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    Re/deconstructing the rimbaud myth: Kerouac and Mallarmé

    Catani, Damian (2014) Re/deconstructing the rimbaud myth: Kerouac and Mallarmé. AmeriQuests 11 (1), ISSN 1553-4316.

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    Abstract

    In 1954, French critic René Étiemble controversially put forward a ground-breaking thesis that exposed a hitherto unrecognised threat to the integrity and rigour of Rimbaud scholarship: namely, that objective evaluation of his poetry was becoming increasingly impeded by the profusion of highly subjective powerful myths about his short, but eventful life. This article has three aims: first, to retrace the origins and lingering impact of the most dominant myths surrounding Arthur Rimbaud –specifically the contrasting myths of the ‘Catholic convert’ and the ‘rebel artist’; secondly, through a comparative analysis of the works on Rimbaud published by Jack Kerouac and Stéphane Mallarmé, to explore the extent to which the Beat author and the Symbolist poet respectively colluded with, or questioned these myths; thirdly, to conclude that Mallarmé’s text emerges as the more balanced and convincing of the two: first, because contrary to Kerouac’s excessive self-identification with Rimbaud, especially through the seductive myth of the rebel artist, it adopts a critical distance that amply fulfils Étiemble’s timely call for a ‘de-mythologised’ approach to this poet as the prerequisite for any accurate assessment of his poetry; secondly, and more broadly, because by portraying Rimbaud as a poet whose literary reputation owes as much to the preconceptions and agendas of outside influences beyond his control than to his intrinsic artistic merits, Mallarmé’s text is equally prescient in its identification of the pitfalls of our modern-day celebrity culture.

    Metadata

    Item Type: Article
    Keyword(s) / Subject(s): Rimbaud, Mallarme, Kerouac, myth, celebrity culture
    School: Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication
    Research Centres and Institutes: Aesthetics of Kinship and Community, Birkbeck Research in (BRAKC)
    Depositing User: Sarah Hall
    Date Deposited: 20 May 2014 11:01
    Last Modified: 09 Aug 2023 12:34
    URI: https://eprints.bbk.ac.uk/id/eprint/9757

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