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    Group by: Author(s) | Item Type
    Jump to: A | C | F | H | L | M | S | T | W
    Number of items: 33.

    A

    Anan, Nobuko (2011) Theatre and feminism in Japan. In: International Federation for Theatre Research, 2011, Osaka University, Osaka, Japan. (Unpublished)

    Anan, Nobuko (2011) Two-dimensional imagination in contemporary Japanese women's performance. TDR: The Drama Review 55 (4), pp. 96-112. ISSN 1054-2043.

    C

    Christie, Ian (2011) “All that life can afford”? Perspectives on the screening of historic literary London. In: Handa, R. and Potter, J. (eds.) Conjuring the Real: The Role of Architecture in Eighteenth- and Nineteenth-Century Fiction. Lincoln, U.S.: University of Nebraska Press, pp. 21-66. ISBN 9780803217430.

    F

    Freedman, D. and Schlosberg, Justin (2011) Mapping digital media in the UK. Technical Report. Open Society Foundations, New York, USA.

    Fremeaux, Isabelle and Jordan, J. (2011) Les sentiers de l'utopie. Paris, France: Zones, La Decouverte. ISBN 9782355220340.

    H

    Hope, Sophie (2011) Participating in the wrong way? Four experiments by Sophie Hope. London, UK: Cultural Democracy Editions. ISBN 9780957028210.

    L

    Lim, Lorraine (2011) Arts and cultural management in Singapore: from global city for the arts to distinctive global city of culture and the arts. In: 11th International Conference on Arts and Cultural Management, 2011, Antwerp, Belgium. (Unpublished)

    Lim, Lorraine (2011) Book review: "Cultural Capitals Revaluing the Arts, Remaking Urban Spaces". Cultural Trends 20 (2), pp. 219-221. ISSN 0954-8963.

    Lim, Lorraine (2011) London: looking beyond the creative industries. In: 4th Annual Experience the Creative Economy Conference, 2011, Toronto, Canada. (Unpublished)

    M

    Markham, Tim (2011) Hunched over their laptops: phenomenological perspectives on citizen journalism. Review of Contemporary Philosophy 10 , pp. 150-164. ISSN 1841-5261.

    Markham, Tim (2011) Neither playing the game nor keeping it real: media logics and Big Brother. Celebrity Studies 2 (2), pp. 230-232. ISSN 1939-2397.

    Markham, Tim (2011) The political phenomenology of war reporting. Journalism 12 (5), pp. 567-585. ISSN 1741-3001.

    McKim, Joel (2011) Suspicious politics: cultural studies and conspiracy theories post-9/11. In: Cultural Studies Association Conference, 2011, Columbia College, Chicago, USA. (Unpublished)

    McKim, Joel (2011) The global aesthetics of ground zero. In: Association of the Study of the Arts of the Present Conference, 2011, Carnegie Mellon University, Pittsburgh, USA. (Unpublished)

    Mulvey, Laura (2011) Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929). In: Labanyi, J. and Passerini, L. and Diehl, K. (eds.) Europe and Love in Cinema. Bristol, UK: Intellect Ltd., pp. 87-100. ISBN 9781841503790.

    Mulvey, Laura (2011) Max Ophuls's auteurist adaptations. In: MacCabe, Colin and Murray, K. and Warner, R. (eds.) True to the Spirit: Film Adaptation and the Question of Fidelity. Oxford, UK: Oxford University Press, pp. 75-89. ISBN 9780195374667.

    Mulvey, Laura (2011) Rear projection and the paradoxes of Hollywood realism. In: Nagib, L. and Perriam, C. and Dudrah, R. (eds.) Theorizing World Cinema. Tauris World Cinema Series. London, UK: I.B. Tauris, pp. 207-220. ISBN 9781848854925.

    S

    Sandon, Emma (2011) Experimental television at Alexandra Palace: the BBC and its light entertainment programming. In: Delavaud, G. and Marechal, D. (eds.) Television: le moment experimental; de l'invention a l'institution (1935-1955). Rennes, France: Editions Apogée. ISBN 9782843983771.

    Sandon, Emma (2011) La télévision expérimentale à l'Alexandra Palace: la BBC et sa programmation de variétés. In: Delavaud, G. and Marechal, D. (eds.) Télévision, le Moment Expérimental: De l’Invention à l’Institution (1935-1955). Rennes, France: Éditions Apogée. ISBN 9782843983771.

    Schlosberg, Justin (2011) Covering the cover up: The Hutton Report and UK television news. Ethical Space: The International Journal of Communication Ethics 8 (3), ISSN 1742-0105.

    Schlosberg, Justin (2011) Covering the cover-up: the Hutton Report in UK television news. Ethical Space: The International Journal of Communication Ethics 8 (3/4), pp. 21-32. ISSN 1742-0105.

    Schlosberg, Justin (2011) Transmit/disrupt: why does illegal broadcasting continue to thrive in an age of spectrum liberalisation? The Radio Journal: International Studies in Broadcast and Audio Media 9 (1), ISSN 1476-4504.

    Schlosberg, Justin (2011) Transmit/disrupt: why does illegal broadcasting continue to thrive in the age of spectrum liberalisation? The Radio Journal: International Studies in Broadcast and Audio Media 9 (1), pp. 7-24. ISSN 1476-4504.

    T

    Temple, Michael (2011) 'Cet incomparable Wilde': étude de trois scénarios de Marcel L'Herbier pour l'adaptation du 'Portrait de Dorian Gray'. 1895 : bulletin de l'Association française de recherche sur l'histoire du cinéma 64 , pp. 103-120. ISSN 0769-0959.

    Temple, Michael (2011) “Cet incomparable Wilde”: étude des scénarios de Marcel L’Herbier pour l’adaptation du Portrait de Dorian Gray. 1895 revue d’histoire du cinéma 64 , pp. 102-119.

    Temple, Michael (2011) Film begets television : l'histoire audiovisuelle du cinéma. In: Bertin-Maghit, J.P. (ed.) Lorsque Clio S'empare Du Documentaire: Ecriture de l'histoire. Les Médias en actes 1. Paris, France: Editions Harmattan, pp. 75-84. ISBN 9782296550148.

    Temple, Michael (2011) Histoire-fiction de l’occupation nazie du Royaume-Uni dans It Happened Here. In: Lescot, D. and Veray, L. (eds.) Les mises en scène de la guerre au XXè siècle: Théâtre et cinéma. Paris, France: Editions Nouveau Monde. ISBN 9782847365764.

    Temple, Michael (2011) Pour qu’il n’en ressortît jamais ? trois vies de Jean-Luc Godard. 1895 revue d’histoire du cinéma 64 , pp. 183-194. (Unpublished)

    Temple, Michael (2011) Project the legend: la représentation du producteur comme personnage dans l’histoire du cinéma. In: Creton, L. and Dehée, Y. and Layerle, S. and Moine, C. (eds.) Les producteurs: Enjeux créatifs, enjeux financiers. Paris, France: Nouveau monde, pp. 27-41. ISBN 9782847366075.

    Temple, Michael (2011) Project the legend: la représentation du producteur comme personnage dans l’histoire du cinéma. In: Creton, L. and Dehée, Y. and Layerle, S. and Monk, C. (eds.) Les Producteurs, enjeux créatifs, enjeux financiers. Paris, France: Éditions Nouveau Monde, pp. 27-41. ISBN 9782847366075.

    W

    Wood, Mary (2011) Delivering the quality experience: Franco Zeffirelli. In: Hubner, Laura (ed.) Valuing Films: Shifting Perceptions of Worth. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230229686.

    Wood, Mary (2011) Lipstick and chocolate: the consequences of love. In: Renga, Dana (ed.) Mafia Movies: A Reader. Toronto, Canada: University of Toronto Press. ISBN 9780802096654.

    Wood, Mary (2011) Navigating the labyrinth: cinematic investigations of right-wing terrorism. In: Glynn, R. and O'Leary, A. and Lombardo, G. (eds.) Terrorism, Italian Style: Cinematic Representations of Political Violence in Contemporary Italian Cinema. London, UK: Institute of Germanic & Romance Studies, School of Advanced Study. ISBN 9780854572281.

    This list was generated on Mon Sep 25 01:19:20 2017 BST.