Seeing and tasting the divine: Simeon Solomon’s homoerotic sacrament
Janes, Dominic (2010) Seeing and tasting the divine: Simeon Solomon’s homoerotic sacrament. In: Di Bello, Patrizia and Koureas, Gabriel (eds.) Art, History and the Senses: 1830 to the Present. Surrey, UK: Ashgate, pp. 35-50. ISBN 9780754668633.
|
Text
4239b.pdf - Draft Version Download (183kB) | Preview |
Abstract
Book synopsis: Should sight trump the other four senses when experiencing and evaluating art? Art, History and the Senses: 1830 to the Present questions whether the authority of the visual in 'visual culture' should be deconstructed, and focuses on the roles of touch, taste, smell, and sound in the materiality of works of art. From the nineteenth century onward, notions of synaesthesia and the multi-sensorial were important to a series of art movements from Symbolism to Futurism and Installations. The essays in this collection evaluate works of art at specific moments in their history, and consider how senses other than the visual have (or have not) affected the works' meaning. The result is a re-evaluation of sensory knowledge and experience in the arts, encouraging a new level of engagement with ideas of style and form.
Metadata
Item Type: | Book Section |
---|---|
Additional Information: | Full-text locked pending publisher permission |
School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Historical Studies |
Research Centres and Institutes: | Gender and Sexuality, Birkbeck (BiGS), Social Research, Birkbeck Institute for (BISR) |
Depositing User: | Dominic Janes |
Date Deposited: | 27 Oct 2011 13:17 |
Last Modified: | 02 Aug 2023 16:56 |
URI: | https://eprints.bbk.ac.uk/id/eprint/4239 |
Statistics
Additional statistics are available via IRStats2.