Browse by Person

Christie, Ian (2019) Robert Paul and the origins of British Cinema. The University of Chicago Press. ISBN 9780226105635.

Christie, Ian and Earle, Wendy and Liarou, Eleni and Merkel, K. and Mohaji, A. (2017) Creating archival value in a changing mediascape: the “World in a Cube” project. In: Shiach, M. and Virani, T. (eds.) Cultural Policy, Innovation and the Creative Economy: Creative Collaborations in Arts and Humanities Research. Basingstoke, UK: Palgrave Macmillan, pp. 45-60. ISBN 9781349951116.

Christie, Ian (2016) Disappearing act. Sight and Sound 26 (9), pp. 10-11. ISSN 0037-4806 USPS496-040.

Christie, Ian and Pick, Daniel (2015) Hidden in plain sight: uncovering the secret history of brainwashing - a dialogue. In: Arbeit, M. and Christie, Ian (eds.) Where is History Today? New Ways of Representing the Past. Olomouc, Czech Republic: Palacký University Press, pp. 55-70. ISBN 9788024447605.

Christie, Ian (2015) Who needs film archives? Notes towards a user-centred future. Czech and Slovak Journal of Humanities 2015 (1), pp. 36-44. ISSN 1805-3742.

Christie, Ian (2015) The visible and the invisible: from ‘tricks’ to ‘effects’. Early Popular Visual Culture 13 (2), pp. 106-112. ISSN 1746-0654.

Christie, Ian (2013) Moving-picture media and modernity: taking intermediate and ephemeral forms seriously. In: Geiger, J. and Littau, K. (eds.) Cinematicity in Media History. Edinburgh, UK: Edinburgh University Press, pp. 46-64. ISBN 9781474402774.

Smith, Tim J. and Christie, Ian (2012) Exploring inner worlds: where cognitive psychology may take us. In: Christie, Ian (ed.) Audiences. The Key Debates: Mutations and Appropriations in European Film Studies. Amsterdam, The Netherlands: Amsterdam University Press. ISBN 9789089643629.

Christie, Ian, ed. (2012) Audiences. The Key Debates: Mutations and Appropriations in European Film Studies. Amsterdam, The Netherlands: Amsterdam University Press. ISBN 9789089643629.

Christie, Ian (2011) “All that life can afford”? Perspectives on the screening of historic literary London. In: Handa, R. and Potter, J. (eds.) Conjuring the Real: The Role of Architecture in Eighteenth- and Nineteenth-Century Fiction. Lincoln, U.S.: University of Nebraska Press, pp. 21-66. ISBN 9780803217430.

Christie, Ian (2010) In from the cold. Sight & Sound 20 (3), p. 27. ISSN 0037-4806.

Christie, Ian (2010) Knight's moves: Brecht and Russian formalism in Britain in the 1970s. In: van den Oever, A. (ed.) Ostrannenie : On "Strangeness" and the Moving Image; the History, Reception, and Relevance of a Concept. The Key Debates. Amsterdam, The Netherlands: University of Amsterdam Press. ISBN 9789089640796.

Christie, Ian (2009) Seeing red: restoring The Red Shoes. Sight & Sound 19 (8), pp. 36-38. ISSN 0037-4806.

Christie, Ian (2009) The art of film: John Box and production design. Harrow, UK: Wallflower Press. ISBN 9781905674947.

Christie, Ian and Clauss, K. and Topp, D. and Smith, C. and Modot, A. and Angrisani, S. and Guenin, M. and Dumont, L. and Moullier, B. and Giles, J. (2009) Stories we tell ourselves: the cultural impact of UK film 1946-2006. Project Report. British Film Institute, London, UK.

Christie, Ian (2009) The caretaker. Sight & Sound 19 (6), p. 33. ISSN 0037-4806.

Christie, Ian (2009) Dying for art : Michael Powell's journey towards Duke Bluebeard's castle and the filmis art-work of the future. In: Pollock, G. and Anderson, V. (eds.) Bluebeard's Legacy - Death and Secrets from Bartok to Hitchcock. London, UK: I.B. Tauris, pp. 175-200. ISBN 9781845116323.

Christie, Ian (2009) Moving-picture media and modernity: taking intermediate and ephemeral forms seriously. Comparative Critical Studies 6 (3), pp. 299-318. ISSN 1744-1854.

Christie, Ian (2008) Text rules. Journal of Media Practice 9 (3), pp. 275-277. ISSN 1468-2753.

Christie, Ian (2008) Grandmother's Russia. Sight & Sound 18 (10), pp. 40-41. ISSN 0037-4806.

Christie, Ian (2008) The long road to freedom. Sight & Sound 18 (1), p. 10. ISSN 0037-4806.

Christie, Ian (2008) Histories of the future: mapping the avant-garde. Film History 20 (1), pp. 6-13. ISSN 0892-2160.

Christie, Ian (2007) Toys, instruments, machines: why the hardware matters. In: Lyons, J. and Plunkett, J. (eds.) Multimedia Histories: from the Magic Lantern to the Internet. Chicago, USA: University of Chicago Press. ISBN 9780859897730.

Christie, Ian and Moore, Andrew, eds. (2005) The cinema of Michael Powell: international perspectives on an English filmmaker. London, UK: BFI Publishing. ISBN 9781844570942.

Christie, Ian (2004) Buñuel against 'Buñuel': revisiting the landscape of fanaticism in 'la voie lactée'. In: Evans, P. and Santoialla, I. (eds.) Luis Buñuel: New Readings. London, UK: Bloomsbury. ISBN 9781844570034.

Macmillan, Fiona (2004) How the movie moguls learned to stop worrying and love the new technology. In: Moran, Leslie J. and Loizidou, Elena and Christie, Ian and Sandon, Emma (eds.) Law's Moving Image: Law and Film. Abingdon, UK: Routledge. ISBN 9781904385011.

Moran, Leslie J. and Loizidou, Elena and Christie, Ian and Sandon, Emma, eds. (2004) Law's moving image. London, UK: Cavendish. ISBN 9781904385011.

Moran, Leslie (2004) On realism and the law film: the case of Oscar Wilde. In: Moran, Leslie and Sandon, Emma and Loizidou, Elena and Christie, Ian (eds.) Law’s Moving Image. Abingdon, UK: Routledge. ISBN 9781904385011.

Loizidou, Elena (2004) Rebel without a cause? In: Moran, Leslie J. and Sandon, Emma and Loizidou, Elena and Christie, Ian (eds.) Law's Moving Image. Abingdon, UK: Routledge. ISBN 9781904385011.

Christie, Ian (2004) What counts as art in England: Pevsner and the minor canons. In: Draper, P. (ed.) Reassessing Nikolaus Pevsner. Abingdon, UK: Routledge. ISBN 9781138258648.

Christie, Ian (2003) Asynchrony. In: Sider, L. and Freeman, D. (eds.) Soundscape: The School of Sound Lectures 1998-2001. New York, USA: Wallflower Press. ISBN 9781903364598.

Christie, Ian and Thompson, D., eds. (2003) Scorsese on Scorsese. London, UK: Faber and Faber. ISBN 9780571220021.

Christie, Ian (2000) As others see us: British filmmaking and Europe in the 90s. In: Murphy, R. (ed.) British Cinema of the 90s. London, UK: Bloomsbury. ISBN 9780851707624.

Christie, Ian (2000) A matter of life and death. London, UK: British Film Institute. ISBN 9780851704791.

Christie, Ian (1999) Celluloid apocalypse. In: Carey, F. (ed.) The Apocalypse and the Shape of Things to Come. University of Toronto Press: British Museum. ISBN 9780802083258.

Christie, Ian, ed. (1999) Gilliam on Gilliam. London, UK: Faber and Faber. ISBN 9780571202805.

Christie, Ian (1999) 'The History of British Film', by Rachael Low. [Book Review]

Christie, Ian (1999) Mirror image: French reflections of British cinema. In: UNSPECIFIED (ed.) La Lettre de la Maison Française d'Oxford. Trinity-Michaelmas.

Christie, Ian (1998) Returning to zero. Sight & Sound , ISSN 0037-4806.

Christie, Ian (1997) Motives for metaphor. In: UNSPECIFIED (ed.) Boyd Webb, retrospective catalogue. Auckland Art Gallery.

Christie, Ian and Dodd, P., eds. (1996) Spellbound: art and film. London: BFI Publishing. ISBN 9780851706108.

Christie, Ian (1995) Has the cinema a career? the origins of British resistance to film. Times Literary Supplement ,

Christie, Ian (1995) The last machine: early cinema and the birth of the modern world. London, UK: BBC Education. ISBN 9781860000942.

Christie, Ian (1994) Arrows of Desire: the films of Michael Powell and Emeric Pressburger. London, UK: Faber and Faber. ISBN 9780571162710.

Christie, Ian and Taylor, R., eds. (1994) The film factory: Russian and Soviet cinema in documents 1896-1939. Abingdon, UK: Routledge. ISBN 9780415052986.

Christie, Ian and Taylor, R., eds. (1993) Eisenstein rediscovered. Abingdon, UK: Routledge. ISBN 9780415755528.