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    On the meaning of a cut : towards a theory of editing

    Dziadosz, Bartłomiej (2019) On the meaning of a cut : towards a theory of editing. Doctoral thesis, Birkbeck, University of London.

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    Abstract

    This thesis looks at a variety of discourses about film editing in order to explore the possibility, on the one hand, of drawing connections between them, and on the other, of addressing some of their problematic aspects. Some forms of fragmentation existed from the very beginnings of the history of the moving image, and the thesis argues that forms of editorial control were executed by early exhibitors, film pioneers, writers, and directors, as well as by a fullyfledged film editor. This historical reconstruction of how the profession of editor evolved sheds light on the specific aspects of their work. Following on from that, it is proposed that models of editing fall under two broad paradigms: of montage and continuity. These are not meant to be mutually exclusive categories, but rather umbrella terms for co-existing approaches that are governed by different principles. A re-evaluation of the concept of découpage complements this perspective. It is argued that reinstituting this notion, with its many variants, can help us think separately about issues of film form normally addressed at earlier stages of production, and conceptually distinct from the tasks of an editor. Their specificity, it is suggested, can be examined more productively by honing in on a very narrow set of procedures used in editing. The spiral model of editing proposed here is an intervention that addresses a common issue with theorising editing, the fact that the scope of the activity cuts across a number of categories related to film form. Using historical, theoretical, and pragmatic lenses, the thesis offers a new elucidation of what it is we mean when we talk about editing.

    Metadata

    Item Type: Thesis
    Additional Information: Date of PhD award confirmed as 2019 by registry
    Copyright Holders: The copyright of this thesis rests with the author, who asserts his/her right to be known as such according to the Copyright Designs and Patents Act 1988. No dealing with the thesis contrary to the copyright or moral rights of the author is permitted.
    Depositing User: Acquisitions And Metadata
    Date Deposited: 22 May 2019 13:26
    Last Modified: 09 Jun 2021 11:56
    URI: https://eprints.bbk.ac.uk/id/eprint/40391

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