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Ames-Lewis, Francis (2003) Introduction. In: Ames-Lewis, Francis and Joannides, P. (eds.) Reactions to the Master: Michelangelo's effect on Art and Artists in the Sixteenth Century. Abingdon, UK: Routledge, pp. 1-11. ISBN 9781138277366.
Ames-Lewis, Francis (2003) Raphael's responsiveness to Michelangelo's draughtsmanship. In: Ames-Lewis, Francis and Joannides, P. (eds.) Reactions to the Master: Michelangelo's effect on Art and Artists in the Sixteenth Century,. Abingdon, UK: Routledge, pp. 12-30. ISBN 9781138277366.
Ames-Lewis, Francis (2003) A most pious image: Italian early Renaissance devotional images and Netherlandish precedent. In: Martyn, P. and Paszkiewicz, P. and Ames-Lewis, Francis (eds.) Art, Ritual, Religion. Warsaw, Poland: Instytut Sztuki, pp. 57-66. ISBN 9788389101150.
Ames-Lewis, Francis (2002) Il ruolo della figura umana. In: dalli Regoli, G. and Ciardi, R. (eds.) Storia dell arte Toscana: il Quattrocento. Florence, Italy: Cassa di Risparmio di Firenze. ISBN 9788879701464.
Ames-Lewis, Francis (2002) Masaccio's legacy. In: Cole Ahl, D. (ed.) The Cambridge Companion to Masaccio. Cambridge, UK: Cambridge University Press, pp. 202-216. ISBN 9780521660457.
Ames-Lewis, Francis and Joannides, P. (2002) Neoplatonism and the visual arts at the time of Marsilio Ficino. In: Allen, Michael and Rees, V. (eds.) Marsilio Ficino: His Theology, his Philosophy, his Legacy. Brill's Studies in Intellectual History 108. Leiden, Netherlands: Brill Publications. ISBN 9789047400547.
Book
Ames-Lewis, Francis and Joannides, P., eds. (2003) Reactions to the master: Michelangelo's effect on art and artists in the Sixteenth Century. Abingdon, UK: Routledge. ISBN 9781138277366.
Ames-Lewis, Francis (2002) La matita nera nella pratica di disegno di Leonardo da Vinci: XLI lettura vinciana. Leonardo studies. Milan, Italy: Giunti Editore. ISBN 9788809026452.