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American Art
Thomas, Sarah (2022) The specter of slavery in the British Art Museum. American Art 36 (2), ISSN 1073-9300.
Art History
Thomas, Sarah (2022) Art history and racial Capitalism. Book review, 'Black Bodies, White Gold' by Anna Arabinden-Kesson. [Book Review]
Atlantic Studies
Thomas, Sarah (2022) Swollen detail, or what a vessel might give: Agostino Brunias and the visual and material culture of colonial Dominica. Atlantic Studies 19 (1), pp. 60-85. ISSN 1478-8810.
Thomas, Sarah and Senior, Emily (2021) Colonial ways of seeing: Caribbean visual cultures 1750–1900. [Editorial/Introduction] (In Press)
Thomas, Sarah and Eaton, N. (2021) Swollen detail, or what a vessel might give: Agostino Brunias and the visual and material culture of colonial Dominica. Atlantic Studies , ISSN 1478-8810.
Thomas, Sarah (2011) "On the Spot": travelling artists and Abolitionism, 1770-1830. Atlantic Studies 8 (2), pp. 213-232. ISSN 1478-8810.
Burlington Magazine
Thomas, Sarah (2018) The Legacies of Bernard Smith. Essays on Australian Art, History and Cultural Politics. By Jaynie Anderson, Christopher R. Marshall and Andrew Yip, editor(s). 370 pp. incl. 44 col. + 5 b. & w. ills. (Power Publications in association with the Art Gallery of New South Wales, Sydney, 2016), A$39.99. 9780994306432 (paperback). [Book Review] (Submitted)
Eighteenth-Century Studies
Thomas, Sarah (2018) Envisaging a future for slavery: Agostino Brunias and the imperial politics of labor and reproduction. Eighteenth-Century Studies 52 (1), pp. 115-133. ISSN 0013-2586.
Journal of American Studies
Thomas, Sarah (2014) Book review: Marcus Wood, "Black Milk: Imagining Slavery in the Visual Cultures of Brazil and America" (Oxford: Oxford University Press, 2013). Journal of American Studies 48 (04), pp. 1103-1104. ISSN 0021-8758.
Museum History Journal
Thomas, Sarah (2013) The spectre of empire in the British art museum. Museum History Journal 6 (1), pp. 105-121. ISSN 1936-9816.