BIROn - Birkbeck Institutional Research Online
    Up a level
    Export as [feed] Atom [feed] RSS
    Number of items: 25.


    Anan, Nobuko (2014) The Rose of Versailles: Women and Revolution in Girls' Manga and the Socialist Movement in Japan. Journal of Popular Culture 47 (1), pp. 41-63. ISSN 0022-3840.

    Anan, Nobuko and Dutt, B. and Reinelt, J. and Sahai, S. (2012) Dossier: history, memory, event: a working archive. Theatre Research International 37 (2), pp. 163-183. ISSN 0307-8833.

    Anan, Nobuko (2012) Identity politics in women's performance in Japan. Theatre Research International 37 (1), pp. 68-70. ISSN 0307-8833.

    Anan, Nobuko (2011) Two-dimensional imagination in contemporary Japanese women's performance. TDR: The Drama Review 55 (4), pp. 96-112. ISSN 1054-2043.

    Anan, Nobuko (2005) Kishida Rio: tsui no sumika kari no yado, Kawashima Yoshiko den—Jendaa, Nashonariti, Tennōsei. Engeki-gaku ronshū 43 , pp. 31-46. ISSN 2189-7816.

    Book Review

    Anan, Nobuko (2006) Performance review: Hiroshima Maiden, directed by Dan Hurlin. [Book Review]

    Anan, Nobuko (2006) Performance review: Medea, directed by Miyagi Satoshi. [Book Review]

    Book Section

    Anan, Nobuko (2017) Japanese women's popular musicals: The Takarazuka Revue. In: MacDonald, L. and Everett, W. (eds.) The Palgrave Handbook of Musical Theatre Producers. Basingstoke, UK: Palgrave Macmillan, pp. 145-150. ISBN 9781137440297.

    Anan, Nobuko (2017) Theatre of Kishida Rio: towards re-signification of "home" for women in Asia. In: Madhavan, A. (ed.) Women in Asian Performance: Aesthetics and Politics. Abingdon, UK: Routledge. ISBN 9781138917828.

    Anan, Nobuko (2017) Imagining love in a neoliberal Japan: Yanagi Miwa’s "Elevator Girl". In: Diamond, E. and Varney, D. and Amich, C. (eds.) Performance, Feminism and Affect in Neoliberal Times. Contemporary Performance InterActions. Basingstoke, UK: Palgrave Macmillan, pp. 51-63. ISBN 9781137598097.

    Anan, Nobuko (2014) The Takarazuka Revue’s Wind in the Dawn: (De-)nationalization of Japanese women. In: Holdsworth, N. (ed.) Theatre and National Identity: Re-Imagining Conceptions of the Nation. Routledge Advances in Theatre & Performance Studies. Abingdon, UK: Routledge. ISBN 9780415822992.

    Anan, Nobuko (2009) Reconsideration of Japanese women's bodies: KATHY's parody of Singin' in the Rain. In: Wetmore, K.J. (ed.) Portrayals of Americans On the World Stage: Critical Essays. Jeferson, U.S.: McFarland Books, pp. 134-154. ISBN 9780786444199.

    Anan, Nobuko (2009) Reconsideration of Japanese women’s bodies: KATHY’s parody of "Singin’ in the Rain". In: Wetmore, K.J. (ed.) Portrayals of Americans on the World Stage: Critical Essays. Jefferson NC, USA: McFarland, pp. 134-154. ISBN 9780786444199.

    Conference or Workshop Item

    Anan, Nobuko (2013) Miwa Yanagi’s Granddaughters: women’s space without temporality. In: Performance Research International, 2013, Stanford University, California, USA. (Unpublished)

    Anan, Nobuko (2012) Complicit commerciality in Japan’s Takarazuka Revue. In: Performance Research International, 2012, University of Leeds, Leeds, UK. (Unpublished)

    Anan, Nobuko (2012) Gender and subcultures: case studies from Japan. In: Going Underground? Gender and Subcultures, 2012, Northumbria University, Newcastle, UK. (Unpublished)

    Anan, Nobuko (2012) Kishida Rio, 'the female version of Terayama Shūji,' and her legacy in contemporary Japanese theatre. In: I Am a Terayama Shūji, 2012, The Tate Modern, London, UK. (Unpublished)

    Anan, Nobuko (2012) The Takarazuka Revue and Kegawa-zoku: negotiating gender and sexuality in contemporary Japan. In: Visual Arts in Contemporary Japan, 2012, British Association for Japanese Studies, University of East Anglia, Norwich, UK. (Unpublished)

    Anan, Nobuko (2011) Theatre and feminism in Japan. In: International Federation for Theatre Research, 2011, Osaka University, Osaka, Japan. (Unpublished)

    Anan, Nobuko (2010) From little boy to little girl: case studies of contemporary Japanese women's performance. In: Theatre and Performance Studies Seminar Series, 2010, University of Warwick, Coventry, UK. (Unpublished)

    Anan, Nobuko (2010) Japanese women’s pop-cultural performance. In: International Federation for Theatre Research, Feminist Working Group, 2010, Ludwig-Maximilians-Universität München, Munich, Germany. (Unpublished)

    Anan, Nobuko (2010) Melancholic identification with the American/Japanese other: Takarazuka’s Wind in the Dawn: challenge of Shirasu Jirō, the samurai gentleman. In: British Association for Japanese Studies, 2010, School of Oriental and African Studies, London, UK. (Unpublished)

    Anan, Nobuko (2010) Takarazuka's Gone With the Wind: performing America and the (de)nationalization of Japanese women's bodies. In: Research and Documentation in Theatre and Performance Studies: Strategic Locations, Disciplinary Challenges, and Critical Dialogue, 2010, Jawaharlal Nehru University, Delhi, India. (Unpublished)

    Anan, Nobuko (2008) Yubiwa Hotel’s Lear: blocking women’s rites of passage. In: Multi-Campus Research Group Colloquium on Asian Performance, 2008, University of California, Irvine, California, USA. (Unpublished)


    Anan, Nobuko (2015) Contemporary Japanese women's theatre and visual arts: performing girls' aesthetics. Contemporary Performance InterActions. Basingstoke, UK: Palgrave Macmillan. ISBN 9781137372970.

    This list was generated on Thu Jun 20 05:57:59 2024 BST.