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Items where Subject is "Birkbeck Schools and Research Centres > School of Arts > History of Art"

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Number of items at this level: 220.

A

Ashby, Charlotte (2008) Looking backwards and forwards: Fennomane furniture design in Finland around 1900. The Journal of Modern Craft 1 (2), pp. 181-196. ISSN 1749-6772.

Ashby, Charlotte (2010) Nation-building and design: Finnish textiles and the work of the friends of Finnish handicrafts. Journal of Design History 23 (4), pp. 351-365. ISSN 1741-7279.

B

Barone, Juliana (2013) Book review: Leonardo da Vinci. Painter at the Court of Milan (London, National Gallery, 9 November 2011–5 February 2012). Catalogue by Luke Syson with Larry Keith. London: National Gallery, 2011. Renaissance Studies 27 (5), pp. 738-753. ISSN 0269-1213.

Biernoff, Suzannah (2010) Afterimages of the Great War: medical archives and digital culture. In: Afterimages of the Great War: Medical Archives and Digital Culture, 2010, Department of History of Art and Architecture, University of Reading. (Unpublished)

Biernoff, Suzannah (2009) Afterimages of the Great War: medical archives and digital culture. In: Afterlives Symposium, 2009, Birkbeck, University of London, UK. (Unpublished)

Biernoff, Suzannah (2012) Ahmed Alsoudani: the impurity of painting. London, UK: Haunch of Venison. ISBN 9781905620593.

Biernoff, Suzannah (2008) Art, surgery and the rhetoric of bodily reconstruction in First World War Britain. In: The Museum, the Academy and the Studio, 2008, Tate Britain and Tate Modern, London, UK. (Unpublished)

Biernoff, Suzannah (2011) BioShock's medical imaginary. In: The Unacceptable, 2011, Macquarie University, Sydney, Australia. (Unpublished)

Biernoff, Suzannah (2009) Book review: 'Art, Sex and Eugenics: Corpus Delecti', Fae Brauer and Anthea Callen. Social History of Medicine 22 (2), pp. 407-409. ISSN 0951-631X.

Biernoff, Suzannah (2011) Book review: 'Reconstructing the Body: Classicism, Modernism and the First World War' by Ana Carden-Coyne. Visual Culture in Britain 12 (1), pp. 117-121. ISSN 1471-4787.

Biernoff, Suzannah (2012) Book review: the writing of horror: Nicholas Chare, Auschwitz and afterimages. Parallax 18 (1), pp. 123-126. ISSN 1353-4645.

Biernoff, Suzannah (2005) Carnal relations: embodied sight in Roger Bacon, Merleau-Ponty and St Francis. Journal of Visual Culture 4 (1), pp. 39-52. ISSN 1470-4129.

Biernoff, Suzannah (2010) Flesh poems: Henry Tonks and the art of surgery. Visual Culture in Britain 11 (1), pp. 25-47. ISSN 1471-4787.

Biernoff, Suzannah (2009) From WWI to Bioshock: medical archives and the ethics of spectatorship. In: Witness Seminar, 2009, The Wellcome Trust Centre for the History of Medicine at UCL, London, UK. (Unpublished)

Biernoff, Suzannah (2012) Medical archives and digital culture. Photographies 5 (2), pp. 179-202. ISSN 1754-0763.

Biernoff, Suzannah (2011) Medical archives and digital culture: from WWI to BioShock. Medical History 55 (3), pp. 325-330. ISSN 0025-7273.

Biernoff, Suzannah (2009) Medical archives and the ethics of spectatorship. In: Visuality/Materiality: Reviewing Theory, Method and Practice, 2009, RIBA, London. (Unpublished)

Biernoff, Suzannah (2008) Of medicine, magic and the horrors of war. Janus 24 , pp. 14-17.

Biernoff, Suzannah (2011) Portraiture and horror: faces of war. In: 37th AAH Annual Conference, 2011, University of Warwick, Warwick, UK. (Unpublished)

Biernoff, Suzannah (2009) Repairing war's ravages: the rhetoric of facial injury in First World War Britain. In: Group for War and Culture Studies, Research Seminar, 2009, University of Westminster, London, UK. (Unpublished)

Biernoff, Suzannah (2009) Respondent. In: Writing Art History, 2009, The Courtauld Institute of Art, London, UK. (Unpublished)

Biernoff, Suzannah (2008) Shame, disgust and the historiography of war. In: Pajaczkowska, C. and Ward, I. (eds.) Shame and Sexuality: Psychoanalysis and Visual Culture. Abingdon, UK: Routledge, pp. 217-236. ISBN 9780415420129.

Biernoff, Suzannah (2008) Sight and embodiment in the middle ages. In: Bhaumik, K. and Edwards, E. (eds.) Visual Sense: A Cultural Reader. Sensory Formations. Basingstoke, UK: Berg, Oxford, pp. 51-58. ISBN 9781845207410.

Biernoff, Suzannah (2008) Working with medical archives: disgust, shame and the ethics of spectatorship. In: The Centre for Research in the Arts, Social Sciences and Humanities, June 12, 2008, Cambridge, UK. (Unpublished)

Biernoff, Suzannah (2010) The averted gaze: facial injury in WWI Britain. In: War & Visuality: Conflict and the Politics of Perception, 2010, Centre for Citizenship, Identities and Governance, The Open University, Milton Keynes, UK. (Unpublished)

Biernoff, Suzannah (2010) The draughtsman's contract: Henry Tonks' World War I portraits. In: Witnesses to the Holocaust: The Scrolls of Auschwitz and the Matter of Testimony, 2010, University of Reading. (Unpublished)

Biernoff, Suzannah (2013) The face of war. In: Pop, A. and Widrich, M. (eds.) Ugliness: The Non-beautiful in Art and Theory. London, UK: I.B. Tauris, pp. 34-48. ISBN 9781780766454.

Biernoff, Suzannah (2011) The rhetoric of disfigurement in First World War Britain. Social History of Medicine 24 (3), pp. 666-685. ISSN 0951-631X.

Biernoff, Suzannah (2010) The rhetoric of facial injury in First World War Britain. In: War and the Body, 2010, Imperial War Museum, London, UK. (Unpublished)

Biernoff, Suzannah (2012) The vital body and the sensuous body: interventions of the photographic. In: Colloquium in Art History and Visual Studies, 2012, Lund University, Sweden. (Unpublished)

Blackshaw, G. and Topp, Leslie (2009) Madness and Modernity: Mental illness and the visual arts in Vienna 1900. Farnham, UK: Lund Humphries. ISBN 9781848220201.

Bohm-Duchen, Monica (2009) The art and life of Josef Herman. Farnham, Surrey, UK: Ashgate Publishing. ISBN 9780853319450.

C

Caldwell, Dorigen (2008) Between religion and mass culture: materialising the immaterial. In: Picturing Divinity in the Counter Reformation, June 6, 2008, London, UK. (Unpublished)

Caldwell, Dorigen (2011) Introduction: continuities of place. In: Caldwell, Dorigen and Caldwell, L. (eds.) Rome: continuing encounters between past and present. Basingstoke, UK: Ashgate, pp. 1-16. ISBN 9781409417620.

Caldwell, Dorigen (2010) Saccheggi monumentali e riusi di materiali: dai goti ai papi. In: Wallace, M. and Cavalli Sforza, L. (eds.) L'arte e il visuale. La Cultura Italiana 10. Turin, Italy: UTET, pp. 37-49. ISBN 9788802081335.

Caldwell, Dorigen (2011) A neglected papal commission in Naples Cathedral: the tomb of Cardinal Alfonso Carafa. The Burlington Magazine 1304 (153), pp. 712-717. ISSN 0007-6287.

Cale, Luisa and di Bello, Patrizia (2007) Introduction: verbal and visual interactions in Nineteenth-Century print culture. 19: Interdisciplinary Studies in the Long Nineteenth Century 5 , ISSN 1755-1560.

Cale, Luisa and di Bello, Patrizia (2007) Scraps on the album. 19: Interdisciplinary Studies in the Long Nineteenth Century 5 , ISSN 1755-1560.

Candlin, Fiona (2011) Art and the etiquette of touch. In: Seminar Series, School of Graduate Studies in association with the Concordia Sensoria Research Team, 2011, Concordia University, Montreal, Canada. (Unpublished)

Candlin, Fiona (2009) Art, museums and touch. Rethinking Art's Histories. Manchester, UK: Manchester University Press. ISBN 9780719079337.

Candlin, Fiona (2003) Blindness, art and exclusion in museums and galleries. The International Journal of Art & Design 22 (1), pp. 100-110. ISSN 1476-8062.

Candlin, Fiona (2009) Differentiating touch / tactual practices. In: College Art Association conference, 2009, Los Angeles, USA. (Unpublished)

Candlin, Fiona (2004) Don’t touch! hands off! art, blindness and the conservation of expertise. Body & Society 10 (1), pp. 71-90. ISSN 1357-034X.

Candlin, Fiona (2011) How museums feel. In: American Anthropological Association Conference, 2011, Montreal, Canada. (Unpublished)

Candlin, Fiona (2012) Independent museums, heritage, and the shape of museum studies. Museum and Society 10 (1), pp. 28-41. ISSN 1479-8360.

Candlin, Fiona (2013) Keeping objects live. In: MacDonald, S. and Rees Leahy, H. (eds.) Museum [Transformations/Theory/Media/Practice]. The International Handbooks of Museum Studies 4. Hoboken, U.S.: Wiley, pp. 1-23. ISBN 9781405198509.

Candlin, Fiona (2008) Licit and illicit touch. In: Touch and Sculpture, 2008, The Courtauld Institute of Art. (Unpublished)

Candlin, Fiona (2012) Micromuseology: researching small, independent, single-subject museums. In: New Approaches to the Past: Methodological Innovation in Heritage Research seminar series, 2012, University College London. (Unpublished)

Candlin, Fiona (2008) Museums, modernity and the class politics of touching objects. In: Chatterjee, H. (ed.) Touch in Museums: Policy and Practice in Object Handling. Oxford, UK: Berg. ISBN 9781847882387.

Candlin, Fiona (2011) Night shift at the British Museum. In: Night Shift Seminar Series, 2011, Birkbeck, University of London, UK. (Unpublished)

Candlin, Fiona (2010) Object handling in English museums: histories of tactual knowledge. In: Birkbeck Symposia, 2010, Birkbeck, University of London, UK. (Unpublished)

Candlin, Fiona (2012) Open House at the Vintage Wireless Museum. In: Seijdel, J. and Melis, L. and Lütticken, S. (eds.) Open 23 Autonomy. Rotterdam, Netherlands: Nai Publishers. ISBN 9789056628581.

Candlin, Fiona (2000) Practice-based doctorates and questions of academic legitimacy. International Journal of Art and Design Education 19 (1), pp. 96-101. ISSN 1476-8062.

Candlin, Fiona (2001) Space, chastity and classicism at The British Museum. In: Jones, David J. and Normie, Gerald (eds.) 2001 - A Spatial Odyssey. Nottingham: Continuing Education Press, pp. 54-65. ISBN 185041095X.

Candlin, Fiona (2009) Touch and art in contemporary museums. In: Research Seminar Series, 2009, Reading University, Reading, UK. (Unpublished)

Candlin, Fiona (2008) Touch and the limits of the rational museum, or can matter think? Senses and Society 3 (3), pp. 277-292. ISSN 1745-8927.

Candlin, Fiona (2009) Yesterday upon the stair. In: Candlin, Fiona and Guins, R. (eds.) The Object Reader. In Sight: Visual Culture. Abingdon, UK: Routledge. ISBN 9780415452304.

Candlin, Fiona (2001) A dual inheritance: the politics of educational reform and PhDs in art and design. The International Journal of Art & Design Education 20 (3), pp. 302-310. ISSN 1476-8062.

Candlin, Fiona (2008) A dual inheritance: the politics of educational reform and PhDs in art and design. In: Hickman, R. (ed.) Research In Art & Design Education : Issues and Exemplars. Bristol, UK: Intellect Ltd., pp. 99-108. ISBN 9781841501994.

Candlin, Fiona (2010) The object reader. In: College Art Association Conference, 2010, Chicago, USA. (Unpublished)

Candlin, Fiona (2003) The politics of work, imperialism and restoration at the Victoria Memorial, Kolkata. Third Text: Critical Perspectives on Contemporary Art & Culture 17 (1), pp. 29-41. ISSN 0952-8822.

Candlin, Fiona (2000) A proper anxiety: practice-based PhDs and academic unease. Working Papers in Art and Design 1 (1), ISSN 1466-4917.

Candlin, Fiona (2011) A short and partial history of museum and gallery access provision for blind and partially-sighted audiences. In: Visual Impairment Training Day, Scottish National Gallery of Modern Art, 2011, Edinburgh, UK. (Unpublished)

Candlin, Fiona and Guins, R. (2009) Introducing objects: what, when and where, how. In: Candlin, Fiona and Guins, R. (eds.) The Object Reader. Abingdon, UK: Routledge. ISBN 9780415452304.

Candlin, Fiona and Guins, R. (2008) The Object Reader. In Sight: Visual Culture. Abingdon, UK: Routledge. ISBN 9780415452304.

Candlin, Fiona and O'Brien, Margaret (2001) Lifelong learning in museums: a critical appraisal. In: Jones, David J. and Normie, Gerald (eds.) 2001 - A Spatial Odyssey. Nottingham: Continuing Education Press, pp. 176-186. ISBN 185041095X.

Carocci, Max (2010) Clad with the 'Hair of Trees': a history of Native American Spanish moss textile industries. Textile History 41 (1), pp. 3-27. ISSN 0040-4969.

Carocci, Max (2010) Textiles of healing: Native American AIDS quilts. Textile: The Journal of Cloth and Culture 8 (1), pp. 68-84. ISSN 1475-9756.

Carocci, Max and Pratt, S. (2012) Warriors of the plains: the arts of plains Indian warfare. Oxford, UK: Oxbow Books. ISBN 9780714125978.

Cook, Malcolm (2013) Book review: "Shadow of a Mouse: Performance, Belief, and World-Making in Animation" - Donald Crafton, Berkeley: University of California Press, 2013; 411 pp.; ISBN 9780520261044. Animation 8 (3), pp. 304-308. ISSN 1746-8477.

Coombes, Annie E. (2011) Monumental histories: commemorating Mau Mau with the statue of Dedan Kimathi. African Studies 70 (2), pp. 202-223. ISSN 0002-0184.

Coombes, Annie E. (2011) Witnessing history/embodying testimony: gender and memory in post-apartheid South Africa. Journal of the Royal Anthropological Institute 17 (S1), S92-S112. ISSN 1359-0987.

Coombes, Annie E. (2010) The phantom of history: longing, loss and agency in the work of Carrie Mae Weems. In: UNSPECIFIED (ed.) Carrie Mae Weems: Estudios sociales. Seville, Spain: Centro Andaluz de Arte Contemporáneo. ISBN 9788482669984.

Coombes, Annie E. and Hughes, L. and Munene, K. (2013) Managing heritage, making peace: history, identity and memory in contemporary Kenya. London, UK: I.B. Tauris. ISBN 9781780761527.

Couldry, N. and Livingstone, S. and Markham, Tim (2010) Media consumption and public engagement: beyond the presumption of attention. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230247383.

D

Driver, F. and Martins, Luciana (2006) Shipwreck and salvage in the tropics: the case of HMS Thetis, 1830–1854. Journal of Historical Geography 32 (3), pp. 539-562. ISSN 0305-7488.

di Bello, Patrizia (2012) Book review: 'Doing Family Photography: The Domestic, The Public and The Politics of Sentiment', by Gillian Rose. History of Photography 36 (2), pp. 228-230. ISSN 0308-7298.

di Bello, Patrizia (2013) Editorial. History of Photography 37 (4), pp. 385-388. ISSN 0308-7298.

di Bello, Patrizia (2011) Elizabeth Thompson and ‘Patsy’ Cornwallis West as Carte-de-visite celebrities. History of Photography 35 (3), pp. 240-249. ISSN 0308-7298.

di Bello, Patrizia (2013) "Multiplying Statues by Machinery": stereoscopic photographs of sculptures at the 1862 International Exhibition. History of Photography 37 (4), pp. 412-420. ISSN 0308-7298.

di Bello, Patrizia (2008) Photocollage, fun and flirtations in Victorian drawing-room albums. In: Domestic Exposure: Exploring Photography at Home, 1850 to the present, 2008, Geffrye Museum, London, UK. (Unpublished)

di Bello, Patrizia (2009) Photocollage, fun, and flirtations. In: Siegel, E. (ed.) Playing with Pictures: The Art of Victorian Photocollage. Art Institute of Chicago. Connecticut, U.S.: Yale University Press, pp. 49-63. ISBN 9780300141146.

di Bello, Patrizia (2010) Photography and sculpture: a light touch. In: di Bello, Patrizia and Koureas, Gabriel (eds.) Art, History and the Senses: 1830 to the Present. Farnham, UK: Ashgate, pp. 19-34. ISBN 9780754668633.

di Bello, Patrizia (2010) Photography: beyond the visual. In: Photography: beyond the visual, 2010, New York, USA. (Unpublished)

di Bello, Patrizia (2010) Playing with pictures: the art of Victorian photocollage. In: Scholars Day, Metropolitan Museum of Art, New York, USA. (Unpublished)

di Bello, Patrizia (2012) Sculpture, photograph, book: the sculptures of Picasso (1949). In: di Bello, Patrizia and Wilson, C. and Zamir, S. (eds.) The Photobook: from Talbot to Ruscha and Beyond. London, UK: I.B. Tauris. ISBN 9781848856165.

di Bello, Patrizia (2008) Seductions and flirtations: photographs, histories, theories. In: "Photographs and Historical Practice" - Photo Time Network Event, September 17, 2008, Manchester, UK. (Unpublished)

di Bello, Patrizia (2008) Seductions and flirtations: photographs, histories, theories. Photographies 1 (2), pp. 143-155. ISSN 1754-0763.

di Bello, Patrizia (2011) T for touch. In: Evans, D. (ed.) Critical Dictionary. London, UK: Black Dog Publishing. ISBN 9781907317491.

di Bello, Patrizia and Koureas, Gabriel (2010) Introduction: other than the visual: art, history and the senses. In: di Bello, Patrizia and Koureas, Gabriel (eds.) Art, History and the Senses: 1830 to the Present. Farnham, UK: Ashgate, pp. 1-19. ISBN 9780754668633.

di Bello, Patrizia and Wilson, C. and Zamir, S. (2012) The photobook: from Talbot to Ruscha and beyond. London, UK: I.B. Tauris. ISBN 9781848856158.

E

Eyene, Christine (2010) Sekoto and negritude: the ante-room of French culture. Third Text 24 (4), pp. 423-435. ISSN 0952-8822.

G

Gajewski, A. and Opacic Masters, Zoe (2008) The Year 1300 and the Creation of a New European Architecture. Architectura Medii Aevi 1. Turnhout, Belgium: Brepols. ISBN 9782503522869.

Gooding, Francis (2009) Black Light: Myth and Meaning in Modern Painting. Hoboken, U.S.: Wiley-Blackwell. ISBN 9781405191142.

Gronberg, Tag (2013) Coffeehouse Orientalism. In: Ashby, C. and Gronberg, Tag and Shaw-Miller, Simon (eds.) The Viennese Cafe and Fin-de-Siecle Culture. Austrian and Habsburg Studies 16. Oxford, UK: Berghahn Books. ISBN 9780857457646.

Gronberg, Tag (2008) Josef Frank's 'Aralia': from houseplant to 'djungel'. In: Helland, J. and Alfoldy, S. (eds.) Craft, Space, and Interior Design, 1855-2005. Surrey, UK: Ashgate, pp. 151-168. ISBN 9780754657064.

Gronberg, Tag (2008) Simon Starling: crafting the modern. The Journal of Modern Craft 1 (1), pp. 101-115. ISSN 1749-6772.

Gronberg, Tag (2013) Through the Vitrine: Damien Hirst’s "For the Love of God". In: Welchman, J. (ed.) Sculpture and the Vitrine. Subject/Object: New Studies in Sculpture. Basingstoke, UK: Ashgate, pp. 47-68. ISBN 9781409435273.

Gronberg, Tag (2008) Through the vitrine: artistic identities and the sphere of commerce. In: Welchman, J. (ed.) Sculpture and the Vitrine. Farnham, Surrey, UK: Ashgate Publishing. ISBN 9781409435273.

Gronberg, Tag (2011) The Viennese coffee house: a legend in performance. In: Fisher, F. and Keeble, T. and Lara-Betancourt, P. and Martin, B. (eds.) Performance, Fashion and the Modern Interior From the Victorians to Today. London, UK: Bloomsbury Publishing, pp. 59-74. ISBN 9781847887818.

Gronberg, Tag (2009) The Viennese coffee-house and fin-de-siècle culture. In: Lecture: Wirth Institute for Austrian & Central European Studies, November 2, 2009, Alberta, Canada. (Unpublished)

H

Havemann, Leo and Drew, Liz and Barros, Joana and Leal, Joanne (2013) Special blend: developing a model for technology-enhanced, flexible learning. In: Can We Do It? Yes We Can: HEA/SEEC Conference 2013, 22-23 Jul 2013, London, UK. (Unpublished)

J

Jacobus, Laura (2008) Giotto and the arena chapel: art, architecture and experience. Studies in Medieval and Early Renaissance Art History 47. Turnhout, Belgium: Brepols. ISBN 9781905375127.

Jacobus, Laura (2010) Poetics and painting in late-Medieval and early Renaissance Italy. Art History 33 (5), pp. 910-915. ISSN 0141-6790.

Jacobus, Laura (2012) The tomb of Enrico Scrovegni in the Arena Chapel, Padua. The Burlington Magazine 1311 (154), pp. 403-409. ISSN 0007-6287.

Janes, Dominic (2008) Beyond the tourist gaze? cultural learning on an American 'semester abroad' programme in London. Journal of Research in International Education 7 (1), pp. 21-35. ISSN 1475-2409.

Janes, Dominic (2011) Beyond ‘ignorance’: using the cultural stereotypes of Americans studying in the UK as a resource for learning and teaching about British culture. Innovations in Education and Teaching International 48 (1), pp. 61-68. ISSN 1470-3297.

Janes, Dominic (2011) ‘The Catholic Florist’: flowers and deviance in the mid-nineteenth century Church of England. Visual Culture in Britain 12 (1), pp. 77-96. ISSN 1471-4787.

Janes, Dominic (2011) Clarke and Kubrick’s 2001: a queer odyssey. Science Fiction Film and Television 4 (1), pp. 57-78. ISSN 1754-3770.

Janes, Dominic (2009) Dickens and the Catholic corpse. In: Hollington, M. and Orestano, F. (eds.) Dickens and Italy: Little Dorrit and Pictures from Italy. Newcastle, UK: Cambridge Scholars Press, pp. 170-187. ISBN 9781443814430.

Janes, Dominic (2014) Eminent Victorians, Bloomsbury queerness and John Maynard Keynes’ "The Economic Consequences of the Peace" (1919). Literature and History 23 (1), pp. 19-32. ISSN 0306-1973.

Janes, Dominic (2011) Emma Martin and the manhandled womb in early Victorian England. In: Mangham, A. and Depledge, Greta (eds.) The Female Body in Medicine and Literature. Liverpool, UK: Liverpool University Press, pp. 107-118. ISBN 9781846314728.

Janes, Dominic (2009) ‘Eternal Master’: masochism and the sublime at the National Shrine of the Immaculate Conception, Washington, D.C. Theology & Sexuality 15 (2), pp. 159-174. ISSN 1355-8358.

Janes, Dominic (2012) Frederick Rolfe’s Christmas cards: popular culture and the construction of queerness in late Victorian Britain. Early Popular Visual Culture 10 (2), pp. 105-124. ISSN 1746-0654.

Janes, Dominic (2012) Homosociality and homoeroticism in the leading British educational magazine for children, look and learn (1962-1982). Continuum: Journal of Media and Cultural Studies 26 (6), pp. 897-910. ISSN 1030-4312.

Janes, Dominic (2014) John Foxe and British attitudes to martyrdom after the French Revolution. In: Janes, Dominic and Houen, A. (eds.) Martyrdom and Terrorism: Pre-Modern to Contemporary Perspectives. Oxford, UK: Oxford University Press, pp. 179-196. ISBN 9780199959853.

Janes, Dominic (2011) The “Modern Martyrdom” of Anglo-Catholics in Victorian England. Journal of Religion and Society 13 , ISSN 1522-5658.

Janes, Dominic (2012) "One of us": the queer afterlife of Margaret Thatcher as a gay icon. International Journal of Media and Cultural Politics 8 (2-3), pp. 211-228. ISSN 1740 – 8296.

Janes, Dominic (2014) Oscar Wilde, sodomy and mental illness in late Victorian England. Journal of the History of Sexuality 23 (1), pp. 79-95. ISSN 1043-4070.

Janes, Dominic (2011) Power, money and teaching quality: attitudes of part-time lecturers on an international study programme (US to UK) toward student evaluation of their teaching. Insights in International Exchange 1 , pp. 28-41.

Janes, Dominic (2010) Queer Walsingham. In: Janes, Dominic and Waller, G. (eds.) Walsingham in Literature and Culture from the Middle Ages to Modernity. Surrey, UK: Ashgate, pp. 147-166. ISBN 9780754669241.

Janes, Dominic (2010) Seeing and tasting the divine: Simeon Solomon’s homoerotic sacrament. In: di Bello, Patrizia and Koureas, Gabriel (eds.) Art, History and the Senses: 1830 to the Present. Surrey, UK: Ashgate, pp. 35-50. ISBN 9780754668633.

Janes, Dominic (2011) Sex and text: the afterlife of medieval penance in Britain and Ireland. In: Harper, A. and Proctor, C. (eds.) Medieval Sexuality: A Casebook. Routledge Medieval Casebooks. Oxford, UK: Routledge, pp. 32-46. ISBN 9780415978316.

Janes, Dominic (2008) Shopping for Jesus: faith in marketing in the USA. Washington, U.S.: New Academia Publishing. ISBN 9780980081435.

Janes, Dominic (2007) Spiritual cleansing, priests and prostitutes in early Victorian London. In: Cox, Rosie and Campkin, B. (eds.) Dirt: New Geographies of Cleanliness and Contamination. London, UK: I.B. Tauris, pp. 113-122. ISBN 9781845116729.

Janes, Dominic (2011) Thinking with the womb in early Victorian England: the life and work of Emma Martin. In: Mangham, A. and Depledge, G. (eds.) The Female Body in Medicine and Literature. Liverpool English Texts and Studies 59. Liverpool, UK: Liverpool University Press, pp. 107-118. ISBN 9781846314728.

Janes, Dominic (1998) Treasure bequest: death and gift in the early middle ages. In: Hill, J. and Swann, M. (eds.) The Community, the Family and the Saint: Patterns of Power in Early Medieval Europe. International medieval research 4. Turnhout, Belgium: Brepols. ISBN 9782503506685.

Janes, Dominic (2000) Treasure, death and display from Rome to the Middle Ages. In: Tyler, E.M. (ed.) Treasure in the Medieval West. Suffolk, UK: Boydell and Brewer, pp. 1-10. ISBN 9780952973485.

Janes, Dominic (2012) Unnatural appetites: sodomitical panic in Hogarth’s 'The Gate of Calais', or 'O the Roast Beef of Old England' (1748). Oxford Art Journal 35 (1), pp. 19-31. ISSN 0142-6540.

Janes, Dominic (2009) Victorian reformation: the fight over idolatry in the Church of England, 1840-1860. Oxford, UK: Oxford University Press. ISBN 9780195378511.

Janes, Dominic (2012) Vile bodies: Victorian Protestants in the Roman catacombs. In: Bradley, M. (ed.) Rome, Pollution and Propriety: Dirt, Disease and Hygiene in the Eternal City from Antiquity to Modernity. British School at Rome Studies. Cambridge, UK: Cambridge University Press, pp. 223-240. ISBN 9781107014435.

Janes, Dominic (2014) When “perverts” were religious: the Protestant sexualisation of asceticism in nineteenth-century Britain, India and Ireland. Cultural and Social History 11 (3), pp. 425-439. ISSN 1478-0038.

Janes, Dominic (2012) William Bennett’s heresy: male same-sex desire and the art of the Eucharist. Journal of Victorian Culture 17 (4), pp. 413-435. ISSN 1355-5502.

Janes, Dominic (2011) William Etty's Magdalens: sexual desire and spirituality in early Victorian England. Religion and the Arts 15 (3), pp. 277-305. ISSN 1079-9265.

Janes, Dominic (2013) The confessional unmasked: religious merchandise and obscenity in Victorian England. Victorian Literature and Culture 41 (04), pp. 677-690. ISSN 1060-1503.

Janes, Dominic (2013) The gothic arousal of architecture in Dickens’ "The Old Curiosity Shop" and its illustrations. Nineteenth-Century Contexts 35 (3), pp. 325-341. ISSN 0890-5495.

Janes, Dominic (2008) The rites of man: The British Museum and the sexual imagination in Victorian Britain. Journal of the History of Collections 20 (1), pp. 101-112. ISSN 0954-6650.

Janes, Dominic (2014) The role of visual appearance in Punch’s early-Victorian satires on religion. Victorian Periodicals Review 47 (1), pp. 66-86. ISSN 0709-4698.

Janes, Dominic (2008) The shadow of the passion: protestants and the suffering Christ in nineteenth-century British art and text. Ikon 1 (1), pp. 237-244. ISSN 1846-8551.

Janes, Dominic and Waller, G. (2010) Walsingham in Literature and Culture from the Middle Ages to Modernity. Farnham, UK: Ashgate. ISBN 9780754669241.

K

Koureas, Gabriel (2008) ‘Desiring Skin’: eugenics, trauma and acting out of masculinities in British inter-war visual culture. In: Brauer, F. and Callen, A. (eds.) Art, Sex and Eugenics: Corpus Delecti. Surrey, UK: Ashgate, pp. 163-188. ISBN 9780754658276.

Koureas, Gabriel (2012) Masculinities, ethnicities and the terrorist in Cyprus (1950-9) and the 'war on terror', (2001-). In: Garden-Coyne, A. (ed.) Gender and Conflict since 1914: Historical and Interdisciplinary Perspectives. Gender and History. Basingstoke, UK: Palgrave Macmillan, pp. 124-137. ISBN 9780230280946.

Koureas, Gabriel (2012) Nicosia/Istanbul: ruins, memory and photography. Kunapipi: Journal of Postcolonial Writing and Culture 33 (1-2), pp. 171-201. ISSN 0106-5734.

Koureas, Gabriel (2008) Trauma, space and embodiment: the sensorium of a divided city. Journal of War and Culture Studies 1 (3), pp. 309-324. ISSN 1752-6272.

Koureas, Gabriel (2008) The sensorium of a divided city. In: The Making and Remaking of European Memory after 1945, July 2, 2008, London, UK. (Unpublished)

Koureas, Gabriel (2009) The sensorium of a divided city. In: Remembering War in the Museum Space, January 22, 2009, London, UK. (Unpublished)

Koureas, Gabriel and di Bello, Patrizia (2010) Art, History and the Senses: 1830 to the Present. Farnham, UK: Ashgate. ISBN 9780754668633.

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Lambert, Nick (2013) Digital art: a history. London, UK: I.B. Tauris. ISBN 9781848858596.

Lambert, Nick (2012) Domes and creativity: a historical exploration. Digital Creativity 23 (1), pp. 5-29. ISSN 1462-6268.

Lambert, Nick (2011) From imaginal to digital: mental imagery and the computer image space. Leonardo 44 (5), pp. 439-443. ISSN 0024-094X.

Lambert, Nick (2009) Review: Catherine Mason, "A Computer in the Art Room: The Origins of British Computer Arts 1950--1980". Animation 4 (3), pp. 326-331. ISSN 1746-8477.

Lambert, Nick and Latham, W. and Leymarie, F.F. (2013) The emergence and growth of evolutionary art - 1980–1993. Leonardo 46 (4), pp. 367-375. ISSN 0024-094X.

Lambrianou, Nickolas (2009) Altermodern: movement or marketing? Mute: Culture and Politics After the Net 3 (4),

Lambrianou, Nickolas (2008) The subject of immigration. In: Ekman, U. and Tygstrup, F. (eds.) Witness: memory, representation and the media in question. Copenhagen, USA: Museum Tusculanum Press. ISBN 9788763504256.

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Maniura, Robert (2009) Ex votos, art and pious performance. Oxford Art Journal 32 (3), pp. 409-425. ISSN 0142-6540.

Maniura, Robert (2011) Image, space and holy place in the cult of Our Lady of Częstochowa. In: Opacic Masters, Zoe and Timmermann, A. (eds.) Image, Memory and Devotion: Liber Amicorum Paul Crossley. Studies in Gothic Art 2. Turnhout, Belgium: Brepols, pp. 129-134. ISBN 9782503531687.

Maniura, Robert (2009) Persuading the absent saint: image and performance in Marian devotion. Critical Inquiry 35 (3), pp. 629-654. ISSN 0093-1896.

Maniura, Robert (2013) Two Marian image shrines in Fifteenth-Century Tuscany, the ‘Iconography of Architecture’ and the limits of ‘Holy Competition’. In: Davies, P. and Howard, D. and Pullan, W. (eds.) Architecture and Pilgrimage, 1000–1500: Southern Europe and Beyond. Basingstoke, UK: Ashgate, pp. 213-230. ISBN 9781472410832.

Markham, Tim (2009) Audience participation and the politics of recognition. In: Transforming Audiences, 2009, University of Westminster, London, UK. (Unpublished)

Markham, Tim (2009) Global practices of citizen journalism: democratizing and collectivist or regulatory and individualist? In: Political Studies Association, 2009, University of Manchester, Manchester, UK. (Unpublished)

Markham, Tim (2010) Hunched over their laptops: phenomenological perspectives on citizen journalism. In: Media, Communications and Cultural Studies Association, 2010, London School of Economics, London, UK. (Unpublished)

Markham, Tim (2008) Journalistic ethics as field strategies: a particular case of the possible. In: Media, Communication and Humanity, 2008, London School of Economics, London, UK. (Unpublished)

Markham, Tim (2009) Media ethics as field strategies: what do audiences do with ethics? In: International Communication Association, 2009, Chicago. (Unpublished)

Markham, Tim (2010) War reporting in the 21st century: a political phenomenological perspective on pooling, embedding, ICTs and citizen journalism. In: International Communication Association Annual Conference, 2010, Singapore. (Unpublished)

Markham, Tim (2008) The correspondent’s experience of war. In: War, Virtual War and Human Security, 2008, Budapest. (Unpublished)

Markham, Tim (2008) The political phenomenology of war correspondence. In: Political Studies Association, 2008, Swansea University, Wales, UK. (Unpublished)

Markham, Tim (2011) The politics of journalistic creativity: expressiveness as de-authorization. In: International Communication Association, 2011, Boston. (Unpublished)

Markham, Tim (2011) The rough and ready aesthetics of citizen journalism. In: International Communication Association, 2011, Boston. (Unpublished)

Martins, Luciana (2014) Intimate visions: Claude and Dina Lévi-Strauss in Brazil. In: Anthropology and Photography, 2014, British Museum. (Unpublished)

Martins, Luciana (2014) Intimate visions: Claude and Dina Lévi-Strauss in Brazil. In: Cambridge Hispanic and Lusophone Research Seminars, 2014, University of Cambridge. (Unpublished)

Martins, Luciana (2014) Intimate visions: Claude and Dina Lévi-Strauss in Brazil. In: Symposium and book launch: Picturing Latin America: Rethinking Film and Photographic Archives, 2013, Birkbeck, University of London, UK. (Unpublished)

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Nead, Lynda (2007) The Haunted Gallery: Painting, Photography and Film c. 1900. New Haven, U.S.: Yale University Press. ISBN 9780300112917.

Nead, Lynda (2012) Many little harmless and interesting adventures...: Gender and the Victorian City. In: Hewitt, M. (ed.) The Victorian World. Routledge Worlds. Abingdon, UK: Routledge. ISBN 9780415712989.

Nead, Lynda (2012) National Style versus modernity: reconciling contradictions in Finnish Architecture around 1900. In: Quek, R. and Deane, D. (eds.) Nationalism and Architecture. Farnham, Surrey, UK: Ashgate Publishing. ISBN 9781409433859.

Nead, Lynda (2008) Response: the art of making faces. Textual Practice 22 (1), pp. 133-143. ISSN 0950-236X.

Nead, Lynda (2011) Stilling the punch: boxing, violence and the photographic image. Journal of Visual Culture 10 (3), pp. 305-323. ISSN 1470-4129.

Nead, Lynda (2010) The age of the "hurrygraph": motion, space, and the visual image, ca. 1900. In: O'Neill, M. and Hatt, M. (eds.) The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910. Studies in British Art 20. Yale, U.S.: Yale University Press, pp. 99-113. ISBN 9780300163353.

Nead, Lynda (2012) The artist's studio: the affair of art and film. In: Dalle Vache, A. (ed.) Film, Art, New Media: Museum Without Walls? Basingstoke, UK: Palgrave Macmillan, pp. 23-38. ISBN 9781137026101.

Nead, Lynda (2010) The history in pictures. Cultural and Social History 7 (4), pp. 485-492. ISSN 1478-0038.

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Opacic Masters, Zoe (2009) Architecture and religious experience in 14th-century Prague. In: Fajt, J. and Langer, A. (eds.) Kunst als Herrschaftsinstrument. Munich, Germany: Deutscher Kunstverlag. ISBN 9783422068377.

Opacic Masters, Zoe (2008) Bohemia after 1300: reduktionsgotik, the hall church and the creation of a new style. In: Gajewski, A. and Opacic Masters, Zoe (eds.) The Year 1300 and the Creation of a New European Architecture. Architectura medii aevi 1. Turnhout, Belgium: Brepols. ISBN 9782503522869.

Opacic Masters, Zoe (2011) Gold and fire, art in Slovakia at the end of the Middle Ages various artists. Burlington Magazine 153 (1297), pp. 277-278. ISSN 0007-6287.

Opacic Masters, Zoe (2009) Medieval Prague, Bohemia and their neighbours: new perspectives and connections. In: Opacic Masters, Zoe (ed.) Prague and Bohemia: Medieval Art, Architecture and Cultural Exchange in Central Europe. British Archaeological Association Conference Transactions 32. Leeds, UK: Maney Publishing, British Archaeological Association, pp. 1-7. ISBN 9781906540586.

Opacic Masters, Zoe (2009) Prague and Bohemia: Medieval Art, Architecture and Cultural Exchange in Central Europe. British Archaeological Association Conference Transactions 32. Leeds, UK: Maney Publishing, British Archaeological Association. ISBN 9781906540586.

Opacic Masters, Zoe (2013) The sacred topography of Medieval Prague. In: Nordeide, S.W. and Brink, S. (eds.) Sacred Sites and Holy Places: Exploring the Sacralization of Landscape through Time and Space. Turnhout, Belgium: Brepols. ISBN 9782503541006.

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Retford, Kate (2008) "Habits and dress of the times": the conversation piece in Georgian Britain. In: Leverhulme Lecture, November 2008, London, UK. (Unpublished)

Retford, Kate (2013) "Johan Zoffany: 1733-1810" by Mary Webster. Journal for Eighteenth-Century Studies 36 (1), pp. 153-154. ISSN 1754-0194.

Retford, Kate (2011) "Peculiarly happy at taking likenesses": Zoffany & British portraiture. In: Postle, M. (ed.) Johan Zoffany RA: Society Observed. Yale, U.S.: Yale University Press. ISBN 9780300176049.

Retford, Kate (2008) Pieces of conversation: narrative in eighteenth-century portraiture. In: Narrative: Frame, Sequence and Fragment, February 2008, London, UK. (Unpublished)

Retford, Kate (2008) Regional collections and the eighteenth-century conversation piece. In: Understanding British Portraits, October 2008, London, UK. (Unpublished)

Retford, Kate (2008) “Small portraits”, “histories” and “fancyes”: the conversation piece in Georgian England. In: History of Art Department Seminar, October 2008, London, UK. (Unpublished)

Retford, Kate (2010) A death in the family: posthumous portraiture in eighteenth-century England. Art History 33 (1), pp. 74-97. ISSN 0141-6790.

Retford, Kate (2010) The evidence of the conversation piece: Thomas Bardwell's The Broke and Bowes Families (1740). Cultural and Social History 7 (4), pp. 493-510. ISSN 1478-0038.

Retford, Kate (2014) ‘The small Domestic & conversation style’: David Allan and Scottish portraiture in the Late Eighteenth Century. Visual Culture in Britain 15 (1), pp. 1-27. ISSN 1471-4787.

Retford, Kate (2009) The small domestic & conversation style’: David Allan and Scottish portraiture in the late eighteenth century. In: Graduate Seminar in History, 1680-1850, November 5, 2009, Oxford, UK. (Unpublished)

Retford, Kate (2013) The topography of the conversation piece: a walk around Wanstead. In: Retford, Kate (ed.) Placing Faces: The Portrait and the English Country House in the Long Eighteenth Century. Manchester, UK: Manchester University Press. ISBN 9780719090394.

Reynolds, Lucy and Schofield, J. (2010) Silo walk: exploring power relations on an English common. Radical History Review 108 , pp. 154-160. ISSN 0163-6545.

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Shaw-Miller, Simon (2010) Disciplining the senses: Beethoven as synaesthetic paradigm. In: Koureas, Gabriel and di Bello, Patrizia (eds.) Art, History and the Senses: 1830 to the Present. Surrey, UK: Ashgate, vi-vi. ISBN 9780754668633.

Shaw-Miller, Simon (2010) Modernist music. In: Brooker, P. and Gasiorek, A. and Longworth, D. and Thacker, A. (eds.) Oxford Handbook of Modernisms. Oxford, UK: Oxford University Press, pp. 599-617. ISBN 9780199545445.

Shaw-Miller, Simon (2010) Music as imminent gesamtkunstwerk: absolute music, synaesthesia & die glückliche hand. In: Finger, A. and Follett, D. (eds.) Aesthetics of the Total Artwork: On Borders and Fragments. Baltimore, U.S.: John Hopkins University Press. ISBN 9780801895821.

Shaw-Miller, Simon (2011) Separation and conjunction: music and art c.1800–2010. In: Daniels, D. and Naumann, S. and Thoben, J. (eds.) See This Sound: Audiovisuology Essays: Histories and Theories of Audiovisual Media and Art: 2. Koln, Germany: Walter Konig, pp. 28-51. ISBN 9783865606877.

Shaw-Miller, Simon and Smiles, S. (2010) Samual Palmer Revisited. Farnham, UK: Ashgate. ISBN 9780754667476.

Silverthorne, Diane (2011) Music, modernism and the Vienna secession: musical form in Ver Sacrum (1898-1903). In: de Mille, C. (ed.) Music and Modernism, c. 1849-1950. Newcastle upon Tyne, UK: Cambridge Scholars Press. ISBN 9781443826969.

Silverthorne, Diane (2011) Vienna's 'Holy Spring' and beyond: Ver Sacrum (1898-1903), Almanach der Wiener Werkstätte (1911), Hohe Warte (1904-9), Deutsche Kunst und Dekoration (1897-1932). In: Brooker, P. and Bru, S. and Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines Volume III: Europe 1880 - 1940. Oxford, UK: Oxford University Press. ISBN 9780199659586.

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Thomas, Sarah (2011) "On the Spot": travelling artists and Abolitionism, 1770-1830. Atlantic Studies 8 (2), pp. 213-232. ISSN 1478-8810.

Thomas, Sarah (2009) Slavery, a "Scandal to Christian Nations": Charles Darwin, Augustus Earle and the compass of morality. In: Hoorn, J. (ed.) Reframing Darwin: Evolution and Art in Australia. Carlton, Australia: Melbourne University Publishing. ISBN 9780522856842.

Thomas, Sarah (2013) Violence and memory: slavery in the museum. In: Rycroft, D.J. (ed.) World Art and the Legacies of Colonial Violence. Farnham, UK: Ashgate, pp. 113-132. ISBN 9781409455882.

Thomas, Sarah (2009) The Wanderer, the Slave and the Aboriginal: Augustus Earle in Rio de Janeiro and Sydney in the 1820s. In: Anderson, J. (ed.) Crossing Cultures: Conflict, Migration and Convergence. Carlton, Australia: Miegunyah Press. ISBN 9780522857108.

Thomas, Sarah (2014) The artist travels: Augustus Earle at sea. In: Cusack, T. (ed.) Framing the Ocean: Envisaging The Sea As A Social Space. Basingstoke, UK: Ashgate, pp. 71-84. ISBN 9781409465683.

Thomas, Sarah (2013) The spectre of empire in the British art museum. Museum History Journal 6 (1), pp. 105-121. ISSN 1936-9816.

Topp, Leslie (2012) Complexity and coherence. Journal of the Society of Architectural Historians 71 (1), pp. 8-41. ISSN 0037-9808.

Topp, Leslie (2009) Erwin Pendl (studio), model of lower Austrian provincial institution for the cure and care of the mentally ill "Am Steinhof", c. 1907. In: Blackshaw, G. and Topp, Leslie (eds.) Madness and Modernity: Mental illness and the visual arts in Vienna 1900. Farnham, UK: Lund Humphries, pp. 100-109. ISBN 9781848220201.

Topp, Leslie (2009) International models, regional politics and the architecture of psychiatric institutions in the Austro-Hungarian monarchy. In: Guggenheim, M. and Söderström, O. (eds.) Re-shaping Cities: How Global Mobility Transforms Architecture and Urban Form. Oxon, UK: Routledge, pp. 143-164. ISBN 9780415492911.

Topp, Leslie (2007) Psychiatric institutions, their architecture, and the politics of regional autonomy in the Austro-Hungarian monarchy. Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 38 (4), 733 - 755. ISSN 0039-3681.

Topp, Leslie (2012) The mad objects of Fin-de-Siècle Vienna: journeys, contexts and dislocations in the exhibition “Madness and Modernity”. In: Blackshaw, G. and Wieber, S. (eds.) Journeys Into Madness:Mapping Mental Illness in the Austro-Hungarian Empire. Austrian and Habsburg Studies 14. Oxford, UK: Berghahn Books, pp. 10-26. ISBN 9780857454584.

Topp, Leslie and Blackshaw, G. (2009) Scrutinised bodies and lunatic utopias: mental illness, psychiatry and the visual arts in Vienna, 1898–1914. In: Topp, Leslie and Blackshaw, G. (eds.) Madness and Modernity: Mental illness and the visual arts in Vienna 1900. Surrey, UK: Lund Humphries, pp. 14-37. ISBN 9781848220201.

Topp, Leslie and Imrie, N. (2009) Modernity follows madness: Viennese architecture for mental illness and nervous disorders. In: Topp, Leslie and Blackshaw, G. (eds.) Madness and Modernity: Mental illness and the visual arts in Vienna 1900. Surrey, UK: Lund Humphries, pp. 76-99. ISBN 9781848220201.

Topp, Leslie and Wieber, S. (2009) Architecture, psychiatry and the rural idyll: the agricultural colony at Kierling-Gugging. In: Gabriel, E. and Gamper, M. (eds.) Psychiatrische Institutionen in Österreich um 1900. Verlag haus der Ärzte, pp. 107-118. ISBN 9783902552341.

Topp, Leslie and Wieber, S. (2009) Architecture, psychiatry, and Lebensreform at an agricultural colony of the insane - lower Austria, 1903. Central Europe 7 (2), pp. 125-149. ISSN 1479-0963.

Tynan, J. and Biernoff, Suzannah (2012) Making and remaking the civilian soldier: the World War I photographs of Horace Nicholls. Journal of War and Culture Studies 5 (3), pp. 277-293. ISSN 1752-6272.

This list was generated on Fri Oct 24 10:09:32 2014 BST.