BIROn - Birkbeck Institutional Research Online

    Alan Jones

    Mulvey, Laura (2005) Alan Jones. In: Francis, M. and Foster, H. (eds.) Pop. London, UK: Phaidon. ISBN 9780714856636.

    Full text not available from this repository.

    Abstract

    Book synopsis: From the late 1950s to the late 1960s the word 'Pop' described any example of art, film, photography and architectural design that engaged with the new realities of mass production and the mass media. In addition to key artworks by Andy Warhol, Roy Lichtenstein, Ed Ruscha, Richard Hamilton and many others, this book includes works of photography and avant-garde film, as well as what the critic Reyner Banham defined as pop architecture, ranging from Alison and Peter Smithson's House of the Future to Archigram's Walking City and Robert Venturi and Denise Scott Brown's Learning from Las Vegas. Edited by an internationally recognized expert on Pop art and culture, this book surveys Pop across all artforms and gives equal coverage to its American, British and European manifestations Survey: Renowned scholar and critic Hal Foster focuses on the Pop image as it developed over the period: Reyner Banham, The Independent Group and Pop Design; Richard Hamilton and the Tabular Image; Roy Lichtenstein and the Screened Image; Andy Warhol and the Seamy Image; Gerhard Richter and the Photogenic Image; Ed Ruscha and the Cineramic Image; Robert Venturi, Denise Scott Brown and the Postmodern Absorption of Pop. Works Each image is accompanied by an extended caption. This section is chronologically sequenced: Revolt into Style (1956–60) surveys the birth of Pop culture and its images, including the American Beat generation artists, photographers and filmmakers; Jasper Johns and Robert Rauschenberg, the French Decollageistes, Richard Hamilton and the ‘British Pop’ of the Independent Group. Consumer Culture (1960–63) chronicles American Pop’s explosion, from Roy Lichtenstein’s cartoon-based paintings to Claes Oldenburg's Store and Andy Warhol's Factory. Colonization of the Mind (1963–66) looks at American Pop's reception in Europe, in the work of Gerhard Richter, Sigmar Polke and others. Spectacular Time (1966–67) surveys late Pop developments, from Warhol's Silver Clouds to Malcolm Morley's Photorealism. Helter Skelter (1968) documents Pop’s demise and transformation into postmodernism, in projects such as Robert Venturi and Denise Scott Brown’s Learning from Las Vegas.

    Metadata

    Item Type: Book Section
    School: Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication
    Depositing User: Sarah Hall
    Date Deposited: 08 Oct 2018 14:45
    Last Modified: 09 Aug 2023 12:45
    URI: https://eprints.bbk.ac.uk/id/eprint/24484

    Statistics

    Activity Overview
    6 month trend
    0Downloads
    6 month trend
    205Hits

    Additional statistics are available via IRStats2.

    Archive Staff Only (login required)

    Edit/View Item Edit/View Item