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    The aesthetics of stagnation: Ashley McKenzie’s Werewolf and the separated society

    O'Brien, Sean Joseph (2018) The aesthetics of stagnation: Ashley McKenzie’s Werewolf and the separated society. Discourse: Journal for Theoretical Studies in media and Culture 40 (2), pp. 208-230. ISSN 1522-5321.

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    Item Type: Article
    Additional Information: This is a pre-copyedited version of an article accepted for publication following peer review. The definitive publisher-authenticated version is available from Wayne State University Press.
    School: Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication
    Depositing User: Sean Joseph O'Brien
    Date Deposited: 08 Mar 2019 16:45
    Last Modified: 09 Aug 2023 12:46
    URI: https://eprints.bbk.ac.uk/id/eprint/26590

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