BIROn - Birkbeck Institutional Research Online
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    Jump to: B | C | D | G | J | L | M | N | O | R | S | T
    Number of items: 36.

    B

    Biernoff, Suzannah (2011) BioShock's medical imaginary. In: The Unacceptable, 2011, Macquarie University, Sydney, Australia. (Unpublished)

    Biernoff, Suzannah (2011) Book review: 'Reconstructing the Body: Classicism, Modernism and the First World War' by Ana Carden-Coyne. Visual Culture in Britain 12 (1), pp. 117-121. ISSN 1471-4787.

    Biernoff, Suzannah (2011) Medical archives and digital culture: from WWI to BioShock. Medical History 55 (3), pp. 325-330. ISSN 0025-7273.

    Biernoff, Suzannah (2011) Portraiture and horror: faces of war. In: 37th AAH Annual Conference, 2011, University of Warwick, Warwick, UK. (Unpublished)

    Biernoff, Suzannah (2011) The rhetoric of disfigurement in First World War Britain. Social History of Medicine 24 (3), pp. 666-685. ISSN 0951-631X.

    C

    Caldwell, Dorigen (2011) Introduction: continuities of place. In: Caldwell, Dorigen and Caldwell, L. (eds.) Rome: continuing encounters between past and present. Basingstoke, UK: Ashgate, pp. 1-16. ISBN 9781409417620.

    Caldwell, Dorigen (2011) A neglected papal commission in Naples Cathedral: the tomb of Cardinal Alfonso Carafa. The Burlington Magazine 1304 (153), pp. 712-717. ISSN 0007-6287.

    Candlin, Fiona (2011) Art and the etiquette of touch. In: Seminar Series, School of Graduate Studies in association with the Concordia Sensoria Research Team, 2011, Concordia University, Montreal, Canada. (Unpublished)

    Candlin, Fiona (2011) How museums feel. In: American Anthropological Association Conference, 2011, Montreal, Canada. (Unpublished)

    Candlin, Fiona (2011) Night shift at the British Museum. In: Night Shift Seminar Series, 2011, Birkbeck, University of London, UK. (Unpublished)

    Candlin, Fiona (2011) A short and partial history of museum and gallery access provision for blind and partially-sighted audiences. In: Visual Impairment Training Day, Scottish National Gallery of Modern Art, 2011, Edinburgh, UK. (Unpublished)

    Coombes, Annie (2011) Monumental histories: commemorating Mau Mau with the statue of Dedan Kimathi. African Studies 70 (2), pp. 202-223. ISSN 0002-0184.

    Coombes, Annie (2011) Witnessing history/embodying testimony: gender and memory in post-apartheid South Africa. Journal of the Royal Anthropological Institute 17 (S1), S92-S112. ISSN 1359-0987.

    D

    Di Bello, Patrizia (2011) Elizabeth Thompson and ‘Patsy’ Cornwallis West as Carte-de-visite celebrities. History of Photography 35 (3), pp. 240-249. ISSN 0308-7298.

    Di Bello, Patrizia (2011) T for touch. In: Evans, D. (ed.) Critical Dictionary. London, UK: Black Dog Publishing. ISBN 9781907317491.

    G

    Gronberg, Tag (2011) The Viennese coffee house: a legend in performance. In: Fisher, F. and Keeble, T. and Lara-Betancourt, P. and Martin, B. (eds.) Performance, Fashion and the Modern Interior From the Victorians to Today. London, UK: Bloomsbury Publishing, pp. 59-74. ISBN 9781847887818.

    J

    Janes, Dominic (2011) Beyond ‘ignorance’: using the cultural stereotypes of Americans studying in the UK as a resource for learning and teaching about British culture. Innovations in Education and Teaching International 48 (1), pp. 61-68. ISSN 1470-3297.

    Janes, Dominic (2011) ‘The Catholic Florist’: flowers and deviance in the mid-nineteenth century Church of England. Visual Culture in Britain 12 (1), pp. 77-96. ISSN 1471-4787.

    Janes, Dominic (2011) Clarke and Kubrick’s 2001: a queer odyssey. Science Fiction Film and Television 4 (1), pp. 57-78. ISSN 1754-3770.

    Janes, Dominic (2011) Emma Martin and the manhandled womb in early Victorian England. In: Mangham, A. and Depledge, Greta (eds.) The Female Body in Medicine and Literature. Liverpool, UK: Liverpool University Press, pp. 107-118. ISBN 9781846314728.

    Janes, Dominic (2011) The “Modern Martyrdom” of Anglo-Catholics in Victorian England. Journal of Religion and Society 13 , ISSN 1522-5658.

    Janes, Dominic (2011) Power, money and teaching quality: attitudes of part-time lecturers on an international study programme (US to UK) toward student evaluation of their teaching. Insights in International Exchange 1 , pp. 28-41.

    Janes, Dominic (2011) Sex and text: the afterlife of medieval penance in Britain and Ireland. In: Harper, A. and Proctor, C. (eds.) Medieval Sexuality: A Casebook. Routledge Medieval Casebooks. Oxford, UK: Routledge, pp. 32-46. ISBN 9780415978316.

    Janes, Dominic (2011) Thinking with the womb in early Victorian England: the life and work of Emma Martin. In: Mangham, A. and Depledge, G. (eds.) The Female Body in Medicine and Literature. Liverpool English Texts and Studies 59. Liverpool, UK: Liverpool University Press, pp. 107-118. ISBN 9781846314728.

    Janes, Dominic (2011) William Etty's Magdalens: sexual desire and spirituality in early Victorian England. Religion and the Arts 15 (3), pp. 277-305. ISSN 1079-9265.

    L

    Lambert, Nick (2011) From imaginal to digital: mental imagery and the computer image space. Leonardo 44 (5), pp. 439-443. ISSN 0024-094X.

    M

    Maniura, Robert (2011) Image, space and holy place in the cult of Our Lady of Częstochowa. In: Opacic Masters, Zoe and Timmermann, A. (eds.) Image, Memory and Devotion: Liber Amicorum Paul Crossley. Studies in Gothic Art 2. Turnhout, Belgium: Brepols, pp. 129-134. ISBN 9782503531687.

    Markham, Tim (2011) The politics of journalistic creativity: expressiveness as de-authorization. In: International Communication Association, 2011, Boston. (Unpublished)

    Markham, Tim (2011) The rough and ready aesthetics of citizen journalism. In: International Communication Association, 2011, Boston. (Unpublished)

    N

    Nead, Lynda (2011) Stilling the punch: boxing, violence and the photographic image. Journal of Visual Culture 10 (3), pp. 305-323. ISSN 1470-4129.

    O

    Opacic Masters, Zoe (2011) Gold and fire, art in Slovakia at the end of the Middle Ages various artists. Burlington Magazine 153 (1297), pp. 277-278. ISSN 0007-6287.

    R

    Retford, Kate (2011) "Peculiarly happy at taking likenesses": Zoffany & British portraiture. In: Postle, M. (ed.) Johan Zoffany RA: Society Observed. Yale, U.S.: Yale University Press. ISBN 9780300176049.

    S

    Shaw-Miller, Simon (2011) Separation and conjunction: music and art c.1800–2010. In: Daniels, D. and Naumann, S. and Thoben, J. (eds.) See This Sound: Audiovisuology Essays: Histories and Theories of Audiovisual Media and Art: 2. Koln, Germany: Walter Konig, pp. 28-51. ISBN 9783865606877.

    Silverthorne, Diane (2011) Music, modernism and the Vienna secession: musical form in Ver Sacrum (1898-1903). In: de Mille, C. (ed.) Music and Modernism, c. 1849-1950. Newcastle upon Tyne, UK: Cambridge Scholars Press. ISBN 9781443826969.

    Silverthorne, Diane (2011) Vienna's 'Holy Spring' and beyond: Ver Sacrum (1898-1903), Almanach der Wiener Werkstätte (1911), Hohe Warte (1904-9), Deutsche Kunst und Dekoration (1897-1932). In: Brooker, P. and Bru, S. and Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines Volume III: Europe 1880 - 1940. Oxford, UK: Oxford University Press. ISBN 9780199659586.

    T

    Thomas, Sarah (2011) "On the Spot": travelling artists and Abolitionism, 1770-1830. Atlantic Studies 8 (2), pp. 213-232. ISSN 1478-8810.

    This list was generated on Tue Nov 21 01:21:02 2017 GMT.