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    Desire of pornotroping: epistemological, affective and aesthetic matrix of white innocence

    Palacios, Margarita and Sheehi, S. (2020) Desire of pornotroping: epistemological, affective and aesthetic matrix of white innocence. Subjectivity , ISSN 1755-6341. (In Press)

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    Abstract

    In this article, we mobilize a theoretical and political critique to the aesthetic and affect that informs “white innocence” and its attempts at “witnessing” the pain of the Other. Engaging with the work of Black critical race theorists (most prominently, Hortense Spillers and Amber Jamilla Musser), we put the artistic interventions of Hannah Black and Parker Bright critique of Dana Shutz’s “Open Casket” in conversation with Teresa Margolles’s “Vaporization.” In doing so, we explore the epistemological, affective and aesthetic dimensions of the desire of whiteness to transcend its own matrix of race-power. We argue that Black’s and Bright’s interventions are refusals to accept or be the object of the desire for redemption, collaboration, and recuperative forgiveness. Margolles’s Vaporization, on the other hand, compels to engage the space, corporality, and epistemology of flesh and forms by thinking through the multiplicities of embodiment as experienced through art and social productions. Margolles opens possibilities for us to think about fugitive moments of material, subjectivity, and social entanglements within institutionalized alienation itself that are otherwise re-metabolized by white innocence and the global art space.

    Metadata

    Item Type: Article
    Additional Information: The final publication is available at Springer via the link above.
    Keyword(s) / Subject(s): Aesthetics, Affect, Flesh, Pornotrope, White Innocence, Witnessing
    School: School of Social Sciences, History and Philosophy > Psychosocial Studies
    Depositing User: Administrator
    Date Deposited: 08 Jul 2020 09:23
    Last Modified: 08 Jul 2020 13:53
    URI: https://eprints.bbk.ac.uk/id/eprint/32498

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