BIROn - Birkbeck Institutional Research Online

    Concert and disconcertion: the music of relationality in the cinema of Claire Denis

    Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. Doctoral thesis, Birkbeck, University of London.

    [img]
    Preview
    PDF
    Thesis final draft correction version.pdf - Full Version

    Download (1MB) | Preview

    Abstract

    This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections. In this thesis, I develop a number of analytical tools. I draw on the thinking of Jacques Rancière and Jean-Luc Nancy with regard to questions of relationality, community and the dissensual elements which inform both interpersonal relationships and artistic creativity. I adapt the work of Kathryn Lachman on concepts of polyphony and counterpoint in literature for application to the oeuvre of Denis, as I do the writings of Michel Chion on music in film, especially his conceptualization of empathetic modes of cinematic music. The thesis concludes that music in the work of Claire Denis operates in a mode which diverges significantly from the tenets of existing film music theory. Music in a Denis film is at the same time far more fragmentary and yet much more thoroughly integrated than allowed for by standard conceptualizations. It plays hand-in-hand with the challenges and invitations which are a feature of the cinema of Denis.

    Metadata

    Item Type: Thesis
    Additional Information: Originally submitted to the Department of Cultures and Languages, School of Arts.
    Copyright Holders: The copyright of this thesis rests with the author, who asserts his/her right to be known as such according to the Copyright Designs and Patents Act 1988. No dealing with the thesis contrary to the copyright or moral rights of the author is permitted.
    Depositing User: Acquisitions And Metadata
    Date Deposited: 14 Jan 2020 16:22
    Last Modified: 01 Nov 2023 14:14
    URI: https://eprints.bbk.ac.uk/id/eprint/40453
    DOI: https://doi.org/10.18743/PUB.00040453

    Statistics

    Activity Overview
    6 month trend
    1,673Downloads
    6 month trend
    192Hits

    Additional statistics are available via IRStats2.

    Archive Staff Only (login required)

    Edit/View Item
    Edit/View Item