, S. (eds.) Leonardo da Vinci und Heinrich Schickhardt : zum Transfer technischen Wissens im vormodernen Europa. Stuttgart, Germany: W. Kohlhammer, pp. 58-75. ISBN 9783170217485.

Clucas, Stephen (2010) Scientia and inductio scientifica in the Logica Hamburgensis of Joachim Jungius. In: Sorell, T. and Kraye, J. and Rogers, G.A.J. (eds.) Scientia in Early Modern Philosophy: Seventeenth-Century Thinkers on Demonstrative Knowledge from First Principles. Studies in History and Philosophy of Science 24. New York, U.S.: Springer, pp. 53-70. ISBN 9789048130764.

Clucas, Stephen (2012) ‘This paradoxall Restitution Iudaicall’: the apocalyptic correspondence of John Dee and Roger Edwardes. Studies in History and Philosophy of Science Part A 43 (3), pp. 509-518. ISSN 0039-3681.

Clucas, Stephen (2009) Thomas Harriot’s brief and true report: knowledge-making and the Roanoke voyage. In: Sloan, K. (ed.) European Visions: American Voices. Oxford, UK: British Museum Press, pp. 17-23. ISBN 9780861591725.

Coleman, D. and Fraser, Hilary (2008) Introduction. 19: Interdisciplinary Studies in the Long Nineteenth Century 7 , pp. 1-11. ISSN 1755-1560.

Coleman, D. and Fraser, Hilary (2008) Introduction: minds, bodies, machines. 19: Interdisciplinary Studies in the Long Nineteenth Century (7), ISSN 1755-1560.

Connor, Steven (2009) Absolute levity. Comparative Critical Studies 6 (3), pp. 411-427. ISSN 1744-1854.

Connor, Steven (2008) Atmospherics. In: Birdsall, C. and Enns, A. (eds.) Sonic Mediations: Body, Sound, Technology. Newcastle, UK: Cambridge Scholars Publishing, pp. 159-174. ISBN 9781847188397.

Connor, Steven (2008) Beckett & Bion. Journal of Beckett Studies 17 (1-2), pp. 9-34. ISSN 0309-5207.

Connor, Steven (2009) Beckett and Sartre: the nauseous character of all flesh. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies. London, UK: Continuum Press, pp. 56-76. ISBN 9780826497147.

Connor, Steven (2010) Beckett and the loutishness of learning. In: Tonning, E. and Feldman, M. and Engelberts, M. and van Hulle, D. (eds.) Samuel Beckett: Debts and Legacies. Samuel Beckett Today/Aujourd'hui 22. Amsterdam, The Netherlands: Rodopi, pp. 255-273. ISBN 9789042031661.

Connor, Steven (2009) Beckett and the world. In: Smith, R. (ed.) Beckett and Ethics. Continuum Literary Studies. London, UK: Continuum Press, pp. 134-146. ISBN 9780826498366.

Connor, Steven (2011) Doing without art. New Literary History 42 (1), pp. 53-69. ISSN 1080-661X.

Connor, Steven (2008) Gasworks. 19: Interdisciplinary Studies in the Long Nineteenth Century (6), ISSN 1755-1560.

Connor, Steven (2010) 'I believe that the world'. In: Nunning, V. and Nunning, A. and Neumann, B. (eds.) Cover Cultural Ways of Worldmaking: Media and Narratives. Concepts for the Study of Culture (CSC). Berlin, Germany: De Gruyter. ISBN 9783110227550.

Connor, Steven (2009) I switch off: Beckett and the ordeals of radio. In: Cohen, D.R. and Coyle, M. and Lewty, J. (eds.) Broadcasting Modernism. Gainesville, U.S.: University of Florida Press, pp. 274-293. ISBN 9780813033495.

Connor, Steven (2009) Incidents of the breath: in pneumatic and electric ventriloquisms. In: Satz, A. and Wood, J. (eds.) Articulate Objects: Voice, Sculpture and Performance. Pieterlen, Switzerland: Peter Lang, pp. 63-80. ISBN 9783039107476.

Connor, Steven (2009) Introduction. In: Serres, M. and Sankey, M. and Cowley, P. (eds.) Five Senses: A Philosophy of Mingled Bodies. Athlone Contemporary European Thinkers. London, UK: Continuum Press. ISBN 9780826459848.

Connor, Steven (2011) James Joyce. Tavistock, UK: Northcote House. ISBN 9780746311677.

Connor, Steven (2009) Kulturowa historia brzuchomówstwa. Krakow, Poland: Universitas. ISBN 9788324213771.

Connor, Steven (2008) Next to nothing. Tate etc. (12), pp. 82-93. ISSN 1743-8853.

Connor, Steven (2008) 'On such and such a day... in such a world': Beckett's radical finitude. Samuel Beckett Today/Aujourd'hui 19 , pp. 35-50. ISSN 0927-3131.

Connor, Steven (2008) Overlooking. In: Ekman, U. and Tygstrup, F. (eds.) Witness: Memory, Representation, and the Media in Question. Copenhagen, Denmark: Museum Tusculanum Press, pp. 291-302. ISBN 9788763504256.

Connor, Steven (2011) Paraphernalia: the curious lives of magical things. London, UK: Profile Books. ISBN 9781846682704.

Connor, Steven (2011) Personifikationen/Personifications. In: UNSPECIFIED (ed.) Ars Viva 2011-12: Sprache/Language: Erik Bünger, Philipp Goldbach, Jeurgen Stach. Berlin, Germany: Kulturkreis der deutschen Wirtschaft, pp. 34-47.

Connor, Steven (2011) A Philosophy of Sport. London, UK: Reaktion Books. ISBN 9781861898692.

Connor, Steven (2009) Phonophobia: the dumb devil of stammering. In: Bangma, A. and Donoghue, D.M. and Issa, L. and Zdjelar, K. (eds.) Resonant Bodies, Voices, Memories. Berlin, Germany: Revolver, pp. 132-144. ISBN 9783868950229.

Connor, Steven (2008) Pregnable of eye: X-rays, vision and magic. Leamington Spa Art Gallery and Warwick Arts Centre, Leamington Spa.

Connor, Steven (2009) Pulverulence. Cabinet Magazine , pp. 71-77. ISSN 1531-1430.

Connor, Steven (2011) Rage, rage against the dying of delight. In: Schad, J. and Tearle, O. (eds.) Sighs, Cries, Lies, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism ... Not to Mention the University. Sussex, UK: Sussex Academic Press, pp. 63-78. ISBN 9781845193423.

Connor, Steven (2009) Strings in the earth and air. New Formations (66), pp. 58-67. ISSN 0950-2378.

Connor, Steven (2010) Thinking things. Textual Practice 24 (1), pp. 1-20. ISSN 0950-236X.

Connor, Steven (2009) The fizziness business. In: Saunders, C. and Maude, U. and Macnaughton, J. (eds.) The Body and the Arts. Basingstoke, UK: Palgrave MacMillan, pp. 55-71. ISBN 9780230552043.

Connor, Steven (2010) The matter of air: science and art of the ethereal. London, UK: Reaktion. ISBN 9781861897664.

Connor, Steven (2010) A philosophy of fidgets. In: Domela, P. (ed.) Touched. Liverpool, UK: Liverpool Biennial of Contemporary Art, pp. 30-37. ISBN 9780953676194.

Connor, Steven (2009) The right stuff. Modern painters , pp. 58-63. ISSN 0953-6698.

Connor, Steven (2008) The shakes: conditions of tremor. The Senses and Society 3 (2), pp. 205-220. ISSN 1745-8927.

Connor, Steven (2009) A short stirring to meekness. In: Birdsall, C. and Boletsi, M. and Sapir, I. and Verstraete, P. (eds.) Inside Knowledge: (Un)doing Ways of Knowing in the Humanities. Newcastle, UK: Cambridge Scholars Publishing, pp. 193-208. ISBN 9781443805773.

Connor, Steven and Stanek, B. (2008) Mucha: historia, antropologia, kultura. Krakow, Poland: Universitas. ISBN 9788324206612.

Cook, Matt (2012) Warm homes in a cold climate: Rex Batten and the queer domestic. In: Bauer, Heike and Cook, Matt (eds.) Queer 1950s: Rethinking Sexuality in the Postwar Years. Gender and Sexualities in History. Basingstoke, UK: Palgrave Macmillan, pp. 115-130. ISBN 9780230300699.

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Daumal, R. and Torma, J. and Duncan, Dennis and Hale, T. (2012) Pataphysical letters: correspondence between Rene Daumal and Julien Torma. London, UK: Atlas Press. ISBN 9781900565608.

Davis, Isabel (2012) Calling: Langland, Gower and Chaucer on Saint Paul. Studies In The Age of Chaucer 34 , pp. 53-97. ISSN 0190-2407.

Davis, Isabel (2013) Class. In: Turner, M. (ed.) A Handbook of Middle English Studies. Wiley-Blackwell Critical Theory Handbooks. Hoboken, U.S.: Wiley, pp. 285-298. ISBN 9780470655382.

Davis, Isabel (2013) Class. In: Turner, M. (ed.) A Handbook of Middle English Studies. Oxford, UK: Wiley Blackwell, pp. 285-298. ISBN 9780470655382.

Davis, Isabel (2013) Cutaneous time in the late Medieval literary imagination. In: Walter, K.L. (ed.) Reading Skin in Medieval Literature and Culture. London, UK: Palgrave Macmillan, pp. 99-118. ISBN 9780230338708.

Davis, Isabel (2009) Expressing the middle English I. Literature Compass 6 (4), pp. 842-863. ISSN 1741-4113.

Davis, Isabel (2008) On the sadness of not being a bird: late-medieval marriage ideologies and the figure of Abraham in William Langland’s Piers Plowman. In: Kowaleski, M. and Goldberg, P.J.P. (eds.) Medieval Domesticity: Home, Housing and Household in Medieval England. Cambridge, UK: Cambridge University Press, pp. 209-231. ISBN 9780521899208.

Davis, Isabel (2008) Piers Plowman and the querelle of the rose: marriage, caritas and the peacock's 'pennes'. New Medieval Literatures 10 , pp. 49-86. ISSN 1465-3737.

Davis, Isabel (2011) "The Trinite is our everlasting lover": marriage and trinitarian love in the later Middle Ages. Speculum 86 (4), pp. 914-963. ISSN 0038-7134.

Davis, Isabel (2011) 'The Trinite is our everlasting lover': marriage and trinitarian love in the later Middle Ages. Speculum 86 (4), pp. 914-963. ISSN 0038-7134.

Davis, Isabel (2011) 'Ye that pasen by pe Weiye': time, topology and the medieval use of Lamentations 1.12. Textual Practice 25 (3), pp. 437-472. ISSN 0950-236X.

Davis, Isabel (2011) ‘Ye that pasen by þe weiye’: time, topology and the medieval use of Lamentations 1.12. Textual Practice 25 (3), pp. 437-472. ISSN 0950-236X.

Dobson, Michael (2010) John Philip Kemble. In: Holland, P. (ed.) Great Shakespeareans. London, UK: Continuum Books. ISBN 9780826471529.

Dobson, Michael (2011) Shakespeare and amateur performance: a cultural history. Cambridge, UK: Cambridge University Press. ISBN 9780521862349.

Dobson, Michael (2008) Shakespeare performances in England, 2007. In: Holland, P. (ed.) Shakespeare, Sound and Screen. Shakespeare Survey 61. Cambridge, UK: Cambridge University Press, pp. 318-350. ISBN 9780521898881.

Dobson, Michael (2011) The pageant of history: staging the local past, 1905-39. In: Burnett, M.T. and Streete, A. (eds.) Filming and Performing Renaissance History. Basingstoke, UK: Palgrave Macmillan, pp. 163-177. ISBN 9780230273436.

Duncan, Dennis (2012) Calvino, Llull, Lucretius: two models of literary combinatorics. Comparative Literature 64 (1), pp. 93-109. ISSN 0010-4124.

Duncan, Dennis (2010) Form and anxiety in translation: two case studies. Peer English 5 ,

Dunst, A. and Edwards, Caroline (2011) Collective subjects, emancipatory cultures and political transformation. Subjectivity 4 (1), pp. 1-8. ISSN 1755-6341. (In Press)

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Edwards, Caroline (2013) From Eros to Eschaton: Herbert Marcuse’s liberation of time. Telos: Critical Theory Of the Contemporary 2013 , pp. 91-114. ISSN 0090-6514.

Edwards, Caroline (2010) Interview with Jon McGregor. Contemporary Literature 51 (2), pp. 217-245. ISSN 0010-7484.

Edwards, Caroline (2009) Microtopias: the post-apocalyptic communities of Jim Crace’s The Pesthouse. Textual Practice 23 (5), pp. 763-786. ISSN 0950-236X.

Edwards, Caroline (2012) Rethinking the Arcadian revenge: metachronous times in the fiction of Sam Taylor. Modern Fiction Studies 58 (3), pp. 477-502. ISSN 0026-7724.

Edwards, Caroline (2010) Strange transactions: utopia, transmigration and time in Ghostwritten and Cloud Atlas. In: Dillon, S. (ed.) David Mitchell: Critical Essays. Canterbury, UK: Gylphi, pp. 179-203. ISBN 9781780240039.

Edwards, Caroline (2013) Uncovering the 'gold-bearing rubble': Ernst Bloch's literary criticism. In: Reeve-Tucker, A. and Waddell, N. (eds.) Utopianism, Modernism, and Literature in the Twentieth Century. Basingstoke, UK: Palgrave Macmillan, pp. 182-203. ISBN 9780230358935.

Edwards, Caroline (2013) Unearthing the ‘gold-bearing rubble’: Ernst Bloch’s literary criticism. In: Reeve-Tucker, A. and Waddell, N. (eds.) Utopianism, Modernism and Literature in the Twentieth Century. Basingstoke, UK: Palgrave Macmillan, pp. 182-203. ISBN 9780230358935.

Eldridge, David (2012) In Basildon. Modern Plays. London, UK: Bloomsbury. ISBN 9781408180150.

Eldridge, David (2011) The knot of the heart. Modern Plays. London, UK: Bloomsbury. ISBN 9781408156018.

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Feehily, Claire (2009) "The surest engagement with memory lies in its perpetual irresolution": the work of W.G. Sebald as counter-monument. In: Fischer, G. (ed.) W.G. Sebald: Schreiben ex patria / Expatriate Writing. Amsterdamer Beiträge zur neueren Germanistik 72. Amsterdam, The Netherlands: Rodopi, pp. 177-192. ISBN 9789042027817.

Fenn, Jessica (2013) Apostrophe, devotion, and anti-semitism: rhetorical community in the "Prioress’s Prologue and Tale". Studies in Philology 110 (3), pp. 432-458. ISSN 1543-0383.

Finlay, Alison (2012) Bjarni gullbráskáld: Kálfsflokkr. In: Whaley, D. (ed.) Poetry from the Kings' Sagas 1 From Mythical Times to c. 1035. Skaldic Poetry of the Scandinavian Middle Ages Skaldic Poetry of the Scandinavian Middle Ages 1. Turnhout, Belgium: Brepols, pp. 877-889. ISBN 9782503518961.

Finlay, Alison (2009) Chronology, genealogy, and conversion : the afterlife of St. Edmund in the north. In: Bale, Anthony (ed.) St Edmund, King and Martyr: Changing Images of a Medieval Saint. Woodbridge, UK: Boydell & Brewer. ISBN 9781903153260.

Finlay, Alison (2012) Glúmr Geirason: Gráfeldardrápa. In: Whaley, D. (ed.) Poetry from the Kings' Sagas 1 From Mythical Times to c. 1035. Skaldic Poetry of the Scandinavian Middle Ages Skaldic Poetry of the Scandinavian Middle Ages 1. Turnhout, Belgium: Brepols, pp. 245-265. ISBN 9782503518961.

Finlay, Alison (2011) Risking one’s head: Vafþrúðnismál and the mythic power of poetry. In: Anlezark, D. (ed.) Myths, Legends, and Heroes: Essays on Old Norse and Old English Literature. Toronto, Canada: Toronto University Press, pp. 91-108. ISBN 9780802099471.

Finlay, Alison (2010) The saga of Ásmundr, killer of champions. In: Finlay, Alison and Arnold, M. (eds.) Making History: Essays on the Fornaldarsögur. London, UK: Viking Society for Northern Research, pp. 119-139. ISBN 9780903521840.

Fraser, Hilary (2013) Aesthetics, visuality and feelings in the natural theology of Gerard Manley Hopkins and Alice Meynell. In: Baker, W. and Armstrong, I. (eds.) Form and Feeling in Modern Literature. London, UK: Maney Publishing. ISBN 9781907975370.

Fraser, Hilary (2013) "Always Reminding Us of the Body": J.A. Symonds on the fine arts. English Studies 94 (2), pp. 188-205. ISSN 0013-838X.

Fraser, Hilary (2013) Art for the nation: Sir Charles Eastlake at the National Gallery. Victorian Literature and Culture 41 (1), pp. 177-197. ISSN 1060-1503.

Fraser, Hilary (2010) Foreword. In: di Bello, Patrizia and Cale, Luisa (eds.) Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Culture. Basingstoke, UK: Palgrave Macmillan, ix-xv. ISBN 9780230221970.

Fraser, Hilary (2012) Periodicals and reviewing. In: Flint, K. (ed.) The Cambridge History of Victorian Literature. Cambridge, UK: Cambridge University Press, pp. 56-76. ISBN 9780521846257.

Fraser, Hilary (2009) Through the looking glass: looking like a woman in the Nineteenth Century. In: Orestano, F. and Frigerio, F. (eds.) Strange Sisters. Literature and Aesthetics in the Nineteenth Century. Oxford, UK: Peter Lang, pp. 189-209. ISBN 9783039118403.

Fraser, Hilary (2013) Vasari's lives and the Victorians. In: Cast, D. (ed.) Companion to Giorgio Vasari. Farnham, UK: Ashgate. ISBN 9781409408475.

Fraser, Hilary (2010) Women and the art of fiction. Yearbook of English Studies 40 (1/2), pp. 61-82. ISSN 0306-2473.

Fraser, Hilary (2014) Women writing art history in the Nineteenth Century: looking like a woman. Cambridge, UK: Cambridge University Press. ISBN 9781107075757. (In Press)

Fraser, Hilary (2010) Writing the past. In: Shattock, J. (ed.) The Cambridge Companion to English Literature 1830-1914. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 108-126. ISBN 9780521882880.

Fraser, Hilary (2008) The morals of genealogy. Raritan: A Quarterly Review 27 (4), pp. 115-132. ISSN 0275-1607.

Freshwater, Helen (2010) Delirium: in rehearsal with Theatre O. In: Mermikides, A. and Smart, J. (eds.) Devising in Process. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230573666.

Freshwater, Helen (2009) Theatre and audience. Theatre And. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230210288.

Freshwater, Helen (2009) Theatre censorship in Britain: silencing, censure and suppression. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230223783.

Freshwater, Helen (2011) ‘You say something’: audience participation and the author. Contemporary Theatre Review 21 (4), pp. 405-409. ISSN 1048-6801.

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Gilman, M. and Gilman, Sander L. (2008) Electrotherapy and the human voice: a literature review of the historical origins and contemporary applications. Journal of Voice 22 (2), pp. 219-231. ISSN 0892-1997.

Gilman, M. and Gilman, Sander L. and Johns, M.M. (2009) Human papillomavirus, abstinence, and the other risks. The Lancet 373 (9673), pp. 1420-1421. ISSN 0140-6736.

Gilman, Sander L. (2008) Are Jews musical: historical notes on the question of Jewish musical modernism and nationalism. Modern Judaism 28 (3), pp. 239-256. ISSN 0276-1114.

Gilman, Sander L. (2009) Are Jews musical; istorical notes on the question of Jewish musical modernism. In: Bohlman, P.V. (ed.) Jewish Musical Modernism, Old and New. Chicago, U.S.: Chicago University Press, vii-xi. ISBN 9780226063263.

Gilman, Sander L. (2008) Are Jews smarter than everyone else? Mens Sana Monographs 6 (1), pp. 41-47. ISSN 0973-1229.

Gilman, Sander L. (2008) Bilingualism in the world of health and illness. Journal of Medical Humanities 29 (3), pp. 137-146. ISSN 1041-3545.

Gilman, Sander L. (2010) Diseases & diagnoses: the second age of Biology. Picataway, U.S.: Transaction Publishers. ISBN 9781412810494.

Gilman, Sander L. (2008) Fat: a cultural history of obesity. Cambridge, UK: Polity Press. ISBN 9780745644400.

Gilman, Sander L. (2007) Foreword. In: Berberi, T. and Hamilton, E.C. and Sutherland, I.M. (eds.) Worlds Apart? Disability and Foreign Language Learning. New Haven, U.S.: Yale University Press, ix-xii. ISBN 9780300116304.

Gilman, Sander L. (2008) Introduction. In: Pappenheim, B. (ed.) In the Junk Shop and Other Stories. Riverside, U.S.: Ariadne Press. ISBN 9781572411654.

Gilman, Sander L. (2010) Obesity: the biography. Biographies of Disease. Oxford, UK: Oxford University Press. ISBN 9780199557974.

Gilman, Sander L. (2008) "Schwarze sexualitat und modernes bewusstsein" in Peter Altenberg's Ashantee. In: Altenberg, P. and Kopp, K. and Schwarz, M. (eds.) Ashantee: Afrika und Wien um 1900. Vienna, Austria: Loecker Erhard Verlag. ISBN 9783854094609.

Gilman, Sander L. (2008) Some weighty thoughts on dieting and epidemics. The Lancet 371 (9623), pp. 1498-1499. ISSN 0140-6736.

Gilman, Sander L. (2009) Vayera: joy of waiting. In: Salkin, J.K. (ed.) The modern men's Torah commentary: new insights from Jewish men on the 54 weekly Torah portions. Woodstock, U.S.: Jewish Lights. ISBN 9781580233958.

Gilman, Sander L. (2010) Wagner and Cinema. Indiana, U.S.: Indiana University Press. ISBN 9780253221636.

Gilman, Sander L. (2008) The abandonment of socialist ideals. Tikkun Magazine 23 (3), p. 42. ISSN 0887-9982.

Gilman, Sander L. (2008) An exploration of manic depression. The Lancet 371 (9609), pp. 293-294. ISSN 0140-6736.

Glaser, Eliane (2013) Get real: how to see through the hype, spin and lies of modern life. London, UK: Fourth Estate. ISBN 9780007416820.

Glaser, Eliane (2012) Get real: how to tell it like it is in a world of illusions. London, UK: Fourth Estate. ISBN 9780007416813.

Glaser, Eliane (2008) 'A parallel made with the Jewish Sanhedrin': tolerating Jews and Jewish precedents in the early modern Church and state. In: Dimmock, M. and Hadfield, A. (eds.) The Religions of the Book: Christian Perceptions, 1400-1660. Early Modern Literature in History. Basingstoke, UK: Palgrave Macmillan, pp. 159-179. ISBN 9780230020047.

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Hamblyn, Richard (2008) Notes from underground: Lisbon after the earthquake. Romanticism 14 (2), pp. 108-118. ISSN 1354-991X.

Hamblyn, Richard (2009) Terra: tales of the Earth. London: Picador. ISBN 9780330490733.

Hamblyn, Richard (2011) The art of science: a natural history of ideas. London: Picador. ISBN 9780330490764.

Hamblyn, Richard (2010) The invention of clouds: how an amateur meteorologist forged the language of the skies. London, UK: Picador. ISBN 978033039195502.

Hamblyn, Richard (2009) The whistleblower and the canary: rhetorical constructions of climate change. Journal of Historical Geography 35 (2), pp. 223-236. ISSN 0305-7488.

Hamblyn, Richard and Callanan, M.J. (2010) Data soliloquies. London, UK: Slade Press. ISBN 9780903305044.

Hamblyn, Richard and Southam, J. (2012) The river - Winter. In: UNSPECIFIED (ed.) The River - Winter. London, UK: Mack Books, pp. 87-94. ISBN 9781907946288.

Hartnell, Anna (2011) Between Exodus and Egypt: Israel-Palestine and the break-up of the Black-Jewish Alliance. In: Orrells, D. and Bhambra, G.K. and Roynon, T. (eds.) African Athena: New Agendas. Classical Presences. Oxford, UK: Oxford University Press, pp. 122-138. ISBN 9780199595006.

Hartnell, Anna (2008) Between Exodus and Egypt: Malcolm X, Islam, and the ‘natural’ religion of the oppressed. European Journal of American Culture 27 (3), pp. 207-226. ISSN 1466-0407.

Hartnell, Anna (2011) Domesticating Katrina: eliding the international coordinates of a ‘natural’ disaster. In: Sewell, B. and Lucas, S. (eds.) Challenging US Foreign Policy: America and the World in the Long Twentieth Century. Basingstoke, UK: Palgrave Macmillan, pp. 244-259. ISBN 9780230249899.

Hartnell, Anna (2009) Exodus and redemption in Toni Morrison’s Paradise: a magical encounter with the Bible. In: Hawkins Benedix, B. (ed.) Subverting Scriptures: Critical Reflections on the Use of the Bible. New York, U.S.: Palgrave Macmillan. ISBN 9780230610699.

Hartnell, Anna (2012) Hurricane Katrina as visual spectacle: hurricane on the bayou and the reframing of American national identity. In: Cusack, T. (ed.) Art and Identity at the Water's Edge. Farnham, UK: Ashgate, pp. 53-68. ISBN 9781409421214.

Hartnell, Anna (2010) Israel under the shadow of the Holocaust in David Grossman’s "See Under: Love": a post-religious national entity? In: Carruthers, J. and Tate, A. (eds.) Spiritual Identities: Literature and the Post-Secular Imagination. Cultural Interactions: Studies in the Relationship between the Arts 17. New York, U.S.: Peter Lang, pp. 177-196. ISBN 9783039119257.

Hartnell, Anna (2009) Katrina tourism and a tale of two cities: visualizing race and class in New Orleans. American Quarterly 61 (3), pp. 723-747. ISSN 0003-0678.

Hartnell, Anna (2010) Moving through America: race, place and resistance in Mohsin Hamid's "The Reluctant Fundamentalist". Journal of Postcolonial Writing 46 (3-4), pp. 336-348. ISSN 1744-9855.

Hartnell, Anna (2009) Re-drawing the east/west boundary: orientalizing Jewish identity in Allen Ginsberg’s “Kaddish”. In: Sielke, S. and Kloeckner, C. (eds.) Orient and Orientalisms in US-American Poetry and Poetics. Transcription 4. New York, U.S.: Peter Lang, pp. 235-256. ISBN 9783631576083.

Hartnell, Anna (2012) Rebranding America: race, religion, and nation in Obama’s social justice rhetoric. Comparative American Studies 10 (2/3), pp. 142-153. ISSN 1477-5700.

Hartnell, Anna (2011) Rewriting Exodus: American Futures from Du Bois to Obama. London, UK: Pluto Press. ISBN 9780745329567.

Hartnell, Anna (2011) Violence and the faithful in post-9/11 America: Updike’s "Terrorist", Islam, and the specter of exceptionalism. Modern Fiction Studies 57 (3), pp. 477-502. ISSN 1080-658X.

Hartnell, Anna (2010) W. E. B. Du Bois, William Faulkner, and the dialectic of black and white: in search of Exodus for a postcolonial American south. Callaloo 33 (2), pp. 521-536. ISSN 1080-6512.

Hartnell, Anna (2012) When the levees broke: inconvenient truths and the limits of national identity. African American Review 45 (1-2), pp. 17-31. ISSN 1062-4783.

Hartnell, Anna (2012) Writing Islam in post-9/11 America: John Updike’s terrorist. In: Ahmed, R. and Morey, P. and Yaqin, A. (eds.) Culture, Diaspora, and Modernity in Muslim Writing. New York, USA: Routledge, pp. 135-148. ISBN 9780415896771.

Healy, Tom (2003) Drama, Ireland, and the question of civility. In: Richards, J. (ed.) Early Modern Civil Discourses. Early Modern Literature in History. Basingstoke, UK: Palgrave Macmillan, pp. 131-145. ISBN 9781403917362.

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James, H. (2009) The portrait of a lady. Oxford World's Classics. Oxford, UK: Oxford University Press. ISBN 9780199217946.

Jones, Russell Celyn (2010) Adaptation: on reworking the Mabinogion. New Welsh Review (88), pp. 9-14. ISSN 0954-2116.

Jones, Russell Celyn (2011) Is this a dirty word in Dorchester? In: Moore, D. and Raymond, G. and Wild, S. (eds.) The Raconteur: America. Swansea, UK: Parthian. ISBN 9781908069641.

Jones, Russell Celyn (2011) Walking on Snowdon. BBC, Radio 3.

Jones, Russell Celyn (2009) The ninth wave. New Stories from the Mabinogion. Bridgend, UK: Seren. ISBN 9781854115140.

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Ledger, Sally (2004) From Queen Caroline to Lady Dedlock: Dickens and the popular radical imagination. Victorian Literature and Culture 32 (2), pp. 575-600. ISSN 1060-1503.

Leslie, Esther (2006) Add value to contents: the valorisation of culture today. Transversal: machines and subjectivation 11 , ISSN 1811-1696.

Leslie, Esther (2007) American splendor. In: Merck, M. (ed.) America First: Naming the Nation in US Film. London, UK: Routledge. ISBN 9780415374965.

Leslie, Esther (2014) Animation and history. In: Beckman, K. (ed.) Animating Film Theory. Durham, North Carolina, United States: Duke University Press, pp. 25-36. ISBN 9780822356523.

Leslie, Esther (2013) Animation’s petrified unrest. In: Buchan, S. (ed.) Pervasive Animation. AFI Film Readers. Abingdon, UK: Routledge. ISBN 9780415807241.

Leslie, Esther (2009) Ben Wilson. In: Davies, C. and Parrinder, M. (eds.) Limited Language: Rewriting Design Responding to a Feedback Culture. Basel, Germany: Birkhauser. ISBN 9783034604604.

Leslie, Esther (2007) Blake's lines: seven digressions through time and space. ImageTexT 3 (2), ISSN 1549-6732.

Leslie, Esther (2005) Book review: enough is enough! Variant: Cross Currents in Culture 22 (12), pp. 33-34. ISSN 0954-8815.

Leslie, Esther (2011) Bouleversed Baudelairizing. Other. Veer, London, UK.

Leslie, Esther (2013) Brecht and cinema. In: Bauer, P. and Kidner, D. (eds.) Working Together: Notes on British Film Collectives in the 1970s. Southend, UK: Focal Point Gallery. ISBN 9781907185052.

Leslie, Esther (2013) Complex Messiah. In: Jordan Wolfson, (ed.) Ecce Homo/Le Poseur. Berlin, Germany: Walther König. ISBN 9783863354145.

Leslie, Esther (2011) Critical criticism’s critique: 13 theses, or, it is all rubbish. In: Schad, J. and Tearle, O. (eds.) Crrritic! Sighs, Cries, Lies, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism ... Not to Mention the University. Eastbourne, UK: Sussex Academic Press. ISBN 9781845193423.

Leslie, Esther (2013) Crowds, clouds, politics and aesthetics, flipping again. Nordic Journal of Aesthetics , ISSN 2000-9607.

Leslie, Esther (2014) Derelicts - thought worms from the wreckage. London, UK: Unkrant Publishers. ISBN 9780956817693.

Leslie, Esther (2012) Disturbios culturales. In: Ossandón, J. and Vodanovic, L. (eds.) Disturbios culturales (Cultural Unrest). Santiago, Chile: Universidad Diego Portales.

Leslie, Esther (2011) Eisenstein - Joyce - Marx; cosmic, comic. Enclave Review, Cork, Ireland.

Leslie, Esther (2013) Esther Leslie. In: Lauschmann, T. (ed.) Startle. London, UK: London Film and Video Umbrella. ISBN 9780955876950.

Leslie, Esther (2008) Flux and flurry: stillness and hypermovement in animated worlds. Radical Philosophy 152 , pp. 21-30. ISSN 0300-211X.

Leslie, Esther (2006) From stillness to movement and back: cartoon theory today. Radical Philosophy 137 , pp. 8-12. ISSN 0300-211X.

Leslie, Esther (2005) Globalica: communism, culture and the commodity. In: UNSPECIFIED (ed.) Economising Culture On the (Digital) Culture Industry. New York, USA: Autonomedia. ISBN 9781570271687.

Leslie, Esther (2004) Hollywood flatlands: animation, critical theory and the avant-garde. London, UK: Verso. ISBN 9781844675043.

Leslie, Esther (2009) Houses of the future. Modern painters 21 (1), pp. 28-30. ISSN 0953-6698.

Leslie, Esther (2009) Icy scenes from three centuries. In: Pajaczkowska, C. and White, L. (eds.) The Sublime Now. Newcastle, UK: Cambridge Scholars Publishing, pp. 36-49. ISBN 9781443813020.

Leslie, Esther (2009) It's Mickey Mouse. In: Furniss, M. (ed.) Animation - Art & Industry: A Reader. New Barnet, UK: John Libbey. ISBN 9780861966806.

Leslie, Esther (2006) Kandinsky, Oskar Fischinger: where abstraction and comics collide. Tate etc. 7 , ISSN 1743-8853.

Leslie, Esther (2007) Kracauer’s Weimar geometry and geomancy. New Formations 61 , pp. 34-48. ISSN 0950-2378.

Leslie, Esther (2010) Lines in the landscape. Hammer Museum and DelMonico Books, an imprint of Prestel Publishing, Los Angeles, U.S..

Leslie, Esther (2010) Liquidation and shattering: Walter Benjamin’s aesthetics. In: Pusca, A.M. (ed.) Walter Benjamin and the Aesthetics of Change. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230580862.

Leslie, Esther (2013) Loops and joins: Muybridge and the optics of animation. Early Popular Visual Culture 11 (1), pp. 28-40. ISSN 1746-0654.

Leslie, Esther (2010) Recycling. In: Beaumont, M. and Dart, G. (eds.) Restless Cities. London, UK: Verso. ISBN 9781844674053.

Leslie, Esther (2006) Ruin and rubble in the arcades. In: Hansen, B. (ed.) Walter Benjamin and the Arcades Project. Walter Benjamin Studies. London, UK: Continuum. ISBN 9780826463876.

Leslie, Esther (2011) Shadowy, shape-shifting, shaky: animation as subversion. In: Wagner, B. and Grausgruber, W. (eds.) Tricky Women: Animations Film Kunst von Frauen. Vienna, Asutria: Schueren. ISBN 9783894727239.

Leslie, Esther (2009) Shudder - Shutter - Shatter. Animate Projects.

Leslie, Esther (2010) Siegfried Kracauer and Walter Benjamin: memory from Weimar to Hitler. In: Radstone, S. and Schwarz, B. (eds.) Memory: Histories, Theories, Debates. New York, USA: Fordham University Press. ISBN 9780823232604.

Leslie, Esther (2011) Slumberland, architecture and the technological unconscious. In: Libero, A. (ed.) Spielraum: W. Benjamin et l’Architecture. Paris, France: Editions La Villette. ISBN 9782915456608.

Leslie, Esther (2011) Smashing time. In: Loftus, B. (ed.) Sigismund's Watch. London, UK: Phillip Wilson Publishing, pp. 85-98. ISBN 9780856677090.

Leslie, Esther (2007) Snow shaker. In: Candlin, Fiona and Guins, R. (eds.) The Object Reader. In Sight: Visual Culture. Abingdon, UK: Routledge. ISBN 9780415452304.

Leslie, Esther (2005) Stars, phosphor and chemical colours: extraterrestriality in 'The Arcades'. In: Burrow, M. and Farnell, G. and Jardine, M. (eds.) Readings Benjamin's Arcades. New Formations 54. London, UK: Lawrence and Wishart. ISBN 1905007132.

Leslie, Esther (2005) Synthetic worlds: nature, art and the chemical industry. London, UK: Reaktion Books. ISBN 9781861892485.

Leslie, Esther (2007) Walter Benjamin. Critical Lives. London, UK: Reaktion. ISBN 9781861893437.

Leslie, Esther (2010) Walter Benjamin and the technological unconscious. In: Andreotti, L. (ed.) Spielraum: W. Benjamin and Architecture. Thinking Space. Paris: Editions de la Villette. ISBN 9782915456608.

Leslie, Esther (2010) Walter Benjamin, politics, aesthetics. Kunst Spektakel Revolution, Weimar, Germany.

Leslie, Esther (2000) Walter Benjamin: overpowering conformism. Modern European Thinkers. London, UK: Pluto Press. ISBN 9780745315737.

Leslie, Esther (1998) Walter Benjamin: traces of craft. Journal of Design History 11 (1), pp. 5-13. ISSN 1741-7279.

Leslie, Esther (2013) Wheels, suitcases, angels: Kurt Schwitters and Walter Benjamin. Affirmations: Of The Modern 1 (1),

Leslie, Esther and Jackson, M. (2010) The Urpflanze. London, UK: The Drawing Room and Matt's Gallery London. ISBN 9780955829925.

Leslie, Esther and McCail, C. (2009) Chad McCail in conversation with Esther Leslie. Stanley Picker Gallery Public Lectures on Art 3. Kingston-Upon-Thames, UK: Centre for Useless Splendour. ISBN 9780956378231.

Leslie, Esther and Wayne, M. (2009) Preface. In: Bould, M. and Miéville, China (eds.) Red Planets: Marxism and Science Fiction. Lebanon, U.S.: Univeristy Press of New England. ISBN 9780819569134.

Litt, Toby (2007) Hospital. London, UK: Hamish Hamilton. ISBN 9780241142806.

Litt, Toby (2008) Hospital: a dream vision. London, UK: Penguin. ISBN 9780141901244.

Litt, Toby (2009) I play the drums in a band called okay. London, UK: Penguin. ISBN 9780141017921.

Litt, Toby (2009) Journey into Space. London, UK: Penguin. ISBN 9780141902906.

Litt, Toby (2010) King Death. London, UK: Penguin. ISBN 9780141902920.

Litt, Toby (2014) Life-like. Chicago, USA: University of Chicago Press. ISBN 9780857422071. (In Press)

Luckhurst, Roger (2011) Ballard/atrocity/Conner/exhibition/assemblage. In: Baxter, J. and Wymer, R. (eds.) J.G.Ballard: Visions and Revisions. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230278127.

Luckhurst, Roger (2010) Beyond trauma: torturous times. European Journal of English Studies 14 (1), pp. 11-21. ISSN 1382-5577.

Luckhurst, Roger (2010) Book review: "Advertising, Subjectivity and the Nineteenth-Century Novel: Dickens, Balzac and the Language of the Walls" by Sara Thornton. Modern Language Review 105 (3), pp. 819-821. ISSN 0026-7937.

Luckhurst, Roger (2008) Contemporary photography and the technological sublime, or, can there be a science fiction photography? Journal of the Fantastic In the Arts 19 (2), pp. 181-195. ISSN 0897-0521.

Luckhurst, Roger (2014) Future shock: science fiction and the trauma paradigm. In: Buelens, G. and Durrant, S. and Eaglestone, R. (eds.) The Future of Trauma Theory. Contemporary Literary and Cultural Criticism. Abingdon, UK: Routledge. ISBN 9780415694599.

Luckhurst, Roger (2009) Greg Bear. In: Bold, M. and Butler, A. and Roberts, A. and Vint, S. (eds.) Fifty Key Figures in Science Fiction. Routledge Key Guides. Abingdon, UK: Routledge, pp. 27-32. ISBN 9780415439503.

Luckhurst, Roger (2011) In the zone: topologies of genre weirdness. In: Wasson, S. and Alder, E. (eds.) Gothic Science Fiction 1980-2010. Liverpool, UK: Liverpool University Press. ISBN 9781846317071.

Luckhurst, Roger (2012) In war times: fictionalizing Iraq. Contemporary Literature 53 (4), pp. 713-737. ISSN 0010-7484.

Luckhurst, Roger (2009) Introduction. In: Luckhurst, Roger (ed.) The Portrait of a Lady. Oxford World's Classics. Oxford, UK: Oxford University Press, vii-xxxiv. ISBN 9780199217946.

Luckhurst, Roger (2009) Introduction. In: Luckhurst, Roger (ed.) Portrait of a Lady (Henry James). Oxford World’s Classics. Oxford, UK: Oxford University Press. ISBN 9780199217946.

Luckhurst, Roger (2009) Introduction. In: Luckhurst, Roger (ed.) Dracula (Bram Stoker). Oxford World’s Classics. Oxford, UK: Oxford University Press. ISBN 9780199564095.

Luckhurst, Roger (2009) Introduction. In: Luckhurst, Roger (ed.) The Classic Horror Stories (H.P. Lovecraft). Oxford, UK: Oxford University Press. ISBN 9780199639571.

Luckhurst, Roger (2009) Introduction. In: Luckhurst, Roger (ed.) The Portrait of a Lady. Oxford World’s Classics. Oxford, UK: Oxford University Press, vii-xxxiv. ISBN 9780199217946.

Luckhurst, Roger (2009) J.G. Ballard. In: Bold, M. and Butler, A. and Roberts, A. and Vint, S. (eds.) Fifty Key Figures in Science Fiction. Routledge Key Guides. Abingdon, UK: Routledge, pp. 12-17. ISBN 9780415439503.

Luckhurst, Roger (2012) Laboratories for global space-time: science-fictionality and the World’s Fairs, 1851-1939. Science Fiction Studies 39 (3), pp. 385-400. ISSN 0091-7729.

Luckhurst, Roger (2009) Late Victorian Gothic tales. Oxford World's Classics. Oxford, UK: Oxford University Press. ISBN 9780199538874.

Luckhurst, Roger (2012) Martian montage: Chris Marker's SF. Science Fiction Film and Television 5 (2), pp. 273-285. ISSN 1754-3770.

Luckhurst, Roger (2012) The Mummy's curse: the true history of a dark fantasy. Oxford, UK: Oxford University Press. ISBN 9780199698714.

Luckhurst, Roger (2014) Not now, not yet: polytemporality and fictions of the Iraq war. In: Nadal, M. and Calvo, M. (eds.) Trauma in Contemporary Literature: Narrative and Representation. Routledge Interdisciplinary Perspectives on Literature. Abingdon, UK: Routledge. ISBN 9780415715874.

Luckhurst, Roger (2009) Pseudoscience. In: Bould, M. and Butler, A. and Roberts, A. and Vint, S. (eds.) The Routledge Companion to Science Fiction. Routledge Companions. Abingdon, UK: Routledge. ISBN 9780415453790.

Luckhurst, Roger (2009) Psuedoscience. In: Bold, M. and Butler, A. and Roberts, A. and Vint, S. (eds.) The Routledge Companion to Science Fiction. Routledge Literature Companions. Abingdon, UK: Routledge, pp. 403-412. ISBN 9780415453783.

Luckhurst, Roger (2009) Reflections on Joan Didion's The Year of Magical Thinking. New Formations (67), pp. 91-100. ISSN 0950-2378.

Luckhurst, Roger (2010) Religion, psychical research, spiritualism, and the occult. In: Brooker, P. and Gasiorek, A. and Longworth, D. and Thacker, A. (eds.) The Oxford Handbook of Modernisms. Oxford, UK: Oxford University Press. ISBN 9780199545445.

Luckhurst, Roger (2009) Remembering Eve Sedgwick. Science Fiction Studies 35 (3), pp. 395-397. ISSN 0091-7729.

Luckhurst, Roger (2014) Sax Rohmer's Egyptian intoxication. In: Baker, P. and Clayton, A. (eds.) Lord of Strange Deaths : The Fiendish World of Sax Rohmer. London, UK: Strange Attractor Press. ISBN 9781907222252. (In Press)

Luckhurst, Roger (2010) Science fiction and cultural history. Science Fiction Studies 37 (1), ISSN 0091-7729.

Luckhurst, Roger (2010) Science fiction and fantasy. In: Parrinder, P. and Gasiorek, A. (eds.) The Reinvention of the British and Irish Novel 1880-1940. The Oxford History of the Novel in English 4. Oxford, UK: Oxford University Press. ISBN 9780199559336.

Luckhurst, Roger (2014) Science fiction and fantasy. In: Saler, M. (ed.) The Fin-de-Siècle World. Abingdon, UK: Routledge. ISBN 9780415674133. (In Press)

Luckhurst, Roger (2012) Science versus rumour: artefaction and counter-narrative in the Egyptian rooms of the British Museum. History and Anthropology 23 (2), pp. 257-269. ISSN 0275-7206.

Luckhurst, Roger (2012) Stead’s death (and slight return). In: Luckhurst, Roger and Brake, Laurel and Mussell, J. and King, E. (eds.) W. T. Stead: Newspaper Revolutionary. London, UK: British Library Press. ISBN 9780712358668. (In Press)

Luckhurst, Roger (2010) The fine art of science fiction: Ivan and Heather Morison. Corridor8 2 ,

Luckhurst, Roger (2008) The found-footage science fiction film: five films by Craig Baldwin, Werner Herzog, and Patrick Keiller. Science Fiction Film & Television 1 (2), pp. 193-214. ISSN 1754-3770.

Luckhurst, Roger (2014) The gothic world. In: Byron, G. and Townshend, D. (eds.) Gothic World. Routledge Worlds. Abingdon, UK: Routledge. ISBN 9780415637442.

Luckhurst, Roger (2013) The living dead. In: Bell, J. (ed.) Gothic: The Dark Heart of Cinema. A BFI Compendium. London, UK: BFI, pp. 36-42. ISBN 9781844576821. (In Press)

Luckhurst, Roger (2010) The mummy's curse: a study in rumour. Critical Quarterly 52 (3), pp. 6-22. ISSN 0011-1562.

Luckhurst, Roger (2010) An occult gazetteer of Bloomsbury: an experiment in method. In: Phillips, L. and Witchard, A. (eds.) London Gothic: Place, Space and the Gothic Imagination. Continuum Literary Studies. London, UK: Continuum Press, pp. 50-62. ISBN 9781441106827.

Luckhurst, Roger (2009) The politics of the network: the science in the capital trilogy. In: Burling, W.J. and Palumbo, D.E. and Sullivan III, C.W. (eds.) Kim Stanley Robinson Maps the Unimaginable. Jeferson, U.S.: Mcfarland Press, pp. 170-180. ISBN 9780786433698.

Luckhurst, Roger (2009) The productive convergence of SF criticism and critical theory. Science Fiction Studies 36 (3), pp. 513-521. ISSN 0091-7729.

Luckhurst, Roger (2012) The psychical seventies. In: Sandhu, S. (ed.) The Twilight Language of Nigel Kneale. London, UK: Strange Attractor Press, pp. 11-15.

Luckhurst, Roger (2012) The public sphere, popular culture and the true meaning of the zombie apocalypse. In: Glover, D. and McCracken, S. (eds.) The Cambridge Companion to Popular Fiction. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 68-85. ISBN 9780521513371.

Luckhurst, Roger (2012) The sinking of the Titanic: Stead's death (and slight return). In: Luckhurst, Roger and Brake, Laurel and Mussell, J. and King, E. (eds.) W.T. Stead: Newspaper Revolutionary. London, UK: British Library Press, pp. 181-196. ISBN 9780712358668.

Luckhurst, Roger (2008) The trauma question. Abingdon, UK: Routledge. ISBN 9780415402712.

Luckhurst, Roger (2008) The uncanny after Freud: the contemporary trauma subject and the fiction of Stephen King. In: Collins, J. and Jervis, J. (eds.) Uncanny Modernity: Cultural Theories, Modern Anxieties. Basingstoke, UK: Palgrave MacMillan, pp. 128-145. ISBN 9780230517714.

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MacCabe, Colin (2009) Birth of a cinema. Critical Quarterly 51 (1), pp. 126-131. ISSN 0011-1562.

MacCabe, Colin (2009) Breaking the British movie myth. Prospect (166), ISSN 1359-5024.

MacCabe, Colin (2009) Cannes notebook: a very good year. Film Quarterly 63 (1), pp. 68-70. ISSN 0015-1386.

MacCabe, Colin (2008) In words we are made flesh: towards a new Cambridge philology. Critical Quarterly 50 (1-2), pp. 64-84. ISSN 0011-1562.

MacCabe, Colin (2008) Life after death. New Statesman , pp. 36-38. ISSN 1364-7431.

MacCabe, Colin (2008) The hunger artist. Modern painters 20 (7), p. 48. ISSN 0953-6698.

Mandeville, J. and Bale, Anthony (2012) The book of marvels and travels. Oxford World's Classics. Oxford, UK: Oxford University Press. ISBN 9780199600601.

Marlowe, C. and Teevan, Colin (2013) Doctor Faustus. London, UK: Oberon Books. ISBN 9781849434133.

McAllister, David (2009) Artificial respiration in "Our Mutual Friend". The Dickensian 105 (478), pp. 101-108. ISSN 0012-2440.

McAllister, David (2009) Artificial respiration in 'Our Mutual Friend'. The Dickensian 105 (478), pp. 101-108. ISSN 0012-2440.

McAllister, David (2013) Living with the dead in Wordsworth's "Lyrical Ballads". Modern Language Review 108 (2), pp. 416-437. ISSN 0026-7937.

McAllister, David (2007) "Subject to the sceptre of imagination": sleep, dreams, and unconsciousness in Oliver Twist. Dickens Studies Annual 38 , pp. 1-17. ISSN 0084-9812.

McAllister, David (2011) A subject dead is not worth presenting: Cromwell, the past and the haunting of Thomas Carlyle. Romanticism and Victorianism on the Net (59-60), ISSN 1916-1441.

McAllister, David (2013) A use in measured language: poetic allusion and the Victorian culture of death. Forum for Modern Language Studies 49 (3), pp. 229-243. ISSN 0015-8518.

McBean, Sam (2013) Dragging antigone: feminist re-visions of citizenship. In: Roseneil, Sasha (ed.) Beyond Citizenship? Feminism and the Transformation of Belonging. Citizenship, Gender and Diversity. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230320543.

McBean, Sam (2013) Queer temporalities. Feminist Theory 14 (1), pp. 123-128. ISSN 1464-7001.

McBean, Sam (2013) Seeing in Alison Bechdel’s "Fun Home". Studies in the Maternal 28 (3_84), pp. 103-123. ISSN 1759-0434.

McLoughlin, Kate (2011) Authoring war: the literary representation of war from the Iliad to Iraq. Cambridge, UK: Cambridge University Press. ISBN 9781107003903.

McLoughlin, Kate (2007) "Dispute Incarnate": Philip Roth's Operation Shylock, the Demjanjuk Trial, and eyewitness testimony. Philip Roth Studies 3 (2), pp. 115-130. ISSN 1547-3929.

McLoughlin, Kate (2011) Glamour goes to war: Lee Miller's writings for British Vogue, 1939–45. Journal of War & Culture Studies 3 (3), pp. 335-348. ISSN 1752-6272.

McLoughlin, Kate (2013) Interruption overload: telephones in Ford Madox Ford’s "4692 Padd", "A Call" and "A Man Could Stand Up". Journal of Modern Literature 36 (3), pp. 50-68. ISSN 0022-281X.

McLoughlin, Kate (2010) Introduction. In: Anderson, E. and Maddrell, A. and McLoughlin, Kate and Vincent, A. (eds.) Memory, Mourning, Landscape. At the Interface/Probing the Boundaries 71. Amsterdam, The Netherlands: Rodolpi, iX-xiii. ISBN 9789042030862.

McLoughlin, Kate (2012) Introduction. In: McLoughlin, Kate (ed.) The Literature of War. Detroit, USA: St. James Press. ISBN 9781558628428.

McLoughlin, Kate (2013) Introduction: a welcome from the host. In: McLoughlin, Kate (ed.) The Modernist Party. Edinburgh, UK: Edinburgh University Press, pp. 1-24. ISBN 9780748647316.

McLoughlin, Kate (2012) Not writing about war. In: Baraban, E. and Jaeger, S. and Muller, A. (eds.) Fighting Words and Images: Representing War
 Across the Disciplines. Toronto, Canada: University of Toronto Press, pp. 46-64. ISBN 9781442641235.

McLoughlin, Kate (2013) Prufrock party-goer: tongue tied at tea. In: McLoughlin, Kate (ed.) The Modernist Party. Edinburgh, Scotland: Edinburgh University Press, pp. 45-63. ISBN 9780748647316.

McLoughlin, Kate (2013) Prufrock, party-goer: tongue-tied at tea. In: McLoughlin, Kate (ed.) The Modernist Party. Edinburgh, UK: Edinburgh University Press, pp. 45-63. ISBN 9780748647316.

McLoughlin, Kate (2008) Voices of the Munich Pact. Critical Inquiry 34 (3), pp. 543-62. ISSN 0093-1896.

McLoughlin, Kate (2009) War and words. In: McLoughlin, Kate (ed.) The Cambridge Companion to War Writing. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 15-24. ISBN 9780521720045.

McLoughlin, Kate (2012) War correspondence. In: Piette, A. and Rawlinson, M. (eds.) The Edinburgh Companion to British and American (US) Twentieth-Century War Writing. Edinburgh, UK: Edinburgh University Press. ISBN 9780748638741.

McLoughlin, Kate (2009) War in print journalism. In: McLoughlin, Kate (ed.) The Cambridge Companion to War Writing. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 47-57. ISBN 9780521720045.

Mills, V. and Tilley, Heather (2008) Digitisation and materiality. 19: Interdisciplinary Studies in the Long Nineteenth Century 6 , ISSN 1755-1560.

Monks, Aoife (2013) Collecting ghosts: actors, anecdotes and objects at the theatre. Contemporary Theatre Review 23 (2), pp. 146-152. ISSN 1048-6801.

Monks, Aoife (2012) Human remains: acting, objects and belief in performance. Theatre Journal 64 (3), pp. 355-371. ISSN 1086-332X.

Monks, Aoife (2012) Human remains: acting, objects, and belief in performance. Theatre Journal 64 (3), pp. 355-371. ISSN 1086-332X.

Monks, Aoife (2009) Looking for Fiona: gender and nationality in the work of Fiona Shaw. In: Sihra, M. and Murphy, P. (eds.) The Dreaming Body: Contemporary Irish Theatre. Ulster Editions & Monographs 16. Gerrards Cross, UK: Colin Smythe. ISBN 9780861404650.

Monks, Aoife (2013) Objects. Contemporary Theatre Review 23 (1), pp. 53-54. ISSN 1048-6801.

Monks, Aoife (2013) ‘This Painful Chapter’: performing the law in Bloody Sunday: scenes from the Saville Inquiry. Contemporary Theatre Review 23 (3), pp. 345-356. ISSN 1048-6801.

Monks, Aoife (2013) 'This painful chapter': performing the law in Bloody Sunday: scenes from the Saville Inquiry. Contemporary Theatre Review 23 (3), pp. 345-356. ISSN 1048-6801.

Monks, Aoife (2009) The actor in costume. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230216990.

Msiska, Mpalive-Hangson (2009) Detecting globalisation, modernity and gender subjectivity in David Maillu's Benni Kamba 009 in Operation DXT. Journal of East African Studies 3 (1), pp. 132-152. ISSN 1753-1055.

Msiska, Mpalive-Hangson (2012) Genre: fidelity and transgression in the postcolonial African novel. In: Goebel, W. and Schabio, S. (eds.) Locating Postcolonial Narrative Genre. Routledge Research in Postcolonial Literatures. London, UK: Routledge, pp. 77-91. ISBN 9780415539609.

Msiska, Mpalive-Hangson (2010) Post-colonial theory. In: Irele, F.A. and Jeyifo, B. (eds.) Oxford Encyclopaedia of African Thought. Oxford University Press. ISBN 9780195334739.

Msiska, Mpalive-Hangson (2009) Remembering Africa: Africa as the sign of the transnational in black-British writing. In: Göbel, W. and Schabio, S. (eds.) Locating Transnational Ideals. Routledge Research in Postcolonial Literatures. London, UK: Routledge, pp. 173-188. ISBN 9780415871365.

Msiska, Mpalive-Hangson (2009) Sam Selvon's, "The Lonely Londoners" and the structure of black metropolitan life. African and Black Diaspora: An International Journal 2 (1), pp. 5-27. ISSN I752-8631.

Msiska, Mpalive-Hangson (2009) Sam Selvon’s "The Lonely Londoners" and the structure of black metropolitan life. African and Black Diaspora: An International Journal 2 (1), pp. 5-27. ISSN I752-8631.

Msiska, Mpalive-Hangson (2009) Things fall apart: a resource for cultural theory. Interventions: International Journal of Postcolonial Studies 11 (2), pp. 171-175. ISSN 1369-801X.

Msiska, Mpalive-Hangson (2010) Wilson Harris. In: Irele, F.A. and Jeyifo, B. (eds.) Oxford Encyclopaedia of African Thought. Oxford University Press. ISBN 9780195334739.

Murray, Joanne (2010) An imaginary museum: Ballard at the Gagosian. Science Fiction Studies 37 (3), ISSN 0091-7729.

O

Owen, Louise (2012) Audio Obscura, or, "Dread in the Fallen City". Frakcija (58-59), pp. 118-123. ISSN 1331-0100.

Owen, Louise (2011) "Identity correction": The Yes Men and acts of discursive "leverage". Performance Research 16 (2), pp. 28-36. ISSN 1352-8165.

Owen, Louise (2008) 'In tune with the beat of where they are': the AfroReggae UK Partnership in 2007. PPP Bulletin 4 , pp. 1-14.

Owen, Louise (2012) 'Places, like property prices, go up and down': site-specificity, regeneration and The Margate Exodus. In: Birch, A. and Tompkins, J. (eds.) Performing Site-Specific Theatre: Politics, Place, Practice. Performance Interventions. Basingstoke, UK: Palgrave Macmillan, pp. 150-164. ISBN 9780230364059.

Owen, Louise (2013) Robert Wilson, "Walking" (Holkham Estate, 2012). Contemporary Theatre Review 23 (4), pp. 568-573. ISSN 1048-6801.

Owen, Louise (2012) "Work that body": precarity and femininity in the new economy. TDR: the Drama Review 56 (4), pp. 78-94. ISSN 1054-2043.

Owen, Louise (2011) A response to 'Beyond Angels, Elephants, Good Intentions and Red-Nose Rebellion'. In: Beyond Angels, Elephants, Good Intentions and Red-Nose Rebellion: What is the Future for Art in the Public Realm?, June 2011, Armada House, Telephone Avenue, Bristol, UK, BS1 4BQ.

Owen, Louise (2013) 'The witness and the replay': London bubble. In: McAvinchey, C. (ed.) Performance and Community: Commentary and Case Studies. London, UK: Bloomsbury. ISBN 9781408146422.

Owen, Louise (2013) The witness and the replay: London bubble. In: McAvinchey, C. (ed.) Performance and Community: Commentary and Case Studies. London, UK: Bloomsbury Publishing. ISBN 9781408146422.

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Parejo-Vadillo, Ana (2013) Another renaissance: the decadent poetic drama of A.C. Swinburne and Michael Field. In: Hall, J.D. and Murray, A. (eds.) Decadent Poetics: Literature and Form at the British Fin de Siècle. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave Macmillan, pp. 116-140. ISBN 9781137348289.

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Rowe, William (2010) Cesar Vallejo: el acto y la palabra. In: Fondo Editorial del Congreso del Peru, 2010, Lima.

Rowe, William (1997) Cultural studies questionnaire. Journal of Latin American Cultural Studies: Travesia 6 (2), pp. 223-226. ISSN 1356-9325.

Rowe, William (1998) How European is it? In: Fishburn, Evelyn (ed.) Borges and Europe revisited. London: University of London, Institute of Latin American Studies, pp. 21-36. ISBN 1 900039 21 4.

Rowe, William (2005) Poetry between life and death: the late work of César Vallejo. In: Partly Writing 4 : Writing and the poetics of exchange, 4-5 June 2005, Bury, Greater Manchester. (Unpublished)

Rowe, William (1992) War and cultural studies: reflections on recent work in Peru and Argentina. Journal of Latin American Cultural Studies: Travesia 1 (1), ISSN 1356-9325.

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Salisbury, Laura (2010) Art of noise: Beckett's language in a culture of information. Samuel Beckett Today/Aujourd'hui 22 , pp. 355-371. ISSN 0927-3131.

Salisbury, Laura (2011) Bulimic Beckett: food for thought and the archive of analysis. Critical Quarterly 53 (3), pp. 60-80. ISSN 0011-1562.

Salisbury, Laura (2011) Linguistic trepanation: brain damage, penetrative seeing and a revolution of the word. In: Coleman, D. and Fraser, Hilary (eds.) Minds, Bodies, Machines, 1770-1930. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave Macmillan, pp. 179-208. ISBN 9780230284678.

Salisbury, Laura (2010) Narration and neurology: Ian McEwan's mother tongue. Textual Practice 24 (5), pp. 883-912. ISSN 0950-236X.

Salisbury, Laura (2012) Samuel Beckett: laughing matters, comic timing. Edinburgh, Scotland: Edinburgh University Press. ISBN 9780748647484.

Salisbury, Laura (2010) "Something or nothing": Beckett and the matter of language. In: Caselli, D. (ed.) Beckett and Nothing. Manchester, UK: Manchester University Press. ISBN 9780719080197.

Salisbury, Laura (2010) Sounds of silence: aphasiology and the subject of modernity. In: Salisbury, Laura and Shail, A. (eds.) Neurology and Modernity: A Cultural History of Nervous Systems, 1800-1950. Basingstoke, UK: Palgrave MacMillan, pp. 204-230. ISBN 9780230233133.

Salisbury, Laura (2009) "Throw up for good": gagging, compulsion and a comedy of ethics in the trilogy. In: Smith, R. (ed.) Beckett & Ethics. Continuum Literary Studies. London, UK: Continuum Press, pp. 163-180. ISBN 9780826498366.

Salisbury, Laura (2008) What is the word: Beckett's aphasic modernism. Journal of Beckett Studies 17 (1-2), pp. 78-126. ISSN 0309-5207.

Salisbury, Laura and Shail, A. (2010) Introduction. In: Salisbury, Laura and Shail, A. (eds.) Neurology and Modernity: A Cultural History of Nervous Systems, 1800-1950. Basingstoke, UK: Palgrave MacMillan, pp. 1-40. ISBN 9780230233133.

Senior, Emily (2010) "Perfectly whole": skin and text in John Gabriel Stedman's "Narrative of a Five Years Expedition against the Revolted Negroes of Surinam". Eighteenth-Century Studies 44 (1), pp. 39-56. ISSN 0013-2586.

Senior, Emily (2010) Perfectly whole: skin and text in John Gabriel Stedman’s narrative of a five years expedition against the revolted negroes of Surinam. Eighteenth-Century Studies 44 (1), pp. 39-56. ISSN 0013-2586.

Senior, Emily (2013) The colonial picturesque and the medical utility of landscape aesthetics. Journal for Eighteenth Century Studies 35 (4), pp. 505-517. ISSN 1754-0208.

Senior, Emily and Easterby-Smith, S. (2013) The cultural production of natural knowledge: contexts, terms, themes. Journal for Eighteenth-Century Studies 36 (4), pp. 471-476. ISSN 1754-0194.

Silva, H. and Teevan, Colin (2012) Marathon tales. BBC Radio 3, London, UK.

Smyth, Adam (2008) Almanacs, annotators, and life-writing in early modern England. English Literary Renaissance 38 (2), pp. 200-244. ISSN 0013-8312.

Smyth, Adam (2010) Autobiography in early modern England. Cambridge, UK: Cambridge University Press. ISBN 9780521761727.

Smyth, Adam (2010) Commonplace book culture: a list of sixteen traits. In: Lawrence-Mathers, A. and Hardman, P. (eds.) Women and Writing, c.1340-c.1650: The Domestication of Print Culture. Manuscript Culture in the British Isles. Rochester, U.S.: Boydell and Brewer, pp. 90-110. ISBN 9781903153321.

Smyth, Adam (2013) "Divines into dry Vines": forms of jesting in Renaissance England. In: Deutermann, A.K. and Kisery, A. (eds.) Formal Matters: Reading the Materials of English Renaissance Literature. Manchester, UK: Manchester University Press. ISBN 9780719085536.

Smyth, Adam (2012) “Shreds of holinesse”: George Herbert, Little Gidding, and cutting up texts in early modern England [with illustrations]. English Literary Renaissance 42 (3), pp. 452-481. ISSN 0013-8312.

Spicer, J. and Harrison, Debbie and Winning, Joanne (2013) The humanities in medical education. In: Walsh, K. (ed.) Oxford Handbook of Medical Education. Oxford, UK: Oxford University Press, pp. 233-243. ISBN 9780199652679.

Stevenson, R.L. (2008) The strange case of Dr Jekyll and Mr Hyde and other tales. Oxford World's Classics. Oxford, UK: Oxford University Press. ISBN 9780199536221.

Strauss, Liane (2009) Frankie, Alfredo. London, UK: Donut Press. ISBN 9780955360459.

Strauss, Liane (2012) In the divorce. Poetry Review, London, UK.

Strauss, Liane (2010) Leaving Eden. Norwich, UK: Salt Publishing. ISBN 9781844714469.

Strauss, Liane (2011) The art of wiring. In: Reid, C. (ed.) The Art of Wiring. UK: Ondt & Gracehoper, pp. 33-40. ISBN 9780952237075.

Sturluson, S. and Finlay, Alison and Faulkes, A. (2011) Heimskringla I: the beginnings to Óláfr Tryggvason. London, UK: Viking Society for Northern Research. ISBN 9780903521864.

Swain, Robert (2009) Directing - a handbook for emerging theatre directors. Backstage. London, UK: Bloomsbury. ISBN 9781408127650.

T

Teevan, Colin (2009) Kafka's monkey. London, UK: Oberon Books. ISBN 9781840029215.

Teevan, Colin (2009) Lion of Kabul. In: UNSPECIFIED (ed.) Great Game: Afghanistan. London, UK: Oberon Books. ISBN 9781840029222 .

Teevan, Colin (2011) Massistonia. BBC Radio 3, London, UK.

Teevan, Colin (2008) Myrrha. BBC Radio 4, London, UK.

Teevan, Colin (2014) Silk: series three, episode three. BBC TV, London, UK.

Teevan, Colin (2011) Single-handed: between two fires. RTE/ITV, Dublin RTE/London ITV.

Teevan, Colin (2012) There was a man, there was no man. In: UNSPECIFIED (ed.) The Bomb: A Partial History. London, UK: Oberon Books, pp. 133-156. ISBN 9781849431521.

Teevan, Colin (2012) Vera: sandancers. ITV Studios, London, UK.

Teevan, Colin (2008) The devil was here yesterday. BBC Radio 3, London, UK.

Teevan, Colin (2012) The kingdom. Oberon Modern Plays. London, UK: Oberon Books. ISBN 9781849434874.

Teevan, Colin (2009) The lion of Kabul. In: UNSPECIFIED (ed.) The Great Game: Afghanistan. Oberon Modern Plays. London, UK: Oberon Books, pp. 147-169. ISBN 9781840029222.

Teevan, Colin and Heritage, P. (2008) Amazonia. London, UK: Oberon Books. ISBN 9781840028959.

Teevan, Colin and Ibsen, H. (2007) Peer Gynt. London, UK: Oberon Books. ISBN 9781840028065.

Teevan, Colin and Noda, H. (2008) The Diver. London, UK: Oberon Books. ISBN 9781840028683.

Tilley, Heather (2011) The sentimental touch: Dickens's Old Curiosity Shop and the feeling reader. Journal of Victorian Culture 16 (2), pp. 226-241. ISSN 1355-5502.

Tilley, Helen (2009) Frances Browne, the 'blind poetess' towards a poetics of blind writing. Journal of Literary and Cultural Disability Studies 3 (2), ISSN 1757-6458.

Tilley, Helen (2010) Wordsworth’s glasses: the materiality of blindness in the romantic imagination. In: Cale, Luisa and di Bello, Patrizia (eds.) Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Culture. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230221970.

V

Vadillo, Ana Parejo (2013) Cosmopolitan aestheticism: the affective ‘Italian’ ethics of A. Mary F. Robinson. Comparative Critical Studies 10 (2), pp. 163-182. ISSN 1744-1854.

W

Walsh, Fintan (2005) "About time" and Irish theatre practice. Contemporary Theatre Review 15 (1), pp. 171-174. ISSN 1048-6801.

Walsh, Fintan (2009) Between deaths: screening Jade Goody. Contemporary Theatre Review 19 (3), pp. 382-385. ISSN 1048-6801.

Walsh, Fintan (2006) Bibliography of works of Sebastian Barry and production details of the premieres of Sebastian Barry’s plays. In: Hunt Mahony, C. (ed.) Out of History: Essays on the Writings of Sebastian Barry. Dublin, UK: Carysfort Press, pp. 229-244. ISBN 9780813214597.

Walsh, Fintan (2010) Big love: relationality, ethics and the art of letting go. Theatre Research International 35 (1), pp. 17-31. ISSN 0307-8833.

Walsh, Fintan (2010) Child's play: making theatre for young audiences. Irish Theatre Magazine ,

Walsh, Fintan (2009) Cock tales: homosexuality, trauma and the cosmopolitan queer. Film Ireland (120), pp. 16-18. ISSN 0791-7546.

Walsh, Fintan (2010) Critical disorientations: intoxication, engagement and performance. Contemporary Theatre Review 20 (2), pp. 241-244. ISSN 1048-6801.

Walsh, Fintan (2010) Documentary theatre: beyond information. Irish Theatre Magazine ,

Walsh, Fintan (2011) From enthusiasm to encounter-event: Bracha L. Ettinger, Samuel Beckett and the theatre of affect. Parallax 17 (2), pp. 110-123. ISSN 1353-4645.

Walsh, Fintan (2011) Graphic tensions: what posters say about plays. Irish Theatre Magazine ,

Walsh, Fintan (2009) Homelysexuality and the “beauty” pageant. In: Brady, S. and Walsh, Fintan (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke, UK: Palgrave Macmillan, pp. 196-210. ISBN 9780230219984.

Walsh, Fintan (2011) I try to get under the skin. Irish Theatre Magazine ,

Walsh, Fintan (2009) Introduction: performance studies and Irish culture. In: Walsh, Fintan and Brady, S. (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke and New York: Palgrave Macmillan, pp. 1-10. ISBN 9780230219984.

Walsh, Fintan (2012) Keeping everything completely alive: Corn Exchange's 'Dubliners'. Irish Theatre Magazine ,

Walsh, Fintan (2010) Male trouble: masculinity and the performance of crisis. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230579699.

Walsh, Fintan (2008) Masculinity, victimization and the recuperation of authority in "InterMission". In: Tighe-Mooney, S. and Quinn, D. (eds.) Essays on Irish Literary Criticism: Themes of Gender, Sexuality, and Corporeality. Hors Série. Credigon, Wales: Edwin Mellen, pp. 195-210. ISBN 9780773448308.

Walsh, Fintan (2013) Mourning sex: the aesthetics of queer relationality in contemporary film. In: Bracken, C. and Radley, E. (eds.) Viewpoints: Theoretical Perspectives on Irish Visual Texts. Cork, Ireland: Cork University Press. ISBN 9781859184967.

Walsh, Fintan (2011) Pan Pan: theatre of ideas. Irish Theatre Magazine ,

Walsh, Fintan (2010) Permission to take risks. Irish Theatre Magazine ,

Walsh, Fintan (2010) Practicalities and possibilities: reflections on the national networking day for collaborative arts. National Development Agency for Collaborative Arts in Social and Community Contexts, Dublin, Ireland.

Walsh, Fintan (2013) Pride, politics and the right to perform. In: Giffney, N. and Shildrick, M. (eds.) Theory on the Edge: Irish Studies and the Politics of Sexual Difference. Breaking Feminist Waves. Basingstoke, UK: Palgrave Macmillan, pp. 105-124. ISBN 9781137306975.

Walsh, Fintan (2012) Queer publics, public queers. Performing Ethos: International Journal of Ethics in Theatre and Performance 2 (2), pp. 91-94. ISSN 1757-1979.

Walsh, Fintan (2009) Redressing the past, cross-dressing the future. Foilsiú: Interdisciplinary Journal of Irish Studies 8 , pp. 79-92.

Walsh, Fintan (2013) Saving Ulster from sodomy and hysteria: sex, politics and performance. Contemporary Theatre Review 23 (3), pp. 291-301. ISSN 1048-6801.

Walsh, Fintan (2013) Saving Ulster from sodomy and hysteria: sexual and political performance in Northern Ireland. Contemporary Theatre Review 23 (3), pp. 291-301. ISSN 1048-6801.

Walsh, Fintan (2008) Shirley Temple Bar at the Abbey: Irish theatre, queer performance and the politics of disidentification. Irish Theatre International 1 (1), pp. 53-72. ISSN 2009-0870.

Walsh, Fintan (2012) Singing out your feelings. Irish Theatre Magazine ,

Walsh, Fintan (2012) Theatre and therapy. Theatre And. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230293274.

Walsh, Fintan (2012) To try for something extraordinary. Irish Theatre Magazine ,

Walsh, Fintan (2009) Touching, feeling, cross-dressing: on the affectivity of queer performance. In: Cregan, D. (ed.) Deviant Acts: Essays on Queer Performance. Dublin, UK: Carysfort Press, pp. 55-72. ISBN 9781904505426.

Walsh, Fintan (2007) The erotics and politics of masochistic self-abjection in "Jackass". Gender Forum: Gender Disgussed 18 ,

Walsh, Fintan (2010) The flaming archive. In: Walsh, Fintan (ed.) Queer Notions: New Plays and Performances from Ireland. Cork, Ireland: Cork University Press, pp. 1-16. ISBN 9781859184691.

Walsh, Fintan (2006) The law of the father, and of the son, and of the evil queer: (en)gendering violence in 'The Passion of the Christ'. In: UNSPECIFIED (ed.) Journal of Postgraduate Research. Dublin, Ireland: Trinity College Dublin, pp. 171-174. ISBN 9780955054723.

Walsh, Fintan (2013) The matter of queer politics and ethics: Antony Hegarty and "The Crying Light". In: Walsh, Fintan and Causey, M. (eds.) Performance, Identity and the Neo-Political Subject. Routledge Advances in Theatre and Performance Studies. London, UK: Routledge, pp. 213-229. ISBN 9780415509657.

Walsh, Fintan (2013) The power of the powerless: theatre in turbulent times. In: Walsh, Fintan (ed.) 'That Was Us': Contemporary Irish Theatre and Performance. London, UK: Oberon Books, pp. 1-18. ISBN 9781783190355 .

Walsh, Fintan (2012) The transformative power of having fun: Alternative Miss Ireland and contemporary Irish theatre. Irish Theatre Magazine ,

Walsh, Fintan (2009) A view from behind: matrixiality, masculinity, queer theory. Studies in the Maternal (2), pp. 1-6. ISSN 1759-0434.

Walsh, Fintan (2009) A vocation and an addiction. Irish Theatre Magazine ,

Walsh, Fintan and Causey, M. (2013) Introduction: performance, identity and the neo-political subject. Performance, Identity and the Neo-Political Subject , pp. 1-18. ISSN 9780415509657. (In Press)

Watts, Carol (2012) Her mouth was sealed: scenes for a working through, after J.H. Prynne’s "The Oval Window" and towards "Acrylic Tips". Sitegeist: A Journal of Psychoanalysis and Philosophy (8), pp. 57-89. ISSN 1756-2082.

Watts, Carol (2011) Occasionals. Hastings, UK: Reality Street. ISBN 9781874400523.

Watts, Carol (2010) Set, unset: collaboration, encounter and the scene of poetry. Contemporary Music Review 29 (2), pp. 145-158. ISSN 0749-4467.

Watts, Carol (2009) Sterne's 'politicks', Ireland, and evil speaking. In: Keymer, T. (ed.) The Cambridge Companion to Laurence Sterne. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 95-110. ISBN 9780521849722.

Watts, Carol (2008) When blue light falls. Norfolk, UK: Oystercatcher Press. ISBN 9781905885114.

Watts, Carol (2013) Zeta landscape: poetry, place, pastoral. In: Davidson, I. and Skoulding, Z. (eds.) Placing Poetry. Spatial Practices: An Interdisciplinary Series in Cultural History, Geography and Literature 15. Amsterdam, The Netherlands: Rodopi. ISBN 9789042036147.

Williams, Luke A. (2011) The echo chamber. London, UK: Hamish Hamilton/Penguin. ISBN 9780241956946.

Williams, Luke A. (2011) A watch on each wrist: twelve seminars with W.G. Sebald. In: Catling, J. and Hibbitt, R. (eds.) Saturn’s Moons: W. G. Sebald — A Handbook. Oxford, UK: Legenda. ISBN 9781906540029.

Winks, David (2009) Forging post-colonial identities through acts of translation? Journal of African Cultural Studies 21 (1), pp. 65-74. ISSN 1369-6815.

Winning, Joanne (2009) Dorothy Richardson and the politics of friendship. Pilgrimages: The Journal of Dorothy Richardson Studies 2 , pp. 91-121. ISSN 2050-9502.

Winning, Joanne (2013) Dreams of a lost modernist: a reevaluation of Thelma Wood. Modernist Cultures 8 , pp. 288-322. ISSN 2041-1022.

Winning, Joanne (2013) 'Ezra through the open door': the parties of Natalie Barney, Adrienne Monnier and Sylvia Beach as lesbian modernist cultural production. In: McLoughlin, Kate (ed.) The Modernist Party. Edinburgh, UK: Edinburgh University Press. ISBN 9780748647316.

Winning, Joanne (2010) Lesbian modernism: writing in and beyond the closet. In: Stevens, Hugh (ed.) The Cambridge Companion to Gay and Lesbian Writing. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 50-64. ISBN 9780521716574.

Winning, Joanne (2010) Lesbian sexuality in the story of modernism. In: Brooker, P. and Gasiorek, A. and Longworth, D. and Thacker, A. (eds.) The Oxford Handbook of Modernisms. Oxford Handbooks of Literature. Oxford: Oxford University Press, pp. 218-234. ISBN 9780199545445.

Wiseman, Susan J. (2010) Anne Bradstreet’s poetry and providence: earth, wind, and fire. In: Harris, J. and Scott-Baumann, E. (eds.) The Intellectual Culture of Puritan Women, 1558-1680. Basingstoke, UK: Palgrave Macmillan, pp. 135-149. ISBN 9780230228641 .

Wiseman, Susan J. (2009) 'A Cat On A Post': animal events in Seventeenth-Century writing. In: Healy, M. and Healy, Tom (eds.) Renaissance Transformations: The Making of English Writing 1500-1650. Edinburgh, Scotland: Edinburgh University Press, pp. 192-207. ISBN 9780748638734.

Wiseman, Susan J. (2009) Eve, Paradise Lost, and female interpretation. In: McDowell, N. and Smith, N. (eds.) The Oxford Handbook of Milton. Oxford Handbooks of Literature. Oxford, UK: Oxford University Press, pp. 534-546. ISBN 9780199210886.

Wiseman, Susan J. (2009) Knowing her place: Anne Clifford and the politics of retreat. In: Suzuki, M. (ed.) Anne Clifford and Lucy Hutchinson. Ashgate Critical Essays on Women Writers in England, 1550-1700 5. Farnham, UK: Ashgate. ISBN 9780754661108.

Wiseman, Susan J. (2004) Martyrdom in a merchant world: law and martyrdom in the Restoration memoirs of Elizabeth Jekyll and Mary Love. In: Sheen, E. and Hutson, L. (eds.) Literature, Politics and Law in Renaissance England. Language, Discourse, Society. Basingstoke, UK: Palgrave Macmillan, pp. 209-235. ISBN 9780333983997.

Wiseman, Susan J. (2008) Perfectly Ovidian'? Dryden's Epistles, Behn's 'Oenone', Yarico's Island. Renaissance Studies 22 (3), pp. 417-433. ISSN 0269-1213.

Wiseman, Susan J. (2009) Popular culture: a category for analysis? In: Dimmock, M. and Hadfield, A. (eds.) Literature and Popular Culture in Early Modern England. Basingstoke, UK: Ashgate, pp. 15-28. ISBN 9780754665809.

Wiseman, Susan J. (2011) Reading Seventeenth-Century women's letters. In: Suzuki, M. (ed.) The History of British Women's Writing, 1610-1690. History of British Women's Writing 3. Basingstoke, UK: Palgrave Macmillan, pp. 114-128. ISBN 9780230224605.

Wiseman, Susan J. (2008) Romes wanton Ovid: reading and writing Ovid's Heroides 1590–1712. Renaissance Studies 22 (3), pp. 295-306. ISSN 0269-1213.

Wiseman, Susan J. (2014) Writing metamorphosis in the English Renaissance 1550-1700. Cambridge, UK: Cambridge University Press. ISBN 9781107041653. (In Press)

Wiseman, Susan J. (2009) "A cat on a post": animal events in seventeenth-century writing. In: Healy, M. and Healy, T. (eds.) Renaissance Transformation. Edinburgh, UK: Edinburgh University Press, pp. 192-208. ISBN 9780748638734.

Wiseman, Susan J. (2014) The contemplative woman’s recreation? Katherine Austen and the estate poem. In: Wiseman, Susan J. (ed.) Early Modern Women and the Poem. Manchester, UK: Manchester University Press. ISBN 9780719090721.

Wisnicki, Adrian S. (2007) Conspiracy, revolution, and terrorism from Victorian fiction to the modern novel. Literary Criticism and Cultural Theory. Abingdon, UK: Routledge. ISBN 9780415875806.

Wood, Benjamin (2012) Birthday song. National Post, Ontario, Canada.

Wood, Benjamin (2012) Voices. National Post, Ontario, Canada.

Wood, Benjamin (2012) The bellwether revivals. London, UK: Simon & Schuster. ISBN 9780857206954.

Wood, Benjamin (2012) A place I used to be. National Post, Ontario, Canada.

Wood, Benjamin (2012) The silent grass. National Post, Ontario, Canada.

Wood, J. (2010) The Siamese demon: Wyndham Lewis and America. Modernism/Modernity 17 (2), pp. 383-398. ISSN 1071-6068.

Woods, Gillian (2007) Catholicism and conversion in 'Love’s Labour’s Lost'. In: Maguire, L. (ed.) How To Do Things With Shakespeare. Oxford, UK: Wiley-Blackwell, pp. 101-130. ISBN 9781405135276.

Woods, Gillian (2013) Marlowe and religion. In: Bartels, E.C. and Smith, E. (eds.) Christopher Marlowe In Context. Literature In Context. Cambridge, UK: Cambridge University Press, pp. 222-241. ISBN 9781107016255.

Woods, Gillian (2009) New directions: the confessional identities of "'Tis Pity She’s a Whore". In: Hopkins, L. (ed.) 'Tis Pity She's a Whore: A Critical Guide. London, UK: Continuum, pp. 114-135. ISBN 9780826499332.

Woods, Gillian (2013) Romeo and Juliet: a reader’s guide to essential criticism. Oxford English Monographs. Oxford, UK: Oxford University Press. ISBN 9780199671267.

Woods, Gillian (2013) Shakespeare's unreformed fictions. Oxford English Monographs. Oxford, UK: Oxford University Press. ISBN 9780199671267.

Woods, Gillian (2012) Shakespeare: Romeo and Juliet. Readers' Guides to Essential Criticism. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230222069.

Woods, Gillian (2011) "Strange discourse": the controversial subject of Sir Thomas More. In: West, W.N. (ed.) Renaissance Drama. Evanston, USA: Northwestern University Press, pp. 3-35. ISBN 9780810127388.

Woods, Gillian (2009) The confessional identities of 'Tis Pity She’s a Whore'. In: Hopkins, L. (ed.) Tis Pity She’s a Whore: A Critical Guide. London, UK: Continuum, pp. 114-135. ISBN 9781441176219.

This list was generated on Wed Apr 23 02:18:48 2014 BST.