Browse by Person

Article

Hansen, G.M. and Tsang, Michael (2020) Politics in/of transmediality in Murakami Haruki’s bakery attack stories. Japan Forum 32 (3), pp. 404-431. ISSN 0955-5803.

Tsang, Michael and Fung, D. (2019) Beyond the spoon-feeding classroom: a Jesuit Priest’s use of outings as holistic education. Education About Asia 24 (1), pp. 22-27. ISSN 1090-6851.

Tsang, Michael (2017) Hong Kong as a test case for world literature. Sanglap: Journal of Literary and Cultural Inquiry 4 (1), pp. 9-23. ISSN 2349-8064.

O'Sullivan, M. and Tsang, Michael (2015) Educational inequalities in higher education in Hong Kong. Inter-Asia Cultural Studies 16 (3), pp. 454-469. ISSN 1469-8447.

Tsang, Michael (2014) English writing as neo-colonial resistance: an exchange of English poetry in Hong Kong. Asiatic: IIUM Journal of English Language and Literature 8 (2), pp. 36-56. ISSN 1985-3106.

Tsang, Michael (2011) 楊逸の作品における在日中国人の異文化適応について――文化変容を中心に. 日本學刊 14 , pp. 224-238.

Book Review

Tsang, Michael (2022) Book Review - Sari Kawana, The Uses of Literature in Modern Japan. [Book Review]

Editorial/Introduction

Hansen, G.M. and Tsang, Michael (2020) 40 years with Murakami Haruki. [Editorial/Introduction]

Hansen, G.M. and Tsang, Michael (2020) Katō Norihiro: introduction and tribute. [Editorial/Introduction]

Book Section

Tsang, Michael (2022) World-weaving in Nineteenth-Century East Asia: the case of Hong Kong's earliest Chinese newspaper, gems from near and afar. In: Bhattacharya, A. and Hibbitt, R. and Scuriatti, L. (eds.) Literary Capitals in the Long Nineteenth Century: Spaces beyond the Centres. Literary Urban Studies. Palgrave Macmillan, pp. 61-86. ISBN 9783031130595.

Tsang, Michael (2021) Voyeuristic gaze, narratological construction, and the gender problem in Murakami Haruki’s After Dark. In: Hansen, G.M. and Tsang, Michael (eds.) Murakami Haruki and Our Years of Pilgrimage. Routledge, pp. 109-126. ISBN 9780367181413.

Hansen, G.M. and Tsang, Michael (2021) Yes, Murakami Haruki is a challenge. In: Hansen, G.M. and Tsang, Michael (eds.) Murakami Haruki and Our Years of Pilgrimage. Routledge, pp. 1-9. ISBN 9780367181413.

Tsang, Michael (2019) Teaching Manga as a phenomenon of global commodity production and consumption. In: Holca, I. and Tămaş, C.S. (eds.) Japan in the World, The World in Japan: A Methodological Approach. Editura Pro Universitaria, pp. 78-100. ISBN 9786062610876.

Tsang, Michael (2018) Who’s the Egg? Who’s the Wall? – Appropriating Murakami Haruki’s ‘Always on the Side of the Egg’ speech in Hong Kong. In: Rösch, F. and Watanabe, A. (eds.) Japanese Political Thought and International Relations: Encounters of Difference in Japan since the Meiji Restoration. Global Dialogues: Non Eurocentric Visions of the Global. Rowman and Littlefield, pp. 221-251. ISBN 9781786603678.

Tsang, Michael (2018) Hong Kong handover to China. In: Doyle, M. (ed.) The British Empire: A Historical Encyclopedia. ABC-CLIO, pp. 33-35. ISBN 9781440841972.

O'Sullivan, M. and Tsang, Michael (2016) Academic barbarism and the Asian university: the case of Hong Kong. In: O'Sullivan, M. (ed.) Academic Barbarism, Universities and Inequality. Palgrave Critical University Studies. Palgrave Macmillan, pp. 120-142. ISBN 9781137547606.

Tsang, Michael (2015) In dialogue: contesting the politics of globalization in Hong Kong literature in English. In: O'Sullivan, M. and Huddart, D. and Lee, C. (eds.) The Future of English in Asia: Perspectives on Language and Literature. Routledge Studies in World Englishes. Routledge, pp. 173-189. ISBN 9781138805071.

Conference or Workshop Item

Tsang, Michael (2022) A magical and critical journey to Haruki Murakami's literature. In: READ@PolyU, Hong Kong Polytechnic University, 04 Nov 2022, Online.

Tsang, Michael (2022) Hong Kong in the World; the World in Hong Kong; Reading Dung Kai-cheung’s Hong Kong Type Allegorically. In: Unknown Futures: A Seminar on Hong Kong, 23-24 May, 2022, Copenhagen, Denmark.

Tsang, Michael (2021) Queering Hong Kong’s 1997 Handover in Japanese Boys’ Love Comics. In: Modern Language Association (MLA) Convention 2021, 07-10 Jan 2021, Online. (Unpublished)

Tsang, Michael (2020) Gender and national image: representations of figure skating in Japanese Anime. In: Centre of for Japanese Studies Seminar, 04 Feb 2020, University of East Anglia. (Unpublished)

Tsang, Michael (2019) Might the translated not travel? The case of Chang Hsi-kuo and his The City Trilogy. In: American Comparative Literature Association (ACLA) Convention, 07-10 Mar 2019, Washington DC, U.S.. (Unpublished)

Tsang, Michael (2019) A minor literature(?) at interregnum: whither Hong Kong’s English writing? In: (Re)defining the Intersection: Hong Kong Textuality, 25 Jan 2019, Sheffield, UK. (Unpublished)

Tsang, Michael (2018) The world at the East’s fingertips: world literature in East Asia. In: World Literature as Crisis: Subalternity and Urbanity, 13 Jul 2018, London, UK. (Unpublished)

Tsang, Michael (2018) Politics of Transmediality in Murakami Haruki. In: Biennial Conference of the Asian Studies Association of Australia, 03-05 Jul 2018, Sydney, Australia. (Unpublished)

Tsang, Michael (2018) Politics of Transmediality in Murakami Haruki. In: Asian Studies Conference Japan 2018, 30 Jun - 01 Jul 2018, Mitaka, Japan. (Unpublished)

Tsang, Michael (2018) Politics of Transmediality in Murakami Haruki’s Bakery Attack Stories. In: Global Japanese Studies Seminar, 22 Jun 2018, Tokyo, Japan. (Unpublished)

Tsang, Michael (2017) The peripherality of Hong Kong in Postcolonial Studies and World-Systems Theory. In: Peripheral Postcolonialities, 09-10 Jun 2017, Warwick, UK. (Unpublished)

Tsang, Michael (2017) The ‘Child’ in the world city of Omelas: foreign domestic helpers and their rights in Hong Kong. In: World Literature and Crisis: Subalternity and Urbanity, 27-30 Mar 2017, Singapore. (Unpublished)

Tsang, Michael (2016) Who’s the Egg? Who’s the Wall? – Appropriating Murakami Haruki’s ‘Always on the Side of the Egg’ Speech in Hong Kong. In: International Studies Association (ISA) Asia-Pacific Conference 2016, 25-27 Jun 2016, Hong Kong. (Unpublished)

Tsang, Michael (2016) Localisation in Xu Xi’s ‘The Yellow Line’. In: Invited Guest Lecture for Hong Kong Stories in English, 08 Apr 2016, Hong Kong. (Unpublished)

Tsang, Michael (2016) Whither Hong Kong English poetry? In: Modern Language Association (MLA) Convention, 07-10 Jan 2016, Austin, U.S.. (Unpublished)

Tsang, Michael (2015) Multiculturalism and English literary history: Xu Xi’s History’s Fiction. In: International Conference on the History of Hong Kong, 10-11 Apr 2015, Hong Kong. (Unpublished)

Tsang, Michael (2014) Politics in Hong Kong literature: language, canon and translation. In: British Comparative Literature Association (BCLA) Postgraduate Conference: Alternatives, 24-25 Apr 2014, Glasgow, UK. (Unpublished)

Tsang, Michael (2013) A ‘Chinese’ city: racism and its discourse in post-colonial Hong Kong. In: Race. Migration. Citizenship: Postcolonial and Decolonial Perspectives, 04-05 Jul 2013, Birmingham, UK. (Unpublished)

Tsang, Michael (2011) Postmodern sex and love in Murakami Haruki’s Norwegian Wood. In: The Asian Conference on Cultural Studies 2011, 23-25 Mar 2011, Osaka, Japan.

Tsang, Michael (2011) The system VS the individual – postmodern sex and love in Murakami Haruki’s Norwegian Wood. In: Wednesday Gender Seminar Series, 09 Mar 2011, Hong Kong. (Unpublished)

Book

Hansen, G.M. and Tsang, Michael, eds. (2021) Murakami Haruki and our years of pilgrimage. Routledge. ISBN 9780367181413.

Other

Tsang, Michael (2023) Reading Louise Ho on the MTR. WHERE ELSE: An International Hong Kong Poetry Anthology. Verve Poetry Press. [Poem].

Tsang, Michael (2021) Decolonial? Postcolonial? What does it mean to ‘decolonise ourselves’? Newcastle University [Essay].

Katō, N. and Tsang, Michael (2020) The problem of tatemashi in Murakami Haruki’s work: comparing The Wind-Up Bird Chronicle and 1Q84. Japan Forum. [Academic translation].

Tsang, Michael (2016) Whither the Incipience; Or, the Beauty of Schisms. Cha: An Asian Literary Journal. [Essay].