Starting over: singer-songwriters and the rhythm of historical time in post-revolutionary Portugal
Trindade, Luis (2016) Starting over: singer-songwriters and the rhythm of historical time in post-revolutionary Portugal. In: Marc, I. and Green, S. (eds.) The Singer-Songwriter in Europe: paradigms, politics and place. Ashgate Popular and Folk Music Series. London, UK: Routledge, pp. 137-151. ISBN 9781472452108.
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Abstract
Book synopsis: The Singer-Songwriter in Europe is the first book to explore and compare the multifaceted discourses and practices of this figure within and across linguistic spaces in Europe and in dialogue with spaces beyond continental borders. The concept of the singer-songwriter is significant and much-debated for a variety of reasons. Many such musicians possess large and zealous followings, their output often esteemed politically and usually held up as the nearest popular music gets to high art, such facets often yielding sizeable economic benefits. Yet this figure, per se, has been the object of scant critical discussion, with individual practitioners celebrated for their isolated achievements instead. In response to this lack of critical knowledge, this volume identifies and interrogates the musical, linguistic, social and ideological elements that configure the singer-songwriter and its various equivalents in Europe, such as the French auteur-compositeur-interprète and the Italian cantautore, since the late 1940s. Particular attention is paid to the emergence of this figure in the post-war period, how and why its contours have changed over time and space subsequently, cross-cultural influences, and the transformative agency of this figure as regards party and identity politics in lyrics and music, often by means of individual case studies. The book's polycentric approach endeavours to redress the hitherto Anglophone bias in scholarship on the singer-songwriter in the English-speaking world, drawing on the knowledge of scholars from across Europe and from a variety of academic disciplines, including modern language studies, musicology, sociology, literary studies and history.
Metadata
Item Type: | Book Section |
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School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
Research Centres and Institutes: | Iberian and Latin American Visual Studies, Centre for (CILAVS), Gender and Sexuality, Birkbeck (BiGS), Social Research, Birkbeck Institute for (BISR) |
Depositing User: | Luis Trindade |
Date Deposited: | 05 Apr 2016 10:53 |
Last Modified: | 09 Aug 2023 12:37 |
URI: | https://eprints.bbk.ac.uk/id/eprint/14817 |
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