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Allen, Mike (2008) Digital cinema: virtual screens. In: Creeber, G. and Martin, R. (eds.) Digital Culture: Understanding New Media. Maidenhead, UK: Open University Press, pp. 61-75. ISBN 9780335221974.
Allen, Mike (2008) From the Earth to the Moon. In: Edgerton, G.R. and Jones, J.P. (eds.) The Essential HBO reader. Kentucky, U.S.: Kentucky University Press, pp. 116-124. ISBN 9780813124520.
Allen, Mike (2009) Live from the Moon: filming and televising the space race. London, UK: I.B. Tauris. ISBN 9781845111694.
Allen, Mike (2009) Multicultural mobsters: the curious case of Gangsters. Critical Studies in Television 4 (2), pp. 74-81. ISSN 1749-6020.
Biernoff, Suzannah (2010) Flesh poems: Henry Tonks and the art of surgery. Visual Culture in Britain 11 (1), pp. 25-47. ISSN 1471-4787.
Biernoff, Suzannah (2012) Medical archives and digital culture. Photographies 5 (2), pp. 179-202. ISSN 1754-0763.
Biernoff, Suzannah (2011) Medical archives and digital culture: from WWI to BioShock. Medical History 55 (3), pp. 325-330. ISSN 0025-7273.
Biernoff, Suzannah (2008) Of medicine, magic and the horrors of war. Janus 24 , pp. 14-17.
Biernoff, Suzannah (2008) Shame, disgust and the historiography of war. In: Pajaczkowska, C. and Ward, I. (eds.) Shame and Sexuality: Psychoanalysis and Visual Culture. Abingdon, UK: Routledge, pp. 217-236. ISBN 9780415420129.
Biernoff, Suzannah (2008) Sight and embodiment in the middle ages. In: Bhaumik, K. and Edwards, E. (eds.) Visual Sense: A Cultural Reader. Sensory Formations. Basingstoke, UK: Berg, Oxford, pp. 51-58. ISBN 9781845207410.
Biernoff, Suzannah (2008) Working with medical archives: disgust, shame and the ethics of spectatorship. In: The Centre for Research in the Arts, Social Sciences and Humanities, June 12, 2008, Cambridge, UK. (Unpublished)
Biernoff, Suzannah (2011) The rhetoric of disfigurement in First World War Britain. Social History of Medicine 24 (3), pp. 666-685. ISSN 0951-631X.
Blackshaw, G. and Topp, Leslie (2009) Madness and Modernity: Mental illness and the visual arts in Vienna 1900. Farnham, UK: Lund Humphries. ISBN 9781848220201.
Caldwell, Dorigen (2008) Between religion and mass culture: materialising the immaterial. In: Picturing Divinity in the Counter Reformation, June 6, 2008, London, UK. (Unpublished)
Caldwell, Dorigen (2011) Introduction: continuities of place. In: Caldwell, Dorigen and Caldwell, L. (eds.) Rome: continuing encounters between past and present. Basingstoke, UK: Ashgate, pp. 1-16. ISBN 9781409417620.
Caldwell, Dorigen (2010) Saccheggi monumentali e riusi di materiali: dai goti ai papi. In: Wallace, M. and Cavalli Sforza, L. (eds.) L'arte e il visuale. La Cultura Italiana 10. Turin, Italy: UTET, pp. 37-49. ISBN 9788802081335.
Caldwell, Dorigen (2011) A neglected papal commission in Naples Cathedral: the tomb of Cardinal Alfonso Carafa. The Burlington Magazine 1304 (153), pp. 712-717. ISSN 0007-6287.
Candlin, Fiona (2009) Art, museums and touch. Rethinking Art's Histories. Manchester, UK: Manchester University Press. ISBN 9780719079337.
Candlin, Fiona (2003) Blindness, art and exclusion in museums and galleries. The International Journal of Art & Design 22 (1), pp. 100-110. ISSN 1476-8062.
Candlin, Fiona (2004) Don’t touch! hands off! art, blindness and the conservation of expertise. Body & Society 10 (1), pp. 71-90. ISSN 1357-034X.
Candlin, Fiona (2012) Independent museums, heritage, and the shape of museum studies. Museum and Society 10 (1), pp. 28-41. ISSN 1479-8360.
Candlin, Fiona (2008) Museums, modernity and the class politics of touching objects. In: Chatterjee, H. (ed.) Touch in Museums: Policy and Practice in Object Handling. Oxford, UK: Berg. ISBN 9781847882387.
Candlin, Fiona (2000) Practice-based doctorates and questions of academic legitimacy. International Journal of Art and Design Education 19 (1), pp. 96-101. ISSN 1476-8062.
Candlin, Fiona (2001) Space, chastity and classicism at The British Museum. In: Jones, David J. and Normie, Gerald (eds.) 2001 - A Spatial Odyssey. Nottingham: Continuing Education Press, pp. 54-65. ISBN 185041095X.
Candlin, Fiona (2008) Touch and the limits of the rational museum, or can matter think? Senses and Society 3 (3), pp. 277-292. ISSN 1745-8927.
Candlin, Fiona (2009) Yesterday upon the stair. In: Candlin, Fiona and Guins, R. (eds.) The Object Reader. In Sight: Visual Culture. Abingdon, UK: Routledge. ISBN 9780415452304.
Candlin, Fiona (2001) A dual inheritance: the politics of educational reform and PhDs in art and design. The International Journal of Art & Design Education 20 (3), pp. 302-310. ISSN 1476-8062.
Candlin, Fiona (2008) A dual inheritance: the politics of educational reform and PhDs in art and design. In: Hickman, R. (ed.) Research In Art & Design Education : Issues and Exemplars. Bristol, UK: Intellect Ltd., pp. 99-108. ISBN 9781841501994.
Candlin, Fiona (2003) The politics of work, imperialism and restoration at the Victoria Memorial, Kolkata. Third Text: Critical Perspectives on Contemporary Art & Culture 17 (1), pp. 29-41. ISSN 0952-8822.
Candlin, Fiona (2000) A proper anxiety: practice-based PhDs and academic unease. Working Papers in Art and Design 1 (1), ISSN 1466-4917.
Candlin, Fiona and Guins, R. (2009) Introducing objects: what, when and where, how. In: Candlin, Fiona and Guins, R. (eds.) The Object Reader. Abingdon, UK: Routledge. ISBN 9780415452304.
Candlin, Fiona and Guins, R. (2008) The Object Reader. In Sight: Visual Culture. Abingdon, UK: Routledge. ISBN 9780415452304.
Candlin, Fiona and O'Brien, Margaret (2001) Lifelong learning in museums: a critical appraisal. In: Jones, David J. and Normie, Gerald (eds.) 2001 - A Spatial Odyssey. Nottingham: Continuing Education Press, pp. 176-186. ISBN 185041095X.
Carocci, Max (2010) Clad with the 'Hair of Trees': a history of Native American Spanish moss textile industries. Textile History 41 (1), pp. 3-27. ISSN 0040-4969.
Carocci, Max (2010) Textiles of healing: Native American AIDS quilts. Textile: The Journal of Cloth and Culture 8 (1), pp. 68-84. ISSN 1475-9756.
Carocci, Max and Pratt, S. (2012) Warriors of the plains: the arts of plains Indian warfare. Oxford, UK: Oxbow Books. ISBN 9780714125978.
Christie, Ian (2011) “All that life can afford”? Perspectives on the screening of historic literary London. In: Handa, R. and Potter, J. (eds.) Conjuring the Real: The Role of Architecture in Eighteenth- and Nineteenth-Century Fiction. Lincoln, U.S.: University of Nebraska Press, pp. 21-66. ISBN 9780803217430.
Christie, Ian (2009) Dying for art : Michael Powell's journey towards Duke Bluebeard's castle and the filmis art-work of the future. In: Pollock, G. and Anderson, V. (eds.) Bluebeard's Legacy - Death and Secrets from Bartok to Hitchcock. London, UK: I.B. Tauris, pp. 175-200. ISBN 9781845116323.
Christie, Ian (2008) Grandmother's Russia. Sight & Sound 18 (10), pp. 40-41. ISSN 0037-4806.
Christie, Ian (2008) Histories of the future: mapping the avant-garde. Film History 20 (1), pp. 6-13. ISSN 0892-2160.
Christie, Ian (2010) In from the cold. Sight & Sound 20 (3), p. 27. ISSN 0037-4806.
Christie, Ian (2010) Knight's moves: Brecht and Russian formalism in Britain in the 1970s. In: van den Oever, A. (ed.) Ostrannenie : On "Strangeness" and the Moving Image; the History, Reception, and Relevance of a Concept. The Key Debates. Amsterdam, The Netherlands: University of Amsterdam Press. ISBN 9789089640796.
Christie, Ian (2009) Moving-picture media and modernity: taking intermediate and ephemeral forms seriously. Comparative Critical Studies 6 (3), pp. 299-318. ISSN 1744-1854.
Christie, Ian (2009) Seeing red: restoring The Red Shoes. Sight & Sound 19 (8), pp. 36-38. ISSN 0037-4806.
Christie, Ian (2008) Text rules. Journal of Media Practice 9 (3), pp. 275-277. ISSN 1468-2753.
Christie, Ian (2009) The art of film: John Box and production design. Harrow, UK: Wallflower Press. ISBN 9781905674947.
Christie, Ian (2009) The caretaker. Sight & Sound 19 (6), p. 33. ISSN 0037-4806.
Christie, Ian (2008) The long road to freedom. Sight & Sound 18 (1), p. 10. ISSN 0037-4806.
Christie, Ian and Clauss, K. and Topp, D. and Smith, C. and Modot, A. and Angrisani, S. and Guenin, M. and Dumont, L. and Moullier, B. and Giles, J. (2009) Stories we tell ourselves: the cultural impact of UK film 1946-2006. Project Report. British Film Institute, London, UK.
Coombes, Annie E. (2011) Monumental histories: commemorating Mau Mau with the statue of Dedan Kimathi. African Studies 70 (2), pp. 202-223. ISSN 0002-0184.
Coombes, Annie E. (2011) Witnessing history/embodying testimony: gender and memory in post-apartheid South Africa. Journal of the Royal Anthropological Institute 17 (S1), S92-S112. ISSN 1359-0987.
Coombes, Annie E. (2010) The phantom of history: longing, loss and agency in the work of Carrie Mae Weems. In: UNSPECIFIED (ed.) Carrie Mae Weems: Estudios sociales. Seville, Spain: Centro Andaluz de Arte Contemporáneo. ISBN 9788482669984.
Coombes, Annie E. and Hughes, L. and Munene, K. (2013) Managing heritage, making peace: history, identity and memory in contemporary Kenya. London, UK: I.B. Tauris. ISBN 9781780761527. (In Press)
Cranfield, Benjamin (2012) Between consensus and anxiety: curating transparency at the ICA of the 1950s. Journal of Curatorial Studies 1 (1), pp. 83-100. ISSN 2045-5836.
Cranfield, Benjamin (2007) Introduction. In: Eshun, E. (ed.) How Soon Is Now : 60 years of the Institute of Contemporary Arts. London, UK: Institute of Contemporary Arts. ISBN 9781900300544.
Cranfield, Benjamin (2009) Looking back without anger, Robert Priseman’s places Of gentle trauma. In: Priseman, R. (ed.) Hospital: Paintings by Robert Priseman. Colchester, UK: Seabrook Press. ISBN 9780956208217.
Cranfield, Benjamin (2012) Students, artists, and the ICA: the revolution within. In: Jones, B. and O'Donnell, M. (eds.) Sixties Radicalism and Social Movement Activism: Retreat or Resurgence? Key Issues in Modern Sociology. London, UK: Anthem Press, pp. 111-132. ISBN 9780857285737.
Driver, F. and Martins, Luciana (2006) Shipwreck and salvage in the tropics: the case of HMS Thetis, 1830–1854. Journal of Historical Geography 32 (3), pp. 539-562. ISSN 0305-7488.
di Bello, Patrizia (2011) Elizabeth Thompson and ‘Patsy’ Cornwallis West as Carte-de-visite celebrities. History of Photography 35 (3), pp. 240-249. ISSN 0308-7298.
di Bello, Patrizia (2009) Photocollage, fun, and flirtations. In: Siegel, E. (ed.) Playing with Pictures: The Art of Victorian Photocollage. Art Institute of Chicago. Connecticut, U.S.: Yale University Press, pp. 49-63. ISBN 9780300141146.
di Bello, Patrizia (2010) Photography and sculpture: a light touch. In: di Bello, Patrizia and Koureas, Gabriel (eds.) Art, History and the Senses: 1830 to the Present. Farnham, UK: Ashgate, pp. 19-34. ISBN 9780754668633.
di Bello, Patrizia (2008) Seductions and flirtations: photographs, histories, theories. In: "Photographs and Historical Practice" - Photo Time Network Event, September 17, 2008, Manchester, UK. (Unpublished)
di Bello, Patrizia (2008) Seductions and flirtations: photographs, histories, theories. Photographies 1 (2), pp. 143-155. ISSN 1754-0763.
di Bello, Patrizia and Koureas, Gabriel (2010) Introduction: other than the visual: art, history and the senses. In: di Bello, Patrizia and Koureas, Gabriel (eds.) Art, History and the Senses: 1830 to the Present. Farnham, UK: Ashgate, pp. 1-19. ISBN 9780754668633.
di Bello, Patrizia and Wilson, C. and Zamir, S. (2012) The photobook: from Talbot to Ruscha and beyond. London, UK: I.B. Tauris. ISBN 9781848856158.
Eyene, Christine (2010) Sekoto and negritude: the ante-room of French culture. Third Text 24 (4), pp. 423-435. ISSN 0952-8822.
Gajewski, A. and Opacic Masters, Zoe (2008) The Year 1300 and the Creation of a New European Architecture. Architectura Medii Aevi 1. Turnhout, Belgium: Brepols. ISBN 9782503522869.
Gooding, Francis (2009) Black Light: Myth and Meaning in Modern Painting. Hoboken, U.S.: Wiley-Blackwell. ISBN 9781405191142.
Gronberg, Tag (2013) Coffeehouse Orientalism. In: Ashby, C. and Gronberg, Tag and Shaw-Miller, Simon (eds.) The Viennese Cafe and Fin-de-Siecle Culture. Austrian and Habsburg Studies 16. Oxford, UK: Berghahn Books. ISBN 9780857457646.
Gronberg, Tag (2008) Josef Frank's 'Aralia': from houseplant to 'djungel'. In: Helland, J. and Alfoldy, S. (eds.) Craft, Space, and Interior Design, 1855-2005. Surrey, UK: Ashgate, pp. 151-168. ISBN 9780754657064.
Gronberg, Tag (2008) Simon Starling: crafting the modern. The Journal of Modern Craft 1 (1), pp. 101-115. ISSN 1749-6772.
Gronberg, Tag (2013) Through the Vitrine: Damien Hirst’s "For the Love of God". In: Welchman, J. (ed.) Sculpture and the Vitrine. Subject/Object: New Studies in Sculpture. Basingstoke, UK: Ashgate. ISBN 9781409435273. (In Press)
Gronberg, Tag (2009) The Viennese coffee-house and fin-de-siècle culture. In: Lecture: Wirth Institute for Austrian & Central European Studies, November 2, 2009, Alberta, Canada. (Unpublished)
Gronberg, Tag (2011) The Viennese coffeehouse: a legend in performance. In: Fisher, F. and Keeble, T. and Lara-Betancourt, P. and Martin, B. (eds.) Performance, Fashion and the Modern Interior: from the Victorians to Today. London, UK: Berg Publishers, pp. 59-74. ISBN 9781847887825.
Jacobus, Laura (2008) Giotto and the arena chapel: art, architecture and experience. Studies in Medieval and Early Renaissance Art History 47. Turnhout, Belgium: Brepols. ISBN 9781905375127.
Jacobus, Laura (2010) Poetics and painting in late-Medieval and early Renaissance Italy. Art History 33 (5), pp. 910-915. ISSN 0141-6790.
Jacobus, Laura (2012) The tomb of Enrico Scrovegni in the Arena Chapel, Padua. The Burlington Magazine 154 (1311), pp. 403-409. ISSN 0007-6287.
Janes, Dominic (2008) Beyond the tourist gaze? cultural learning on an American 'semester abroad' programme in London. Journal of Research in International Education 7 (1), pp. 21-35. ISSN 1475-2409.
Janes, Dominic (2011) Beyond ‘ignorance’: using the cultural stereotypes of Americans studying in the UK as a resource for learning and teaching about British culture. Innovations in Education and Teaching International 48 (1), pp. 61-68. ISSN 1470-3297.
Janes, Dominic (2011) ‘The Catholic Florist’: flowers and deviance in the mid-nineteenth century Church of England. Visual Culture in Britain 12 (1), pp. 77-96. ISSN 1471-4787.
Janes, Dominic (2011) Clarke and Kubrick’s 2001: a queer odyssey. Science Fiction Film and Television 4 (1), pp. 57-78. ISSN 1754-3770.
Janes, Dominic (2009) Dickens and the Catholic corpse. In: Hollington, M. and Orestano, F. (eds.) Dickens and Italy: Little Dorrit and Pictures from Italy. Newcastle, UK: Cambridge Scholars Press, pp. 170-187. ISBN 9781443814430.
Janes, Dominic (2011) Emma Martin and the manhandled womb in early Victorian England. In: Mangham, A. and Depledge, Greta (eds.) The Female Body in Medicine and Literature. Liverpool, UK: Liverpool University Press, pp. 107-118. ISBN 9781846314728.
Janes, Dominic (2009) ‘Eternal Master’: masochism and the sublime at the National Shrine of the Immaculate Conception, Washington, D.C. Theology & Sexuality 15 (2), pp. 159-174. ISSN 1355-8358.
Janes, Dominic (2012) Frederick Rolfe’s Christmas cards: popular culture and the construction of queerness in late Victorian Britain. Early Popular Visual Culture 10 (2), pp. 105-124. ISSN 1746-0654.
Janes, Dominic (2012) Homosociality and homoeroticism in the leading British educational magazine for children, look and learn (1962-1982). Continuum: Journal of Media and Cultural Studies 26 (6), pp. 897-910. ISSN 1030-4312.
Janes, Dominic (2011) The “Modern Martyrdom” of Anglo-Catholics in Victorian England. Journal of Religion and Society 13 , ISSN 1522-5658.
Janes, Dominic (2013) ‘“One of us”: the queer afterlife of Margaret Thatcher as a gay icon’. International Journal of Media and Cultural Politics , ISSN 1740 – 8296. (In Press)
Janes, Dominic Power, money and teaching quality: attitudes of part-time lecturers on an international study programme (US to UK) toward student evaluation of their teaching. Insights in International Exchange 1 , pp. 28-41.
Janes, Dominic (2010) Queer Walsingham. In: Janes, Dominic and Waller, G. (eds.) Walsingham in Literature and Culture from the Middle Ages to Modernity. Surrey, UK: Ashgate, pp. 147-166. ISBN 9780754669241.
Janes, Dominic (2010) Seeing and tasting the divine: Simeon Solomon’s homoerotic sacrament. In: di Bello, Patrizia and Koureas, Gabriel (eds.) Art, History and the Senses: 1830 to the Present. Surrey, UK: Ashgate, pp. 35-50. ISBN 9780754668633.
Janes, Dominic (2011) Sex and text: the afterlife of medieval penance in Britain and Ireland. In: Harper, A. and Proctor, C. (eds.) Medieval Sexuality: A Casebook. Routledge Medieval Casebooks. Oxford, UK: Routledge, pp. 32-46. ISBN 9780415978316.
Janes, Dominic (2008) Shopping for Jesus: faith in marketing in the USA. Washington, U.S.: New Academia Publishing. ISBN 9780980081435.
Janes, Dominic (2007) Spiritual cleansing, priests and prostitutes in early Victorian London. In: Cox, Rosie and Campkin, B. (eds.) Dirt: New Geographies of Cleanliness and Contamination. London, UK: I.B. Tauris, pp. 113-122. ISBN 9781845116729.
Janes, Dominic (1998) Treasure bequest: death and gift in the early middle ages. In: Hill, J. and Swann, M. (eds.) The Community, the Family and the Saint: Patterns of Power in Early Medieval Europe. International medieval research 4. Turnhout, Belgium: Brepols. ISBN 9782503506685.
Janes, Dominic (2012) Unnatural appetites: sodomitical panic in Hogarth’s 'The Gate of Calais', or 'O the Roast Beef of Old England' (1748). Oxford Art Journal 35 (1), pp. 19-31. ISSN 0142-6540.
Janes, Dominic (2009) Victorian reformation: the fight over idolatry in the Church of England, 1840-1860. Oxford, UK: Oxford University Press. ISBN 9780195378511.
Janes, Dominic (2012) Vile bodies: Victorian Protestants in the Roman catacombs. In: Bradley, M. (ed.) Rome, Pollution and Propriety: Dirt, Disease and Hygiene in the Eternal City from Antiquity to Modernity. British School at Rome Studies. Cambridge, UK: Cambridge University Press, pp. 223-240. ISBN 9781107014435.
Janes, Dominic (2012) William Bennett’s heresy: male same-sex desire and the art of the Eucharist. Journal of Victorian Culture 17 (4), pp. 413-435. ISSN 1355-5502.
Janes, Dominic (2011) William Etty's Magdalens: sexual desire and spirituality in early Victorian England. Religion and the Arts 15 (3), pp. 277-305. ISSN 1079-9265.
Janes, Dominic (2008) The rites of man: The British Museum and the sexual imagination in Victorian Britain. Journal of the History of Collections 20 (1), pp. 101-112. ISSN 0954-6650.
Janes, Dominic (2008) The shadow of the passion: protestants and the suffering Christ in nineteenth-century British art and text. Ikon 1 (1), pp. 237-244. ISSN 1846-8551.
Janes, Dominic and Waller, G. (2010) Walsingham in Literature and Culture from the Middle Ages to Modernity. Farnham, UK: Ashgate. ISBN 9780754669241.
Koureas, Gabriel (2008) ‘Desiring Skin’: eugenics, trauma and acting out of masculinities in British inter-war visual culture. In: Brauer, F. and Callen, A. (eds.) Art, Sex and Eugenics: Corpus Delecti. Surrey, UK: Ashgate, pp. 163-188. ISBN 9780754658276.
Koureas, Gabriel (2012) Masculinities, ethnicities and the terrorist in Cyprus (1950-9) and the 'war on terror', (2001-). In: Garden-Coyne, A. (ed.) Gender and Conflict since 1914: Historical and Interdisciplinary Perspectives. Gender and History. Basingstoke, UK: Palgrave Macmillan, pp. 124-137. ISBN 9780230280946.
Koureas, Gabriel (2008) Trauma, space and embodiment: the sensorium of a divided city. Journal of War and Culture Studies 1 (3), pp. 309-324. ISSN 1752-6272.
Koureas, Gabriel (2008) The sensorium of a divided city. In: The Making and Remaking of European Memory after 1945, July 2, 2008, London, UK. (Unpublished)
Koureas, Gabriel (2009) The sensorium of a divided city. In: Remembering War in the Museum Space, January 22, 2009, London, UK. (Unpublished)
Koureas, Gabriel and di Bello, Patrizia (2010) Art, History and the Senses: 1830 to the Present. Farnham, UK: Ashgate. ISBN 9780754668633.
Lambert, Nick (2012) Domes and creativity: a historical exploration. Digital Creativity 23 (1), pp. 5-29. ISSN 1462-6268.
Lambert, Nick (2009) Review: Catherine Mason, "A Computer in the Art Room: The Origins of British Computer Arts 1950--1980". Animation 4 (3), pp. 326-331. ISSN 1746-8477.
Maniura, Robert (2009) Ex votos, art and pious performance. Oxford Art Journal 32 (3), pp. 409-425. ISSN 0142-6540.
Maniura, Robert (2011) Image, space and holy place in the cult of Our Lady of Częstochowa. In: Opacic Masters, Zoe and Timmermann, A. (eds.) Image, Memory and Devotion: Liber Amicorum Paul Crossley. Studies in Gothic Art 2. Turnhout, Belgium: Brepols, pp. 129-134. ISBN 9782503531687.
Maniura, Robert (2009) Persuading the absent saint: image and performance in Marian devotion. Critical Inquiry 35 (3), pp. 629-654. ISSN 0093-1896.
Mulvey, Laura (2010) Foreword. In: Laviosa, F. (ed.) Visions of Struggle in Women's Filmmaking in the Mediterranean. Comparative Feminist Studies. Basingstoke, UK: Palgrave Macmillan, xv-xvx. ISBN 9780230617360.
Mulvey, Laura (2009) Mark Lewis. Modern painters 21 (4), pp. 60-65. ISSN 0953-6698.
Mulvey, Laura (2009) Some reflections on the cinephilia question. Framework: The Journal of Cinema and Media 50 (1-2), pp. 190-193. ISSN 0306-7661.
Nead, Lynda (2007) The Haunted Gallery: Painting, Photography and Film c. 1900. New Haven, U.S.: Yale University Press. ISBN 9780300112917.
Nead, Lynda (2008) Response: the art of making faces. Textual Practice 22 (1), pp. 133-143. ISSN 0950-236X.
Nead, Lynda (2011) Stilling the punch: boxing, violence and the photographic image. Journal of Visual Culture 10 (3), pp. 305-323. ISSN 1470-4129.
Nead, Lynda (2010) The age of the "hurrygraph": motion, space, and the visual image, ca. 1900. In: O'Neill, M. and Hatt, M. (eds.) The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910. Studies in British Art 20. Yale, U.S.: Yale University Press, pp. 99-113. ISBN 9780300163353.
Nead, Lynda (2012) The artist's studio: the affair of art and film. In: Dalle Vache, A. (ed.) Film, Art, New Media: Museum Without Walls? Basingstoke, UK: Palgrave Macmillan, pp. 23-38. ISBN 9781137026101.
Nead, Lynda (2010) The history in pictures. Cultural and Social History 7 (4), pp. 485-492. ISSN 1478-0038.
Opacic Masters, Zoe (2009) Architecture and religious experience in 14th-century Prague. In: Fajt, J. and Langer, A. (eds.) Kunst als Herrschaftsinstrument. Munich, Germany: Deutscher Kunstverlag. ISBN 9783422068377.
Opacic Masters, Zoe (2008) Bohemia after 1300: reduktionsgotik, the hall church and the creation of a new style. In: Gajewski, A. and Opacic Masters, Zoe (eds.) The Year 1300 and the Creation of a New European Architecture. Architectura medii aevi 1. Turnhout, Belgium: Brepols. ISBN 9782503522869.
Opacic Masters, Zoe (2011) Gold and fire, art in Slovakia at the end of the Middle Ages various artists. Burlington Magazine 153 (1297), pp. 277-278. ISSN 0007-6287.
Opacic Masters, Zoe (2009) Medieval Prague, Bohemia and their neighbours: new perspectives and connections. In: Opacic Masters, Zoe (ed.) Prague and Bohemia: Medieval Art, Architecture and Cultural Exchange in Central Europe. British Archaeological Association Conference Transactions 32. Leeds, UK: Maney Publishing, British Archaeological Association, pp. 1-7. ISBN 9781906540586.
Opacic Masters, Zoe (2009) Prague and Bohemia: Medieval Art, Architecture and Cultural Exchange in Central Europe. British Archaeological Association Conference Transactions 32. Leeds, UK: Maney Publishing, British Archaeological Association. ISBN 9781906540586.
Opacic Masters, Zoe (2013) The sacred topography of Medieval Prague. In: Nordeide, S.W. and Brink, S. (eds.) Sacred Sites and Holy Places: Exploring the Sacralization of Landscape through Time and Space. Turnhout, Belgium: Brepols. ISBN 9782503541006. (In Press)
Ostrowska, Dorota (2010) International film festivals as producers of world cinema. Cinema & Cie: International Film Studies Journal (14-15), pp. 145-150. ISSN 2035-5270.
Ostrowska, Dorota (2010) Magic, emotions and film producers: unlocking the “Black-Box” of film production. Wide Screen 2 (2), ISSN 1757-3920.
Ostrowska, Dorota (2012) Poster graphic design and French film in Poland after World War II. In: Allen, S. and Hubner, L. (eds.) Framing Film: Cinema and the Visual Arts. Bristol, UK: Intellect, pp. 57-74. ISBN 9781841505077.
Ostrowska, Dorota (2008) Reading the French new wave : critics, writers and art cinema in France. New York, U.S.: Wallflower Press. ISBN 9781905674589.
Ostrowska, Dorota (2012) An alternative model of film production: film units in Poland after WW2. In: Imre, A. (ed.) A Companion to Eastern European Cinemas. The Wiley-Blackwell Companions to National Cinemas. Oxford, UK: Wiley-Blackwell, pp. 453-465. ISBN 9781444337259.
Ostrowska, Dorota (2012) The carnival of the absurd: Stanislaw Bareja's alternatywy 4. In: Havens, T. and Imre, A. and Lustyik, K. (eds.) Popular Television in Eastern Europe During and Since Socialism. Routledge Advances in Internationalizing Media Studies. Abingdon, UK: Routledge. ISBN 9780415892483.
Ostrowska, Dorota (2010) A short film about killing - debates about death penalty in Socialist Poland. In: Riber Christensen, J. and Toft Hansen, K. (eds.) Fingeraftryk: studier i krimi og det kriminelle (Festskrift til Gunhild Agger). Aalborg: Aalborg University Press, pp. 305-321. ISBN 9788773079812.
Retford, Kate (2008) "Habits and dress of the times": the conversation piece in Georgian Britain. In: Leverhulme Lecture, November 2008, London, UK. (Unpublished)
Retford, Kate (2011) "Peculiarly happy at taking likenesses": Zoffany & British portraiture. In: Postle, M. (ed.) Johan Zoffany RA: Society Observed. Yale, U.S.: Yale University Press. ISBN 9780300176049.
Retford, Kate (2008) Pieces of conversation: narrative in eighteenth-century portraiture. In: Narrative: Frame, Sequence and Fragment, February 2008, London, UK. (Unpublished)
Retford, Kate (2008) Regional collections and the eighteenth-century conversation piece. In: Understanding British Portraits, October 2008, London, UK. (Unpublished)
Retford, Kate (2008) “Small portraits”, “histories” and “fancyes”: the conversation piece in Georgian England. In: History of Art Department Seminar, October 2008, London, UK. (Unpublished)
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Retford, Kate (2010) The evidence of the conversation piece: Thomas Bardwell's The Broke and Bowes Families (1740). Cultural and Social History 7 (4), pp. 493-510. ISSN 1478-0038.
Retford, Kate (2009) The small domestic & conversation style’: David Allan and Scottish portraiture in the late eighteenth century. In: Graduate Seminar in History, 1680-1850, November 5, 2009, Oxford, UK. (Unpublished)
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Shaw-Miller, Simon (2010) Disciplining the senses: Beethoven as synaesthetic paradigm. In: Koureas, Gabriel and di Bello, Patrizia (eds.) Art, History and the Senses: 1830 to the Present. Surrey, UK: Ashgate, vi-vi. ISBN 9780754668633.
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Topp, Leslie (2012) Complexity and coherence. Journal of the Society of Architectural Historians 71 (1), pp. 8-41. ISSN 0037-9808.
Topp, Leslie (2009) Erwin Pendl (studio), model of lower Austrian provincial institution for the cure and care of the mentally ill "Am Steinhof", c. 1907. In: Blackshaw, G. and Topp, Leslie (eds.) Madness and Modernity: Mental illness and the visual arts in Vienna 1900. Farnham, UK: Lund Humphries, pp. 100-109. ISBN 9781848220201.
Topp, Leslie (2009) International models, regional politics and the architecture of psychiatric institutions in the Austro-Hungarian monarchy. In: Guggenheim, M. and Söderström, O. (eds.) Re-shaping Cities: How Global Mobility Transforms Architecture and Urban Form. Oxon, UK: Routledge, pp. 143-164. ISBN 9780415492911.
Topp, Leslie (2007) Psychiatric institutions, their architecture, and the politics of regional autonomy in the Austro-Hungarian monarchy. Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 38 (4), 733 - 755. ISSN 0039-3681.
Topp, Leslie (2012) The mad objects of Fin-de-Siècle Vienna: journeys, contexts and dislocations in the exhibition “Madness and Modernity”. In: Blackshaw, G. and Wieber, S. (eds.) Journeys Into Madness:Mapping Mental Illness in the Austro-Hungarian Empire. Austrian and Habsburg Studies 14. Oxford, UK: Berghahn Books, pp. 10-26. ISBN 9780857454584.
Topp, Leslie and Blackshaw, G. (2009) Scrutinised bodies and lunatic utopias: mental illness, psychiatry and the visual arts in Vienna, 1898–1914. In: Topp, Leslie and Blackshaw, G. (eds.) Madness and Modernity: Mental illness and the visual arts in Vienna 1900. Surrey, UK: Lund Humphries, pp. 14-37. ISBN 9781848220201.
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Topp, Leslie and Wieber, S. (2009) Architecture, psychiatry, and Lebensreform at an agricultural colony of the insane - lower Austria, 1903. Central Europe 7 (2), pp. 125-149. ISSN 1479-0963.
