Kishida Rio, 'the female version of Terayama Shūji,' and her legacy in contemporary Japanese theatre
Anan, Nobuko (2012) Kishida Rio, 'the female version of Terayama Shūji,' and her legacy in contemporary Japanese theatre. In: I Am a Terayama Shūji, 2012, The Tate Modern, London, UK. (Unpublished)
Abstract
Symposium synopsis: This symposium will bring together experts and collaborators to reflect on the diverse media blend created by the Japanese poet, photographer and film-maker, whose stated profession was always ‘Terayama Shūji’. Shūji Terayama was a child of postwar devastation, occupation and subsequent economic expansion markedly different to Japan after the ‘economic bubble’. Terayama’s works range in media from radio drama, experimental television, underground (Angura) theatre and countercultural critique to Japanese New Wave and expanded cinema. His art and its radical embrace of the carnivalesque continue to entrance and provoke audiences internationally
Metadata
| Item Type: | Conference or Workshop Item (Lecture) |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Depositing User: | Sarah Hall |
| Date Deposited: | 20 Sep 2013 12:26 |
| Last Modified: | 09 Aug 2023 12:34 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/8206 |
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