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Walsh, Fintan, ed. (2025) Writing Queer performance: contemporary texts and documents. Methuen Drama Play Collections. London, UK: Methuen Drama. ISBN 9781350431492. (In Press)

Walsh, Fintan (2024) Performing grief in pandemic theatres. Elements in Contemporary Performance Texts. Cambridge, UK: Cambridge University Press. ISBN 9781009464826.

Walsh, Fintan (2023) Performing the Queer past: public possessions. London, UK: Methuen Drama. ISBN 9781350297968. (In Press)

Walsh, Fintan (2021) Ritual unions. [Editorial/Introduction]

Walsh, Fintan (2021) Grief machines: Transhumanist theatre, digital performance, pandemic time. Theatre Journal 73 (3), pp. 391-407. ISSN 1086-332X.

Walsh, Fintan (2021) Academics dancing. [Editorial/Introduction]

Walsh, Fintan (2021) Collaborate*&˄%! [Editorial/Introduction]

Walsh, Fintan (2021) ReWild(e)ing Queer performance. Contemporary Theatre Review 31 (3), pp. 286-306. ISSN 1048-6801.

Walsh, Fintan (2021) Senior editor's note: academics dancing. [Editorial/Introduction]

Walsh, Fintan (2020) Pathogenic performativity: urban contagion and Fascist affect. In: Shepherd-Barr, K. (ed.) The Cambridge Companion to Theatre and Science. Cambridge Companions to Theatre and Performance. Cambridge, UK: Cambridge University Press. ISBN 9781108676533.

Walsh, Fintan (2020) Between breaths. [Editorial/Introduction]

Walsh, Fintan (2020) Pugilistic queer performance: working through and working out. GLQ: A Journal of Lesbian and Gay Studies 26 (4), pp. 701-722. ISSN 1064-2684.

Walsh, Fintan (2020) Climates of denial. [Editorial/Introduction]

Walsh, Fintan (2020) Wound work. [Editorial/Introduction]

Walsh, Fintan (2019) Scenes of political crisis. [Editorial/Introduction]

Walsh, Fintan (2019) Contagious performance: between illness and ambience. In: Walsh, Fintan (ed.) Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Methuen Drama Engage. London, UK: Bloomsbury. ISBN 9781350085992. (In Press)

Walsh, Fintan, ed. (2019) Theatres of contagion: transmitting early modern to contemporary performance. Methuen Drama Engage. London, UK: Methuen Drama. ISBN 9781350085985.

Walsh, Fintan (2019) Viral Hamlet: history, memory, kinship. In: Walsh, Fintan (ed.) Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Methuen Drama Engage. London, UK: Bloomsbury. ISBN 9781350085992. (Submitted)

Walsh, Fintan (2019) Experiments in time. [Editorial/Introduction]

Walsh, Fintan (2019) On moving and being moved. [Editorial/Introduction]

Walsh, Fintan (2019) Encountering the pose. In: UNSPECIFIED (ed.) The Last Known Pose: Essays and Reflections on the Works of Qasim Riza Shaheen. Manchester, UK: Cornerhouse Productions, pp. 31-34. ISBN 9780956957160.

Walsh, Fintan (2019) The Oxford Handbook of Modern Irish Theatre. [Book Review]

Walsh, Fintan (2017) Disappearing act. In: Sack, D. (ed.) Imagined Theatres: Writing for a Theoretical Stage. London and New York: Routledge. ISBN 9781138122048.

Walsh, Fintan (2017) Gloss to Pablo Helguera's ‘Otto’s Self Board Meeting’. In: Sack, D. (ed.) Imagined Theatres: Writing for a Theoretical Stage. London and New York: Routledge. ISBN 9781138122048.

Walsh, Fintan (2017) On wounding and winding up. CHASE: Gender, Sexuality and Violence Network, London, UK.

Walsh, Fintan (2016) On generous performance. In: Heddon, D. and Johnson, D. (eds.) It's All Allowed: The Performances of Adrian Howells. Bristol and London, UK: Intellect Live. ISBN 9781783205899.

Walsh, Fintan (2016) Queer performance and contemporary Ireland: dissent and disorientation. Contemporary Performance InterActions. Basingstoke and New York: Palgrave Macmillan. ISBN 9781137534491.

Walsh, Fintan (2016) Queer performance and the drama of disorientation. In: Campbell, A. and Farrier, S. (eds.) Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Contemporary Performance InterActions. Basingstoke and New York: Palgrave Macmillan, pp. 313-329. ISBN 9781137411839.

Campbell, A. and Walsh, Fintan (2015) Contemporary Queer theatre and performance research: a forum by the Queer Futures Working Group. Introduction. Theatre Research International 40 (1), pp. 67-108. ISSN 0307-8833.

Walsh, Fintan (2015) Cyberactivism and the emergence of #TeamPanti. Theatre Research International 40 (1), pp. 104-107. ISSN 0307-8833.

Walsh, Fintan (2015) Masculinity and Irish Popular Culture: Tiger’s Tales. [Book Review]

Walsh, Fintan (2015) World factory: the politics of conversation. Contemporary Theatre Review , ISSN 1048-6801.

Walsh, Fintan and Silverstone, C. (2014) On affirmation. [Editorial/Introduction]

Walsh, Fintan (2014) Touching, flirting, whispering: performing intimacy in public. TDR: the Drama Review 58 (4), pp. 56-67. ISSN 1054-2043.

Walsh, Fintan (2013) Saving Ulster from sodomy and hysteria: sexual and political performance in Northern Ireland. Contemporary Theatre Review 23 (3), pp. 291-301. ISSN 1048-6801.

Walsh, Fintan (2013) Performance in the Blockades of Neoliberalism: Thinking the Political Anew. [Book Review]

Walsh, Fintan (2013) Pride, politics and the right to perform. In: Giffney, N. and Shildrick, M. (eds.) Theory on the Edge: Irish Studies and the Politics of Sexual Difference. Breaking Feminist Waves. Basingstoke, UK: Palgrave Macmillan, pp. 105-124. ISBN 9781137306975.

Walsh, Fintan and Causey, M. (2013) Introduction: performance, identity and the neo-political subject. In: Walsh, Fintan and Causey, M. (eds.) Performance, Identity and the Neo-Political Subject. Routledge Advances in Theatre & Performance Studies. London and New York: Routledge, pp. 1-8. ISBN 9780415509657.

Walsh, Fintan (2013) The matter of queer politics and ethics: Antony Hegarty and "The Crying Light". In: Walsh, Fintan and Causey, M. (eds.) Performance, Identity and the Neo-Political Subject. Routledge Advances in Theatre and Performance Studies. London, UK: Routledge, pp. 213-229. ISBN 9780415509657.

Walsh, Fintan and Causey, M., eds. (2013) Performance, identity and the neo-political subject. Routledge Advances in Theatre & Performance Studies. London and New York: Routledge. ISBN 9780415509657.

Walsh, Fintan (2013) Mourning sex: the aesthetics of queer relationality in contemporary film. In: Bracken, C. and Radley, E. (eds.) Viewpoints: Theoretical Perspectives on Irish Visual Texts. Cork, Ireland: Cork University Press. ISBN 9781859184967.

Walsh, Fintan, ed. (2013) 'That was us': contemporary Irish theatre and performance. London, UK: Oberon Books. ISBN 9781783190355.

Walsh, Fintan (2013) The power of the powerless: theatre in turbulent times. In: Walsh, Fintan (ed.) 'That Was Us': Contemporary Irish Theatre and Performance. London, UK: Oberon Books, pp. 1-18. ISBN 9781783190355.

Walsh, Fintan (2012) Theatre and therapy. Theatre And. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230293274.

Walsh, Fintan (2012) Keeping everything completely alive: Corn Exchange's 'Dubliners'. UNSPECIFIED.

Walsh, Fintan (2012) Queer publics, public queers. [Editorial/Introduction]

Walsh, Fintan (2012) ‘To Try for Something Extraordinary.’ [Interview with playwright Ursula Rani Sarma]. UNSPECIFIED.

Walsh, Fintan (2012) 'Singing Out Your Feelings.’ [Interview with director Wayne Jordan]. UNSPECIFIED.

Walsh, Fintan (2012) "The Transformative Power of Having Fun": alternative Miss Ireland and contemporary Irish theatre. UNSPECIFIED.

Walsh, Fintan (2011) No more drama. [Book Review]

Walsh, Fintan (2011) From enthusiasm to encounter-event: Bracha L. Ettinger, Samuel Beckett and the theatre of affect. Parallax 17 (2), pp. 110-123. ISSN 1353-4645.

Walsh, Fintan (2011) Contesting Performance: Global Sites of Research. [Book Review]

Walsh, Fintan (2011) Post/Porn/Politics. [Book Review]

Walsh, Fintan (2011) Graphic tensions: what posters say about plays. UNSPECIFIED.

Walsh, Fintan (2011) ‘I Try to Get Under the Skin.’ [Interview with playwright Nancy Harris]. UNSPECIFIED.

Walsh, Fintan (2011) ‘Pan Pan: theatre of ideas.’ [Interview with Gavin Quinn, Co-Artistic Director of Pan Pan Theatre Company]. UNSPECIFIED.

Walsh, Fintan (2010) Male trouble: masculinity and the performance of crisis. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230579699.

Walsh, Fintan (2010) Theatre & Ethics. [Book Review]

Walsh, Fintan (2010) Theatre and Globalization: Irish Drama in the Celtic Tiger Era. [Book Review]

Walsh, Fintan (2010) Big love: relationality, ethics and the art of letting go. Theatre Research International 35 (1), pp. 17-31. ISSN 0307-8833.

Walsh, Fintan (2010) Child's play: making theatre for young audiences. Irish Theatre Magazine ,

Walsh, Fintan (2010) Critical disorientations: intoxication, engagement and performance. Contemporary Theatre Review 20 (2), pp. 241-244. ISSN 1048-6801.

Walsh, Fintan (2010) Documentary theatre: beyond information. Irish Theatre Magazine ,

Walsh, Fintan (2010) Permission to take risks. Irish Theatre Magazine ,

Walsh, Fintan (2010) Practicalities and possibilities: reflections on the national networking day for collaborative arts. National Development Agency for Collaborative Arts in Social and Community Contexts, Dublin, Ireland.

Walsh, Fintan, ed. (2010) Queer notions: new plays and performances from Ireland. Cork, Ireland: Cork University Press. ISBN 9781859184691.

Walsh, Fintan (2010) The flaming archive. In: Walsh, Fintan (ed.) Queer Notions: New Plays and Performances from Ireland. Cork, Ireland: Cork University Press, pp. 1-16. ISBN 9781859184691.

Walsh, Fintan (2009) Child’s play: making theatre for young audiences. UNSPECIFIED.

Walsh, Fintan (2009) Masculinity, psychoanalysis, straight queer theory: Essays on abjection in literature, mass culture, and film. [Book Review]

Walsh, Fintan (2009) Touching, feeling, cross-dressing: on the affectivity of queer performance. In: Cregan, D. (ed.) Deviant Acts: Essays on Queer Performance. Dublin, UK: Carysfort Press, pp. 55-72. ISBN 9781904505426.

Walsh, Fintan (2009) Get real: documentary theatre past and present. [Book Review]

Walsh, Fintan (2009) Violence Performed: Local Roots and Global Routes of Conflict. [Book Review]

Brady, S. and Walsh, Fintan, eds. (2009) Crossroads: performance studies and Irish culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230219984.

Walsh, Fintan (2009) Introduction: performance studies and Irish culture. In: Walsh, Fintan and Brady, S. (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke and New York: Palgrave Macmillan, pp. 1-10. ISBN 9780230219984.

Walsh, Fintan (2009) Cock tales: homosexuality, trauma and the cosmopolitan queer. Film Ireland (120), pp. 16-18. ISSN 0791-7546.

Walsh, Fintan (2009) Between deaths: screening Jade Goody. Contemporary Theatre Review 19 (3), pp. 382-385. ISSN 1048-6801.

Walsh, Fintan (2009) Homelysexuality and the “beauty” pageant. In: Brady, S. and Walsh, Fintan (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke, UK: Palgrave Macmillan, pp. 196-210. ISBN 9780230219984.

Walsh, Fintan (2009) Redressing the past, cross-dressing the future. Foilsiú: Interdisciplinary Journal of Irish Studies 8 , pp. 79-92.

Walsh, Fintan (2009) ‘A Vocation and an Addiction.’ [Interview with playwright Phillip McMahon]. UNSPECIFIED.

Walsh, Fintan (2008) Masculinity, victimization and the recuperation of authority in "InterMission". In: Tighe-Mooney, S. and Quinn, D. (eds.) Essays on Irish Literary Criticism: Themes of Gender, Sexuality, and Corporeality. Hors Série. Credigon, Wales: Edwin Mellen, pp. 195-210. ISBN 9780773448308.

Walsh, Fintan (2008) Shirley Temple Bar at the Abbey: Irish theatre, queer performance and the politics of disidentification. Irish Theatre International 1 (1), pp. 53-72. ISSN 2009-0870.

Walsh, Fintan (2007) Anything but mainstream. Irish Theatre Magazine 7 (31),

Walsh, Fintan (2007) The erotics and politics of masochistic self-abjection in 'Jackass'. Gender Forum 18 , pp. 41-62. ISSN 1613-1878.

Walsh, Fintan (2006) Bibliography of works of Sebastian Barry and production details of the premieres of Sebastian Barry’s plays. In: Hunt Mahony, C. (ed.) Out of History: Essays on the Writings of Sebastian Barry. Dublin, UK: Carysfort Press, pp. 229-244. ISBN 9780813214597.

Walsh, Fintan (2006) The law of the father, and of the son, and of the evil queer: (en)gendering violence in 'The Passion of the Christ'. In: UNSPECIFIED (ed.) Journal of Postgraduate Research. Dublin, Ireland: Trinity College Dublin, pp. 171-174. ISBN 9780955054723.

Walsh, Fintan (2006) The politics of desire: The International Dublin Gay Theatre Festival. Irish Theatre Magazine 6 (27),

Walsh, Fintan (2005) "About time" and Irish theatre practice. Contemporary Theatre Review 15 (1), pp. 171-174. ISSN 1048-6801.

Walsh, Fintan (2005) For whom the bell tolls? Contemporary British performance and Irish theatre. Irish Theatre Magazine 5 (22),

Walsh, Fintan (2004) Fringe frontiers: goes social. Irish Theatre Magazine 4 (21),

Walsh, Fintan Theatre and performance reviews (750 + words). UNSPECIFIED.