2010

Shaw-Miller, Simon (2010) Disciplining the senses: Beethoven as synaesthetic paradigm. In: Koureas, Gabriel and Di Bello, Patrizia (eds.) Art, History and the Senses: 1830 to the Present. Surrey, UK: Ashgate, vi-vi. ISBN 9780754668633.

Shaw-Miller, Simon (2010) Modernist music. In: Brooker, P. and Gasiorek, A. and Longworth, D. and Thacker, A. (eds.) Oxford Handbook of Modernisms. Oxford, UK: Oxford University Press, pp. 599-617. ISBN 9780199545445.

July 2010

Shaw-Miller, Simon and Smiles, S. (2010) Samual Palmer Revisited. Farnham, UK: Ashgate. ISBN 9780754667476.

December 2010

Shaw-Miller, Simon (2010) Music as imminent gesamtkunstwerk: absolute music, synaesthesia & die glückliche hand. In: Finger, A. and Follett, D. (eds.) Aesthetics of the Total Artwork: On Borders and Fragments. Baltimore, U.S.: John Hopkins University Press. ISBN 9780801895821.

2011

Shaw-Miller, Simon (2011) Separation and conjunction: music and art c.1800–2010. In: Daniels, D. and Naumann, S. and Thoben, J. (eds.) See This Sound: Audiovisuology Essays: Histories and Theories of Audiovisual Media and Art: 2. Koln, Germany: Walter Konig, pp. 28-51. ISBN 9783865606877.

January 2013

Gronberg, Tag (2013) Coffeehouse Orientalism. In: Ashby, C. and Gronberg, Tag and Shaw-Miller, Simon (eds.) The Viennese Cafe and Fin-de-Siecle Culture. Austrian and Habsburg Studies 16. Oxford, UK: Berghahn Books. ISBN 9780857457646.

Ashby, C. and Gronberg, Tag and Shaw-Miller, Simon, eds. (2013) The Viennese cafe and fin-de-siecle culture. Austrian and Habsburg Studies 16. Oxford, UK: Berghahn Books. ISBN 9780857457646.