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    Number of items: 18.

    Woods, Gillian (2019) Ways of seeing on the Renaissance Stage: speculating on invisibility. Renaissance Drama 47 (2), pp. 125-151. ISSN 0486-3739.

    Woods, Gillian and Seymour, Laura (2018) Learning and teaching resources. In: Cottegnies, L. and Britland, K. (eds.) King Henry V: A Critical Reader. Arden Early Modern Drama Guides. London, UK: Bloomsbury Publishing. ISBN 9781474280105.

    Woods, Gillian and Dustagheer, S. (2017) Introduction: Stage directions and Shakespearean theatre. In: Woods, Gillian and Dustagheer, S. (eds.) Stage Directions and Shakespearean Theatre. London, UK: Bloomsbury Publishing, p. 1. ISBN 9781474257473.

    Woods, Gillian and Dustagheer, S., eds. (2017) Stage directions and Shakespearean theatre. London, UK: Bloomsbury Publishing. ISBN 9781474257473.

    Woods, Gillian (2017) Understanding dumb shows and interpreting The White Devil. In: Woods, Gillian and Dustagheer, S. (eds.) Stage Directions and Shakespearean Theatre. London, UK: Bloomsbury Publishing, p. 287. ISBN 9781474257473.

    Woods, Gillian (2016) Hamlet: the play within the play. British Library.

    Woods, Gillian (2016) King Lear: madness, the fool and poor Tom. British Library.

    Woods, Gillian (2016) What was Shakespeare's Religion? Oxford University Press.

    Woods, Gillian (2014) Indulgent representation: theatricality and sectarian metaphor in The Tempest. Literature Compass 11 (11), pp. 703-714. ISSN 1741-4113.

    Woods, Gillian (2013) Marlowe and religion. In: Bartels, E.C. and Smith, E. (eds.) Christopher Marlowe In Context. Literature In Context. Cambridge, UK: Cambridge University Press, pp. 222-241. ISBN 9781107016255.

    Woods, Gillian (2013) Shakespeare's unreformed fictions. Oxford English Monographs. Oxford, UK: Oxford University Press. ISBN 9780199671267.

    Woods, Gillian (2013) Romeo and Juliet: a reader’s guide to essential criticism. Oxford English Monographs. Oxford, UK: Oxford University Press. ISBN 9780199671267.

    Woods, Gillian (2012) Shakespeare: Romeo and Juliet. Readers' Guides to Essential Criticism. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230222069.

    Woods, Gillian (2011) "Strange discourse": the controversial subject of Sir Thomas More. In: West, W.N. (ed.) Renaissance Drama. Evanston, USA: Northwestern University Press, pp. 3-35. ISBN 9780810127388.

    Woods, Gillian (2009) New directions: the confessional identities of "'Tis Pity She’s a Whore". In: Hopkins, L. (ed.) 'Tis Pity She's a Whore: A Critical Guide. London, UK: Continuum, pp. 114-135. ISBN 9780826499332.

    Woods, Gillian (2009) The confessional identities of 'Tis Pity She’s a Whore'. In: Hopkins, L. (ed.) Tis Pity She’s a Whore: A Critical Guide. London, UK: Continuum, pp. 114-135. ISBN 9781441176219.

    Woods, Gillian (2007) Catholicism and conversion in 'Love’s Labour’s Lost'. In: Maguire, L. (ed.) How To Do Things With Shakespeare. Oxford, UK: Wiley-Blackwell, pp. 101-130. ISBN 9781405135276.

    Woods, Gillian (2007) The contexts of the trial of chivalry. Notes and Queries 54 (3), pp. 313-318. ISSN 0029-3970.

    This list was generated on Sun Jul 12 04:25:22 2020 BST.