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Items where Subject is "Birkbeck Schools and Research Centres > School of Arts > Film, Media and Cultural Studies"

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Number of items at this level: 190.

A

Allen, Mike (2008) Digital cinema: virtual screens. In: Creeber, G. and Martin, R. (eds.) Digital Culture: Understanding New Media. Maidenhead, UK: Open University Press, pp. 61-75. ISBN 9780335221974.

Allen, Mike (2008) From the Earth to the Moon. In: Edgerton, G.R. and Jones, J.P. (eds.) The Essential HBO reader. Kentucky, U.S.: Kentucky University Press, pp. 116-124. ISBN 9780813124520.

Allen, Mike (2009) Live from the Moon: filming and televising the space race. London, UK: I.B. Tauris. ISBN 9781845111694.

Allen, Mike (2009) Multicultural mobsters: the curious case of Gangsters. Critical Studies in Television 4 (2), pp. 74-81. ISSN 1749-6020.

Allen, Mike and McCabe, Janet (2012) Imitations of lives: ageing men, vocal mimicry and performing celebrity in The Trip. Celebrity Studies 3 (2), pp. 150-163. ISSN 1939-2397.

Anan, Nobuko (2012) Complicit commerciality in Japan’s Takarazuka Revue. In: Performance Research International, 2012, University of Leeds, Leeds, UK. (Unpublished)

Anan, Nobuko (2010) From little boy to little girl: case studies of contemporary Japanese women's performance. In: Theatre and Performance Studies Seminar Series, 2010, University of Warwick, Coventry, UK. (Unpublished)

Anan, Nobuko (2012) Gender and subcultures: case studies from Japan. In: Going Underground? Gender and Subcultures, 2012, Northumbria University, Newcastle, UK. (Unpublished)

Anan, Nobuko (2012) Identity politics in women's performance in Japan. Theatre Research International 37 (1), pp. 68-70. ISSN 0307-8833.

Anan, Nobuko (2010) Japanese women’s pop-cultural performance. In: International Federation for Theatre Research, Feminist Working Group, 2010, Ludwig-Maximilians-Universität München, Munich, Germany. (Unpublished)

Anan, Nobuko (2012) Kishida Rio, 'the female version of Terayama Shūji,' and her legacy in contemporary Japanese theatre. In: I Am a Terayama Shūji, 2012, The Tate Modern, London, UK. (Unpublished)

Anan, Nobuko (2010) Melancholic identification with the American/Japanese other: Takarazuka’s Wind in the Dawn: challenge of Shirasu Jirō, the samurai gentleman. In: British Association for Japanese Studies, 2010, School of Oriental and African Studies, London, UK. (Unpublished)

Anan, Nobuko (2013) Miwa Yanagi’s Granddaughters: women’s space without temporality. In: Performance Research International, 2013, Stanford University, California, USA. (Unpublished)

Anan, Nobuko (2009) Reconsideration of Japanese women's bodies: KATHY's parody of Singin' in the Rain. In: Wetmore, K.J. (ed.) Portrayals of Americans On the World Stage: Critical Essays. Jeferson, U.S.: McFarland Books, pp. 134-154. ISBN 9780786444199.

Anan, Nobuko (2009) Reconsideration of Japanese women’s bodies: KATHY’s parody of "Singin’ in the Rain". In: Wetmore, K.J. (ed.) Portrayals of Americans on the World Stage: Critical Essays. Jefferson NC, USA: McFarland, pp. 134-154. ISBN 9780786444199.

Anan, Nobuko (2012) The Takarazuka Revue and Kegawa-zoku: negotiating gender and sexuality in contemporary Japan. In: Visual Arts in Contemporary Japan, 2012, British Association for Japanese Studies, University of East Anglia, Norwich, UK. (Unpublished)

Anan, Nobuko (2014) The Takarazuka Revue’s Wind in the Dawn: (De-)nationalization of Japanese women. In: Holdsworth, N. (ed.) Theatre and National Identity: Re-Imagining Conceptions of the Nation. Routledge Advances in Theatre & Performance Studies. Abingdon, UK: Routledge. ISBN 9780415822992.

Anan, Nobuko (2010) Takarazuka's Gone With the Wind: performing America and the (de)nationalization of Japanese women's bodies. In: Research and Documentation in Theatre and Performance Studies: Strategic Locations, Disciplinary Challenges, and Critical Dialogue, 2010, Jawaharlal Nehru University, Delhi, India. (Unpublished)

Anan, Nobuko (2011) Theatre and feminism in Japan. In: International Federation for Theatre Research, 2011, Osaka University, Osaka, Japan. (Unpublished)

Anan, Nobuko (2011) Two-dimensional imagination in contemporary Japanese women's performance. TDR: The Drama Review 55 (4), pp. 96-112. ISSN 1054-2043.

Anan, Nobuko (2008) Yubiwa Hotel’s Lear: blocking women’s rites of passage. In: Multi-Campus Research Group Colloquium on Asian Performance, 2008, University of California, Irvine, California, USA. (Unpublished)

Anan, Nobuko (2014) The rose of Versailles: women and revolution in girls' manga and the socialist movement in Japan. The Journal of Popular Culture , ISSN 1540-5931. (In Press)

Anan, Nobuko and Dutt, B. and Reinelt, J. and Sahai, S. (2012) Dossier: history, memory, event: a working archive. Theatre Research International 37 (2), pp. 163-183. ISSN 0307-8833.

B

Barnard-Wills, D. and Moore, C. and McKim, Joel (2012) Introduction: spaces of terror and risk. Space and Culture 15 (2), pp. 92-97. ISSN 1206-3312.

C

Christie, Ian (2011) “All that life can afford”? Perspectives on the screening of historic literary London. In: Handa, R. and Potter, J. (eds.) Conjuring the Real: The Role of Architecture in Eighteenth- and Nineteenth-Century Fiction. Lincoln, U.S.: University of Nebraska Press, pp. 21-66. ISBN 9780803217430.

Christie, Ian (2009) Dying for art : Michael Powell's journey towards Duke Bluebeard's castle and the filmis art-work of the future. In: Pollock, G. and Anderson, V. (eds.) Bluebeard's Legacy - Death and Secrets from Bartok to Hitchcock. London, UK: I.B. Tauris, pp. 175-200. ISBN 9781845116323.

Christie, Ian (2008) Grandmother's Russia. Sight & Sound 18 (10), pp. 40-41. ISSN 0037-4806.

Christie, Ian (2008) Histories of the future: mapping the avant-garde. Film History 20 (1), pp. 6-13. ISSN 0892-2160.

Christie, Ian (2010) In from the cold. Sight & Sound 20 (3), p. 27. ISSN 0037-4806.

Christie, Ian (2010) Knight's moves: Brecht and Russian formalism in Britain in the 1970s. In: van den Oever, A. (ed.) Ostrannenie : On "Strangeness" and the Moving Image; the History, Reception, and Relevance of a Concept. The Key Debates. Amsterdam, The Netherlands: University of Amsterdam Press. ISBN 9789089640796.

Christie, Ian (2009) Moving-picture media and modernity: taking intermediate and ephemeral forms seriously. Comparative Critical Studies 6 (3), pp. 299-318. ISSN 1744-1854.

Christie, Ian (2009) Seeing red: restoring The Red Shoes. Sight & Sound 19 (8), pp. 36-38. ISSN 0037-4806.

Christie, Ian (2008) Text rules. Journal of Media Practice 9 (3), pp. 275-277. ISSN 1468-2753.

Christie, Ian (2009) The art of film: John Box and production design. Harrow, UK: Wallflower Press. ISBN 9781905674947.

Christie, Ian (2009) The caretaker. Sight & Sound 19 (6), p. 33. ISSN 0037-4806.

Christie, Ian (2008) The long road to freedom. Sight & Sound 18 (1), p. 10. ISSN 0037-4806.

Christie, Ian and Clauss, K. and Topp, D. and Smith, C. and Modot, A. and Angrisani, S. and Guenin, M. and Dumont, L. and Moullier, B. and Giles, J. (2009) Stories we tell ourselves: the cultural impact of UK film 1946-2006. Project Report. British Film Institute, London, UK.

Couldry, N. and Livingstone, S. and Markham, Tim (2007) Connection or disconnection? Tracking the mediated public sphere in everyday life. In: Butsch, R. (ed.) Media and Public Spheres. Basingstoke, UK: Palgrave Macmillan, pp. 28-42. ISBN 9780230007215.

Couldry, N. and Markham, Tim (2007) Celebrity culture and public connection: bridge or chasm? International Journal of Cultural Studies 10 (4), pp. 403-421. ISSN 1367-8779.

Couldry, N. and Markham, Tim (2008) Troubled closeness or satisfied distance? Researching media consumption and public orientation. Media, Culture & Society 30 (1), pp. 43-59. ISSN 0163-4437.

Cranfield, Benjamin (2012) Between consensus and anxiety: curating transparency at the ICA of the 1950s. Journal of Curatorial Studies 1 (1), pp. 83-100. ISSN 2045-5836.

Cranfield, Benjamin (2007) Introduction. In: Eshun, E. (ed.) How Soon Is Now : 60 years of the Institute of Contemporary Arts. London, UK: Institute of Contemporary Arts. ISBN 9781900300544.

Cranfield, Benjamin (2007) Introduction: how soon is now? In: Eshun, E. and Jahn, P. (eds.) How Soon is Now?: 60 Years of the Institute of Contemporary Arts. London, UK: Institute of Contemporary Arts. ISBN 9781900300544.

Cranfield, Benjamin (2009) Looking back without anger, Robert Priseman’s places Of gentle trauma. In: Priseman, R. (ed.) Hospital: Paintings by Robert Priseman. Colchester, UK: Seabrook Press. ISBN 9780956208217.

Cranfield, Benjamin (2013) 'Not Another Museum': the search for contemporary connection. Journal of Visual Culture 12 (2), pp. 313-331. ISSN 1470-4129.

Cranfield, Benjamin (2012) Students, artists, and the ICA: the revolution within. In: Jones, B. and O'Donnell, M. (eds.) Sixties Radicalism and Social Movement Activism: Retreat or Resurgence? Key Issues in Modern Sociology. London, UK: Anthem Press, pp. 111-132. ISBN 9780857285737.

Cranfield, Benjamin (2010) Students, institutes and artists: the revolution within? In: Jones, B. and O'Donnell, M. (eds.) Sixties Radicalism and Social Movement Activism: Retreat or Resurgence? London, UK: Anthem Press. ISBN 9781843318958.

F

Fenton, N. and Metykova, M. and Schlosberg, Justin and Freedman, D. (2010) Meeting the news needs of local communities. Technical Report. Media Trust, London, UK.

Freedman, D. and Schlosberg, Justin (2011) Mapping digital media in the UK. Technical Report. Open Society Foundations, New York, USA.

Fremeaux, Isabelle (2008) Reconstructing Serbia. The Land (6),

Fremeaux, Isabelle and Jordan, J. (2011) Les sentiers de l'utopie. Paris, France: Zones, La Decouverte. ISBN 9782355220340.

H

Hope, Sophie (2008) Exploring critical and political art in the United Kingdom and Serbia. In: Jordan, M. and Miles, M. (eds.) Art and Theory After Socialism. Bristol, UK: Intellect Ltd., pp. 77-88. ISBN 9781841502113.

Hope, Sophie (2011) Participating in the wrong way? Four experiments by Sophie Hope. London, UK: Cultural Democracy Editions. ISBN 9780957028210.

Hope, Sophie (2010) Running wild. In: Feneck, Amy (ed.) Running Associations. London, UK: General Public Agency.

Hope, Sophie (2009) Socially engaged art: the conscience of urban development. In: Nold, C. (ed.) Emotional Cartography: Technologies of the Self. Christian Nold, pp. 68-82. ISBN 9780955762314.

Hope, Sophie (2010) Who speaks? Who listens? Het Reservaat and Critical Friends. In: Walwin, J. (ed.) Searching for Art’s New Publics. Bristol, UK: Intellect Ltd.. ISBN 9781841503110.

Hope, Sophie (2009) A post capitalist tale. In: UNSPECIFIED (ed.) PEST Publications. Preston, UK: Castlefield Gallery Publications.

Hope, Sophie and Figiel, J. (2012) Intern culture: a literature review of internship reports, guidelines and toolkits from 2009-2011. Project Report. Artquest, London, UK.

Hope, Sophie and Stamenkovic, M. (2008) Exploring critiical and political art in the United Kingdom and Serbia. In: Jordan, M. and Miles, M. (eds.) Art Theory and Post-Socialism. Bristol, UK: Intellect, pp. 77-88. ISBN 9781841502113.

L

Lim, Lorraine (2012) After 10 years: what next for the creative industries in Singapore? In: Symposium: Creative Industries in East and South East Asia, 2012, London, UK. (Unpublished)

Lim, Lorraine (2011) Arts and cultural management in Singapore: from global city for the arts to distinctive global city of culture and the arts. In: 11th International Conference on Arts and Cultural Management, 2011, Antwerp, Belgium. (Unpublished)

Lim, Lorraine (2012) Book review: "Creative Economies, Creative Cities Asian-European Perspectives". Cultural Trends 21 (2), pp. 181-182. ISSN 0954-8963.

Lim, Lorraine (2011) Book review: "Cultural Capitals Revaluing the Arts, Remaking Urban Spaces". Cultural Trends 20 (2), pp. 219-221. ISSN 0954-8963.

Lim, Lorraine (2012) Constructing habitus: promoting an international arts trend at the Singapore Arts Festival. International Journal of Cultural Policy 18 (3), pp. 308-322. ISSN 1028-6632.

Lim, Lorraine (2008) Creating a field of global production: Bourdieu and Singapore as global city of the arts. In: 5th International Conference on Cultural Policy Research, 2008, Istanbul, Turkey. (Unpublished)

Lim, Lorraine (2010) Creating legacies: the forced integrating of sport and urban cultural policy in the London 2012 Olympics. In: 6th International Conference on Cultural Policy Research, 2010, Jyväskylä, Finland. (Unpublished)

Lim, Lorraine (2012) Experience or exploitation: internships in the arts sector. In: 7th International Conference on Cultural Policy Research, 2012, Barcelona, Spain. (Unpublished)

Lim, Lorraine (2012) Introduction. International Journal of Cultural Policy 18 (3), pp. 261-264. ISSN 1028-6632.

Lim, Lorraine (2011) London: looking beyond the creative industries. In: 4th Annual Experience the Creative Economy Conference, 2011, Toronto, Canada. (Unpublished)

Lim, Lorraine (2010) Singapore: global city for the arts for whom? In: Globalization and World Cities: Creative Economy and the City, 2010, Loughborough University, UK. (Unpublished)

Lim, Lorraine and Oyama, Shinji (2014) Beyond conventional Western views of creativity and innovation. In: Bilton, C. and Cummings, S. (eds.) The Handbook of Management and Creativity. Elgar Original Reference. Cheltenham, UK: Edward Elgar, pp. 73-87. ISBN 9781781000892.

Lim, Lorraine and Oyama, Shinji (2014) Non-western views of creativity and innovation. In: Bilton, C. and Cummings, S. (eds.) The Handbook of Management and Creativity. Edward Elgar Publications. ISBN 9781781000892.

Livingstone, S. and Couldry, N. and Markham, Tim (2007) Youthful steps towards civic participation: does the internet help? In: Loader, B.D. (ed.) Young Citizens in the Digital Age: Political Engagement, Young People and New Media. London, UK: Routledge, pp. 21-34. ISBN 9780415409124.

Livingstone, S. and Markham, Tim (2008) The contribution of media consumption to civic participation. British Journal of Sociology 59 (2), pp. 351-371. ISSN 0007-1315.

Lolli, Dario (2014) Book review - Anime's media mix: franchising toys and characters in Japan. Convergence: The International Journal of Research into New Media Technologies 20 (2), pp. 252-253. ISSN 1354-8565.

Lolli, Dario (2014) Book review: The Soul of Anime: Collaborative Creativity and Japan's Media Success Story. Animation 9 (1), pp. 105-108. ISSN 1746-8477.

M

Markham, Tim (2014) Celebrity advocacy and public engagement: the divergent uses of celebrity. International Journal of Cultural Studies , ISSN 1367-8779. (In Press)

Markham, Tim (2011) Hunched over their laptops: phenomenological perspectives on citizen journalism. Review of Contemporary Philosophy 10 , pp. 150-164. ISSN 1841-5261.

Markham, Tim (2014) Journalism and critical engagement: naiveté, embarrassment, and intelligibility. Communication and Critical/Cultural Studies 11 (2), pp. 158-174. ISSN 1479-1420.

Markham, Tim (2011) Neither playing the game nor keeping it real: media logics and Big Brother. Celebrity Studies 2 (2), pp. 230-232. ISSN 1939-2397.

Markham, Tim (2014) Social media, protest cultures and political subjectivities of the Arab spring. Media, Culture & Society 36 (1), pp. 89-104. ISSN 0163-4437.

Markham, Tim (2009) The case against the democratic influence of the internet on journalism. In: Tunney, S. and Monaghan, G. (eds.) Web Journalism: A New Form Of Citizenship? Eastbourne, UK: Sussex Academic Press, pp. 77-94. ISBN 9781845192792.

Markham, Tim (2012) The correspondent's experience of war. In: Plaw, A. (ed.) The Metamorphosis Of War. At the Interface/Probing the Boundaries 80. Amsterdam, The Netherlands: Rodopi, pp. 167-190. ISBN 9789042035713.

Markham, Tim (2011) The political phenomenology of war reporting. Journalism 12 (5), pp. 567-585. ISSN 1741-3001.

Markham, Tim (2012) The politics of journalistic creativity: expressiveness, authenticity and de-authorization. Journalism Practice 6 (2), pp. 187-200. ISSN 1751-2786.

Markham, Tim (2012) The politics of war reporting: authority, authenticity and morality. Manchester, UK: Manchester University Press. ISBN 9780719085284.

Markham, Tim (2012) The uses and functions of ageing celebrity war reporters. Celebrity Studies 3 (2), pp. 127-137. ISSN 1939-2397.

Markham, Tim (2013) The uses of seriousness: Arab journalists tweet the 2011-12 uprisings. In: Gordon, J. and Rowinski, P. and Stewart, G. (eds.) Br(e)aking the News: Journalism, Politics and New Media. Oxford, UK: Peter Lang, pp. 145-164. ISBN 9783034309042.

Markham, Tim and Couldry, N. (2007) Tracking the reflexivity of the (dis)engaged citizen: some methodological reflections. Qualitative Inquiry 13 (5), pp. 675-695. ISSN 1077-8004.

McCabe, Janet (2012) Dossier introduction – grey matters: male ageing, performance and celebrity. Celebrity Studies 3 (2), pp. 125-126. ISSN 1939-2397.

McCabe, Janet (2012) In debate: remembering 9/11: terror, trauma and television 10 years on. Critical Studies in Television 7 (1), pp. 79-98. ISSN 1749-6020.

McCabe, Janet (2012) "Oh Betty, you really are beautiful". In: McCabe, Janet and Akass, K. (eds.) TV's Betty Goes Global: From Telenovela to International Brand. Reading Contemporary Television. London, UK: I.B. Tauris, pp. 1-25. ISBN 9781780762678.

McCabe, Janet (2012) The West Wing. Detroit, U.S.: Wayne State University Press. ISBN 9780814334362.

McCabe, Janet (2012) The girl in the Faroese jumper: Sarah Lund, sexual politics and the precariousness of power and difference. In: Peacock, S. (ed.) Stieg Larsson's Millennium Trilogy: Interdisciplinary Approaches to Nordic Noir on Page and Screen. Basingstoke, UK: Palgrave Macmillan, pp. 118-130. ISBN 9780230390430.

McKim, Joel (2008) Agamben at ground zero: a memorial without content. Theory, Culture & Society 25 (5), pp. 83-103. ISSN 0263-2764.

McKim, Joel (2009) All that is solid? considering a cultural studies of finance. In: Canadian Association of Cultural Studies Conference, 2009, McGill University, Montreal, Canada. (Unpublished)

McKim, Joel (2010) Creative infrastructure: media and architecture at Montreal’s Quartier des Spectacles. In: Montreal Festival City Symposium, 2010, Montreal, Canada. (Unpublished)

McKim, Joel (2010) Creative recall: contemporary memorial practices and Deleuze’s concept of memory. In: Burke, L. and Faulkner, S. and Aulich, J. (eds.) The Politics of Cultural Memory. Cambridge, UK: Cambridge Scholars Publishing, pp. 62-75. ISBN 9781847189349.

McKim, Joel (2014) Distributed design: media technologies and the architecture of participation. In: Boler, Megan and Ratto, Matt (eds.) DIY Citizenship. Cambridge, Massachusetts, USA: MIT Press. ISBN 9780262026819.

McKim, Joel (2010) Distributed design: media technologies and the architecture of participation. In: DIY Citizenship Conference, 2010, University of Toronto. (Unpublished)

McKim, Joel (2008) Expressions of memory in Canadian photographic art. TOPIA: The Canadian Journal of Cultural Studies 20 , pp. 231-234. ISSN 1916-0194.

McKim, Joel (2008) Landfills and lifescapes: the transformation of New York’s fresh kills. In: Kiendl, A. (ed.) Informal Architectures: Space and Contemporary Culture. London, UK: Black Dog Publishing, pp. 190-195. ISBN 9781906155339.

McKim, Joel (2001) Landscapes of immunity: the transformation of New York’s Fresh Kills. In: Concordia, 2010, Concordia University, Montreal, Canada. (Unpublished)

McKim, Joel (2010) New York’s spontaneous 9/11 memorials and the politics of ambivalence. Borderlands 9 (2), ISSN 1447-0810.

McKim, Joel (2010) New York’s spontaneous 9/11 memorials and the politics of ambivalence. Borderlands 9 (2), ISSN 1447-0810.

McKim, Joel (2009) Of microperceptions and micropolitics. Inflexions 3 ,

McKim, Joel (2012) Spectacular infrastructure: the mediatic space of Montreal’s ‘Quartier des spectacles’. Public 23 (45), pp. 128-138. ISSN 0845-4450.

McKim, Joel (2012) Structural failure: the threat of contemporary architecture. Oxford Art Journal 35 (2), pp. 301-304. ISSN 0142-6540.

McKim, Joel (2011) Suspicious politics: cultural studies and conspiracy theories post-9/11. In: Cultural Studies Association Conference, 2011, Columbia College, Chicago, USA. (Unpublished)

McKim, Joel (2011) The global aesthetics of ground zero. In: Association of the Study of the Arts of the Present Conference, 2011, Carnegie Mellon University, Pittsburgh, USA. (Unpublished)

McKim, Joel (2012) The ground zero mosque that wasn’t one: media and architecture in America. In: Lydén, K. and Wallenstein, S.-O. and West, K. (eds.) Site 31-32: Remake Remodel. Stockholm, Sweden: Axl Books. ISBN 9789186883072.

Mulvey, Laura (2010) Foreword. In: Laviosa, F. (ed.) Visions of Struggle in Women's Filmmaking in the Mediterranean. Comparative Feminist Studies. Basingstoke, UK: Palgrave Macmillan, xv-xvx. ISBN 9780230617360.

Mulvey, Laura (2012) Le Mépris (Jean-Luc Godard 1963) and its story of cinema: a "fabric of quotations". In: MacCabe, Colin and Mulvey, Laura (eds.) Godard's Contempt: Essays From The London Consortium. Critical Quarterly. Hoboken, U.S.: Wiley, pp. 225-237. ISBN 9781444339314.

Mulvey, Laura (2011) Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929). In: Labanyi, J. and Passerini, L. and Diehl, K. (eds.) Europe and Love in Cinema. Bristol, UK: Intellect Ltd., pp. 87-100. ISBN 9781841503790.

Mulvey, Laura (2009) Mark Lewis. Modern painters 21 (4), pp. 60-65. ISSN 0953-6698.

Mulvey, Laura (2011) Max Ophuls's auteurist adaptations. In: MacCabe, Colin and Murray, K. and Warner, R. (eds.) True to the Spirit: Film Adaptation and the Question of Fidelity. Oxford, UK: Oxford University Press, pp. 75-89. ISBN 9780195374667.

Mulvey, Laura (2011) Rear projection and the paradoxes of Hollywood realism. In: Nagib, L. and Perriam, C. and Dudrah, R. (eds.) Theorizing World Cinema. Tauris World Cinema Series. London, UK: I.B. Tauris, pp. 207-220. ISBN 9781848854925.

Mulvey, Laura (2009) Some reflections on the cinephilia question. Framework: The Journal of Cinema and Media 50 (1-2), pp. 190-193. ISSN 0306-7661.

Mulvey, Laura (2009) Visual and other pleasures (2nd Edition). Language, Discourse, Society. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230576469.

O

Ostrowska, Dorota (2010) International film festivals as producers of world cinema. Cinema & Cie: International Film Studies Journal (14-15), pp. 145-150. ISSN 2035-5270.

Ostrowska, Dorota (2010) Magic, emotions and film producers: unlocking the “Black-Box” of film production. Wide Screen 2 (2), ISSN 1757-3920.

Ostrowska, Dorota (2012) Poster graphic design and French film in Poland after World War II. In: Allen, S. and Hubner, L. (eds.) Framing Film: Cinema and the Visual Arts. Bristol, UK: Intellect, pp. 57-74. ISBN 9781841505077.

Ostrowska, Dorota (2012) Poster graphic design and French films in Poland after WW2. In: Allen, S. and Hubner, L. (eds.) Framing Film: Cinema and the Visual Arts. Bristol, UK: Intellect Ltd.. ISBN 9781841505077.

Ostrowska, Dorota (2008) Reading the French new wave : critics, writers and art cinema in France. New York, U.S.: Wallflower Press. ISBN 9781905674589.

Ostrowska, Dorota (2012) An alternative model of film production: film units in Poland after WW2. In: Imre, A. (ed.) A Companion to Eastern European Cinemas. The Wiley-Blackwell Companions to National Cinemas. Oxford, UK: Wiley-Blackwell, pp. 453-465. ISBN 9781444337259.

Ostrowska, Dorota (2012) An alternative model of film production: film units in Poland after WWII. In: Imre, A. (ed.) A Companion to Eastern European Cinemas. Hoboken, U.S.: Wiley-Blackwell, pp. 453-465. ISBN 9781444337259.

Ostrowska, Dorota (2012) The carnival of the absurd: Stanislaw Bareja's alternatywy 4. In: Havens, T. and Imre, A. and Lustyik, K. (eds.) Popular Television in Eastern Europe During and Since Socialism. Routledge Advances in Internationalizing Media Studies. Abingdon, UK: Routledge. ISBN 9780415892483.

Ostrowska, Dorota (2010) A short film about killing - debates about death penalty in Socialist Poland. In: Riber Christensen, J. and Toft Hansen, K. (eds.) Fingeraftryk: studier i krimi og det kriminelle (Festskrift til Gunhild Agger). Aalborg: Aalborg University Press, pp. 305-321. ISBN 9788773079812.

Oyama, Shinji (2009) Brand 2.0: how brands make us work. In: Inter-Asia Cultural Studies Society, 2009, Tokyo, Japan. (Unpublished)

Oyama, Shinji (2008) Brandscape: globalization of Japanese brands and Inter-Asian Media flow. Keio Communication Review ,

Oyama, Shinji (2008) Burandosukēpu: media ga tsukuridasu nihon burando no gurōbaruka. Media and Communication (58),

Oyama, Shinji (2012) Creative industries and nation branding in Japan. In: Creative industries and cultural policies in Japan and Scotland, 2012, Edinburgh, UK. (Unpublished)

Oyama, Shinji (2009) Globalization of Japanese brands. In: Japan Matter: Redefining power, politics and culture in the age of globalization, 2009, Birkbeck, University of London, UK. (Unpublished)

Oyama, Shinji (2012) New topology of East Asian brandscape. In: Crossroad, 2012, Paris, France. (Unpublished)

Oyama, Shinji (2012) Recent branding trend in Japan. In: Asian Branding Overview, 2012, London, UK. (Unpublished)

Oyama, Shinji (2010) Studying brands: global flows and experiential turn. In: Brand Development Seminar, 2010, Goldsmiths, University of London. (Unpublished)

Oyama, Shinji (2010) We are all in this together: branding in co-creation paradigm. In: Crossroad, 2010, Hong Kong. (Unpublished)

Oyama, Shinji (2009) The east Asian brandscape: distribution of Japanese brands in the age of globalization. In: Berry, C. and Liscutin, N. and Mackintosh, J.D. (eds.) Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes. Hong Kong: Hong Kong University Press. ISBN 9789622099753.

Oyama, Shinji (2009) The emergence of pan-Asian brands: regional strategies of Japanese cosmetic brands. Media International Australia (133), pp. 85-96. ISSN 1329-878X.

Oyama, Shinji (2009) The emergence of pan-Asian brands: regional strategies of Japanese cosmetics brands. Media International Australian 133 , ISSN 1324-5325.

P

Parisi, L. and Portanova, Stamatia (2012) Soft thought (in architecture and choreography). Computational Culture (1), ISSN 2047-2390.

Portanova, Stamatia (2010) Digital strain. Angelaki 15 (2), pp. 149-169. ISSN 0969-725X.

Portanova, Stamatia (2008) La misura del desiderio: corpi danza movimento nell’era digitale. In: Capitani, T.A. (ed.) Un altro genere di tecnologia. North Carolina, U.S.: Lulu Publishing, pp. 89-96. ISBN 9781409202714.

Portanova, Stamatia (2013) The mereotopological space/time of dance. Space and Culture 16 (2), pp. 194-210. ISSN 1206-3312.

Portanova, Stamatia (2009) The 'minor' arithmetic of rhythm: imagining digital technologies for dance. In: Cull, L. (ed.) Deleuze and Performance. Edinburgh, Scotland: Edinburgh University Press, pp. 240-260. ISBN 9780748635030.

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Rodgers, Scott (2013) Circulating cities of difference: assembling geographical imaginations of Toronto’s diversity in the newsroom. JOMEC Journal 1 (3), ISSN 2049-2340.

Rodgers, Scott (2010) Digitising and visualising: old media, new media and the pursuit of emerging urban publics. In: Mahony, N. and Newman, J. and Barnett, C. (eds.) Rethinking The Public: Innovations In Research, Theory and Politics. Bristol, UK: Policy Press, pp. 43-59. ISBN 9781847424167.

Rodgers, Scott (2010) Digitizing and visualizing: old media, new media and the pursuit of emerging urban publics. In: Mahony, N. and Newman, J. and Barnett, C. (eds.) Rethinking the public: innovations in research, theory and politics. Bristol: Policy Press, pp. 43-59. ISBN 9781847424167.

Rodgers, Scott (2014) Foreign objects? Web content management systems, journalistic cultures and the ontology of software. Journalism: Theory, Practice and Criticism , ISSN 1464-8849. (In Press)

Rodgers, Scott (2008) Media change, urban publics and urban politics. In: Mediapolis: Media Practices and the Political Spaces of Cities, 9-10 June 2008, Milton Keynes, UK.

Rodgers, Scott (2006) Newspaper journalism and the changing publics of multimedia cities. In: Cities and Media: Cultural Perspectives On Urban Identities In A Mediatized World, 25-29 Oct 2006, Vadstena, Sweden.

Rodgers, Scott (2009) Urban growth machine. In: Kitchin, R. and Thrift, N. (eds.) The International Encylopedia of Human Geography. Amsterdam, The Netherlands: Elsevier, pp. 40-45. ISBN 9780080449111.

Rodgers, Scott (2014) The architectures of media power: editing, the newsroom, and urban public space. Space and Culture 17 (1), pp. 69-94. ISSN 1206-3312.

Rodgers, Scott (2013) The journalistic field and the city: some practical and organizational tales about the Toronto Star’s New Deal for Cities. City & Community 12 (1), pp. 56-77. ISSN 1540-6040.

Rodgers, Scott and Barnett, C. and Cochrane, A. (2014) Media practices and urban politics: conceptualizing the powers of the media-urban nexus. Environment and Planning D: Society and Space , ISSN 1472-3433. (In Press)

Rodgers, Scott and Barnett, C. and Cochrane, A. (2008) Mediapolis: an introduction. In: Mediapolis: Media Practices and the Political Spaces of Cities, 9-10 June 2008, Milton Keynes, UK.

Rodgers, Scott and Barnett, C. and Cochrane, A. (2009) Mediating urban politics. International Journal of Urban and Regional Research 33 (1), pp. 246-249. ISSN 1468-2427.

Rodgers, Scott and Barnett, C. and Cochrane, A. (2009) Re-engaging the intersections of media, politics and cities. International Journal of Urban and Regional Research 33 (1), pp. 231-232. ISSN 1468-2427.

Rodgers, Scott and Barnett, C. and Cochrane, A. (2013) Where is urban politics? International Journal of Urban and Regional Research , ISSN 1468-2427. (In Press)

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Sandon, Emma (2013) African mirror: the life and times of the South African newsreel from 1910 to 1948. Journal of Southern African Studies 39 (3), pp. 661-680. ISSN 0305-7070.

Sandon, Emma (2013) Cinema and highlife in the Gold Coast: The Boy Kumasenu (1952). Social Dynamics: A Journal of African Studies 39 (3), pp. 496-519. ISSN 0253-3952.

Sandon, Emma (2011) Experimental television at Alexandra Palace: the BBC and its light entertainment programming. In: Delavaud, G. and Marechal, D. (eds.) Television: le moment experimental; de l'invention a l'institution (1935-1955). Rennes, France: Editions Apogée. ISBN 9782843983771.

Sandon, Emma (2011) La télévision expérimentale à l'Alexandra Palace: la BBC et sa programmation de variétés. In: Delavaud, G. and Maréchal, D. (eds.) Télévision, le Moment Expérimental: De l’Invention à l’Institution (1935-1955). Rennes, France: Éditions Apogée. ISBN 9782843983771.

Sandon, Emma (2010) Women, Empire, and British cinema history. Framework: The Journal of Cinema and Media 51 (2), pp. 324-333. ISSN 0306-7661.

Sandon, Emma (2009) The eyewitness in human rights film practices. In: Eyewitness, The Documentary Turn in Legal and Visual Cultures, March 7-8, 2009, London, UK. (Unpublished)

Schlosberg, Justin (2012) Beyond the red tops: sensationalism and ideology in serious news. In: Keeble, R.L. and Mair, J. (eds.) The Phone Hacking Scandal: Journalism on Trial. Bury St Edmonds, UK: Abramis Academic, pp. 187-199. ISBN 9781845495565.

Schlosberg, Justin (2013) Coopting the discourse of crisis: reassessing market failure in the local news sector. In: Mair, J. and Keeble, R.L. and Fowler, N. (eds.) What do we mean by Local? London, UK: Abramis Academic Publishing. ISBN 9781845495930.

Schlosberg, Justin (2011) Covering the cover up: The Hutton Report and UK television news. Ethical Space: The International Journal of Communication Ethics 8 (3), ISSN 1742-0105.

Schlosberg, Justin (2011) Covering the cover-up: the Hutton Report in UK television news. Ethical Space: The International Journal of Communication Ethics 8 (3/4), pp. 21-32. ISSN 1742-0105.

Schlosberg, Justin (2013) Power beyond scrutiny: media, justice and accountability. London, UK: Pluto Press. ISBN 9780745332918.

Schlosberg, Justin (2012) Sensationalism and ideology in serious news. In: Keeble, R. and Mair, J. (eds.) The Phone Hacking Scandal: Journalism on Trial? London, UK: Abramis. ISBN 9781845495565.

Schlosberg, Justin (2011) Transmit/disrupt: why does illegal broadcasting continue to thrive in an age of spectrum liberalisation? The Radio Journal: International Studies in Broadcast and Audio Media 9 (1), ISSN 1476-4504.

Schlosberg, Justin (2011) Transmit/disrupt: why does illegal broadcasting continue to thrive in the age of spectrum liberalisation? The Radio Journal: International Studies in Broadcast and Audio Media 9 (1), pp. 7-24. ISSN 1476-4504.

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Temple, Michael (2011) 'Cet incomparable Wilde': étude de trois scénarios de Marcel L'Herbier pour l'adaptation du 'Portrait de Dorian Gray'. 1895 : bulletin de l'Association française de recherche sur l'histoire du cinéma 64 , pp. 103-120. ISSN 0769-0959.

Temple, Michael (2011) “Cet incomparable Wilde”: étude des scénarios de Marcel L’Herbier pour l’adaptation du Portrait de Dorian Gray. 1895 revue d’histoire du cinéma 64 , pp. 102-119.

Temple, Michael (2011) Film begets television : l'histoire audiovisuelle du cinéma. In: Bertin-Maghit, J.P. (ed.) Lorsque Clio S'empare Du Documentaire: Ecriture de l'histoire. Les Médias en actes 1. Paris, France: Editions Harmattan, pp. 75-84. ISBN 9782296550148.

Temple, Michael (2011) Histoire-fiction de l’occupation nazie du Royaume-Uni dans It Happened Here. In: Lescot, D. and Veray, L. (eds.) Les mises en scène de la guerre au XXè siècle: Théâtre et cinéma. Paris, France: Editions Nouveau Monde. ISBN 9782847365764.

Temple, Michael (2011) Pour qu’il n’en ressortît jamais ? trois vies de Jean-Luc Godard. 1895 revue d’histoire du cinéma 64 , pp. 183-194. (Unpublished)

Temple, Michael (2010) Preface. In: Roud, R. (ed.) Godard. Basingstoke, UK: Palgrave Macmillan, vii-xxi. ISBN 9781844573554.

Temple, Michael (2011) Project the legend: la représentation du producteur comme personnage dans l’histoire du cinéma. In: Creton, L. and Dehée, Y. and Layerle, S. and Moine, C. (eds.) Les producteurs: Enjeux créatifs, enjeux financiers. Paris, France: Nouveau monde, pp. 27-41. ISBN 9782847366075.

Temple, Michael (2011) Project the legend: la représentation du producteur comme personnage dans l’histoire du cinéma. In: Creton, L. and Dehée, Y. and Layerle, S. and Monk, C. (eds.) Les Producteurs, enjeux créatifs, enjeux financiers. Paris, France: Éditions Nouveau Monde, pp. 27-41. ISBN 9782847366075.

Temple, Michael (2013) Prolégomènes à une histoire de la critique au Royaume-Uni. In: Chénetier-Alev, M. and Vignaux, V. (eds.) Le texte critique: expérimenter le théâtre et le cinéma aux XXe-XXIe siècles. Iconotextes. Tours, France: Université Francois Rabelais. ISBN 9782869063013.

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Wood, Mary (2010) Chiaroscuro: the half-glimpsed femme fatale of Italian film noir. In: Hanson, H. and O'Rawe, C. (eds.) The Femme Fatale: Images, Histories, Contexts. Hampshire, UK: Palgrave Macmillan, pp. 157-169. ISBN 9780230203617.

Wood, Mary (2011) Delivering the quality experience: Franco Zeffirelli. In: Hubner, Laura (ed.) Valuing Films: Shifting Perceptions of Worth. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230229686.

Wood, Mary (2009) Interview - intervista - insight: on the usefulness of interviews. The Italianist 29 (2), pp. 298-305. ISSN 0261-4340.

Wood, Mary (2008) Italian film studies: a two-pronged approach. Italian Studies 63 (2), pp. 274-277. ISSN 0075-1634.

Wood, Mary (2012) Italian genres and Mario Bava's films. In: Bondanella, P. (ed.) The Italian Cinema Book. Basingstoke, UK: Palgrave Macmillan. ISBN 9781844574056.

Wood, Mary (2011) Lipstick and chocolate: the consequences of love. In: Renga, Dana (ed.) Mafia Movies: A Reader. Toronto, Canada: University of Toronto Press. ISBN 9780802096654.

Wood, Mary (2011) Navigating the labyrinth: cinematic investigations of right-wing terrorism. In: Glynn, R. and O'Leary, A. and Lombardo, G. (eds.) Terrorism, Italian Style: Cinematic Representations of Political Violence in Contemporary Italian Cinema. London, UK: Institute of Germanic & Romance Studies, School of Advanced Study. ISBN 9780854572281.

Wood, Mary (2012) Sixty years a celebrity auteur: Franco Zeffirelli. Celebrity Studies 3 (2), pp. 138-149. ISSN 1939-2397.

This list was generated on Wed Jul 23 02:18:42 2014 BST.