BIROn - Birkbeck Institutional Research Online

    Which way is down? Visual and tactile verticality perception in expert dancers and non-experts

    Beck, B. and Saramandi, A. and Ferrè, Elisa Raffaella and Haggard, P. (2020) Which way is down? Visual and tactile verticality perception in expert dancers and non-experts. Neuropsychologia 146 , p. 107546. ISSN 0028-3932.

    [img] Text
    Beck_NEUROPSYCHOLOGIA_2020.pdf - Author's Accepted Manuscript
    Restricted to Repository staff only

    Download (787kB)
    [img]
    Preview
    Text
    45530.pdf - Published Version of Record
    Available under License Creative Commons Attribution.

    Download (2MB) | Preview

    Abstract

    Gravity provides an absolute verticality reference for all spatial perception, allowing us to move within and interact effectively with our world. Bayesian inference models explain verticality perception as a combination of online sensory cues with a prior prediction that the head is usually upright. Until now, these Bayesian models have been formulated for judgements of the perceived orientation of visual stimuli. Here, we investigated whether judgements of the verticality of tactile stimuli follow a similar pattern of Bayesian perceptual inference. We also explored whether verticality perception is affected by the postural and balance expertise of dancers. We tested both the subjective visual vertical (SVV) and the subjective tactile vertical (STV) in ballet dancers and non-dancers. A robotic arm traced downward-moving visual or tactile stimuli in separate blocks while participants held their head either upright or tilted 30° to their right. Participants reported whether these stimuli deviated to the left (clockwise) or right (anti-clockwise) of the gravitational vertical. Tilting the head biased the SVV away from the longitudinal head axis (the classical E-effect), consistent with a failure to compensate for the vestibulo-ocular counter-roll reflex. On the contrary, tilting the head biased the STV toward the longitudinal head axis (the classical A-effect), consistent with a strong upright head prior. Critically, tilting the head reduced the precision of verticality perception, particularly for ballet dancers’ STV judgements. Head tilt is thought to increase vestibular noise, so ballet dancers seem to be surprisingly susceptible to degradation of vestibular inputs, giving them an inappropriately high weighting in verticality judgements.

    Metadata

    Item Type: Article
    Keyword(s) / Subject(s): Dance, Gravitational vertical, Proprioceptive, Tactile, Vestibular, Visual
    School: School of Science > Psychological Sciences
    Depositing User: Elisa Raffaella Ferre
    Date Deposited: 27 Sep 2021 15:54
    Last Modified: 29 Sep 2021 06:16
    URI: https://eprints.bbk.ac.uk/id/eprint/45530

    Statistics

    Downloads
    Activity Overview
    6Downloads
    9Hits

    Additional statistics are available via IRStats2.

    Archive Staff Only (login required)

    Edit/View Item Edit/View Item