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    The limits of fiction in the Japanese Avant-Garde documentary. Los límites de la subjetividad en la vanguardia documental japonesa.

    Centeno Martin, Marcos Pablo (2018) The limits of fiction in the Japanese Avant-Garde documentary. Los límites de la subjetividad en la vanguardia documental japonesa. Kokoro 27 , pp. 1-9. ISSN 2254- 8300.

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    Abstract

    This essay seeks to participate in the rediscovery of the re-discovery of the Japanese documentary avant-garde through the figure of Susumu Hani (1928- ), who had a key role for both his theoretical and practical contributions. Hōryūji (1958) represents one of the boldest attempts to develop subjectgivity among new left filmmakers. This unique documentary must be assess in light of the writings in which Hani stated that it was possible to access subjectivities alien to that of the director through several kind of “protagonists who do not act”.

    Metadata

    Item Type: Article
    Keyword(s) / Subject(s): Susumu Hani, Hōryūji, avant-garde documentary film, subjectivity (shutaisei), Iwanami Eiga.
    School: School of Arts > Cultures and Languages
    Depositing User: Marcos Pablo Centeno Martin
    Date Deposited: 12 Oct 2018 13:50
    Last Modified: 11 Feb 2021 19:30
    URI: https://eprints.bbk.ac.uk/id/eprint/24578

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