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    Popular music and copyright law in the sixties

    Bellido, Jose (2013) Popular music and copyright law in the sixties. Journal of Law and Society 40 (4), pp. 570-595. ISSN 0263-323X.

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    Abstract

    Copyright and its relationship with popular music is one of the most disputed issues amongst music and copyright scholars. While some have accused copyright of being blind (or deaf) to the particularities of popular music, others have defended its significance within the industry. This article contributes to this debate by tracing the networks of connections between lawyers, musicians, and clerks that emerged in a formative period in British pop music (the Sixties). It considers how their collaborative efforts and strategies to present evidence in copyright infringement trials were articulated in an attempt to influence music copyright infringement tests in Britain. By highlighting the concrete geographical and temporal contexts from which these networks emerged and their particular contingencies, the article also casts a new light on the impact of the legal profession on copyright, showing a practice-oriented and historically situated way of observing differences between French and British copyright systems.

    Metadata

    Item Type: Article
    School: School of Law
    Depositing User: Administrator
    Date Deposited: 31 Oct 2013 10:04
    Last Modified: 11 Oct 2016 12:00
    URI: https://eprints.bbk.ac.uk/id/eprint/8650

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