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Edwards, Steve (2024) Institution of autonomy: the worker photography movement. Notes from Below ,

Edwards, Steve (2024) Family phantasmagoria: Antoine Claudet, stereographs, and middle-class dummies. Oxford Art Journal , ISSN 0142-6540. (Submitted)

Edwards, Steve (2022) The street & the barricades: demos and document in Nineteenth-Century photography. In: UNSPECIFIED (ed.) Documentary Genealogies Photography 1848–1917. Madrid, Spain: Museo Reina Sofia, pp. 101-118. ISBN 9788480266420.

Edwards, Steve (2022) The streets & the barricades: demos and document in Nineteenth-Century photography. In: Pinteño, A. (ed.) Documentary Genealogies: Photography 1848–1917. Madrid, Spain: Museo Reina Sofia, pp. 101-117. ISBN 9788480266420.

Edwards, Steve (2021) ‘Present, the Scene of ... Selves, the Occasion of ... Ruses’: Fred Orton’s Art History. In: UNSPECIFIED (ed.) Aesthetic Thinking: Essays on Intention, Painting, Action, and Ideology. Historical Materialism Book Series 247. Leiden: Brill. ISBN 9789004503298.

Edwards, Steve (2021) White-collar blues: Allan Sekula casts an eye over the professional-managerial class. Nonsite (37), ISSN 2164-1668.

Day, G. and Edwards, Steve and Vishmidt, M. (2021) Art. In: Skeggs, B. and Farris, S.F. and Toscano, A. and Bromberg, S. (eds.) The Sage handbook of Marxism. London: Sage. ISBN 9781473974234.

Day, G. and Edwards, Steve (2019) Differential time and aesthetic form: uneven and combined capitalism in the work of Allan Sekula. In: Christie, J. and Degirmencioglu, N. (eds.) Cultures of Uneven and Combined Development: From International Relations to World Literature. Historical Materialism Book Series 180. Leiden, The Netherlands: Brill, pp. 253-288. ISBN 9789004384736.

Edwards, Steve (2018) 'Dirty Realism': documentary photography in 1970s Britain—a maquette. In: Baker, M. and Hemingway, A. (eds.) Art as World Making: Studies in Critical realism & Naturalism. Manchester, UK: Manchester University Press, p. 248. ISBN 9781526114907.

Edwards, Steve (2018) Photography: a Marxist bibliography. Revue Periode , ISSN 2492-2455.

Edwards, Steve (2017) 5 blogposts for Fotomuseum Winthertur: 'The Fire Last Time: Documentary and Politics in 1970s Britain'. FotoMuseum Wintherthur, Switzerland.

Edwards, Steve (2017) Painting, between Gewalt and labour: an Introduction to the conspiracy of modern art. In: Edwards, Steve (ed.) The Conspiracy of Modern Art. Historical Materialism 137. Leiden, Holland: Brill, pp. 1-14. ISBN 9789004280045.

Martins, L.R. (2017) The conspiracy of modern art. Historical Materialism 137. Leiden, Holland: Brill. ISBN 9789004280045.

Rifkin, A. (2017) Communards and other cultural histories: essays by Adrian Rifkin. Historical Materialism Book Series 128. Leiden, The Netherlands: Brill. ISBN 9789004231887.

Edwards, Steve (2016) Allan Sekula: Fish Story. In: Hemingway, A. and Schneider, N. (eds.) Kunst Und Politik: Jahbuch Der Guernica-Gesellschaft. Hauptwerke politischer Kunst im 20. Jarhundert/Icons of 20th-Century Political Art. Kunst und politik 18 018. Gottingen, Germany: V&R unipress, pp. 147-157. ISBN 9783847106890.

Edwards, Steve (2015) Allan Sekula’s Chronotopes: uneven and combined capitalism. In: Van Gelder, H. (ed.) Ship of Fools/The Dockers Museum. Lieven Gevaert Series 19. Leuven, Belgium: Leuven University Press, pp. 31-43. ISBN 9789462700055.

Edwards, Steve (2014) Decor and decorum at the "Temple of Photography". In: Arnold, D. (ed.) Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. London, UK and New York, U.S.: IB Tauris, pp. 73-105. ISBN 9781780767024.

Edwards, Steve (2013) Socialism and the sea: Allan Sekula (1951-2013). Radical Philosophy (182), pp. 61-65. ISSN 0300-211X.

Edwards, Steve (2013) In Allan Sekula’s wake. Photographies 7 (1), pp. 113-116. ISSN 1754-0763.