The aesthetics of stagnation: Ashley McKenzie’s Werewolf and the separated society
O'Brien, Sean Joseph (2018) The aesthetics of stagnation: Ashley McKenzie’s Werewolf and the separated society. Discourse: Journal for Theoretical Studies in media and Culture 40 (2), pp. 208-230. ISSN 1522-5321.
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Official URL: https://digitalcommons.wayne.edu/discourse/vol40/i...
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| Item Type: | Article |
|---|---|
| Additional Information: | This is a pre-copyedited version of an article accepted for publication following peer review. The definitive publisher-authenticated version is available from Wayne State University Press. |
| School: | Birkbeck Schools and Departments > School of Arts > English, Theatre and Creative Writing |
| Depositing User: | Sean Joseph O'Brien |
| Date Deposited: | 08 Mar 2019 16:45 |
| Last Modified: | 29 Jul 2019 04:25 |
| URI: | http://eprints.bbk.ac.uk/id/eprint/26590 |
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