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Article

Allen, Mike and McCabe, Janet (2012) Imitations of lives: ageing men, vocal mimicry and performing celebrity in The Trip. Celebrity Studies 3 (2), pp. 150-163. ISSN 1939-2397.

Allen, Mike (2009) Multicultural mobsters: the curious case of Gangsters. Critical Studies in Television 4 (2), pp. 74-81. ISSN 1749-6020.

Book Section

Allen, Mike (2008) Digital cinema: virtual screens. In: Creeber, G. and Martin, R. (eds.) Digital Culture: Understanding New Media. Maidenhead, UK: Open University Press, pp. 61-75. ISBN 9780335221974.

Allen, Mike (2008) From the Earth to the Moon. In: Edgerton, G.R. and Jones, J.P. (eds.) The Essential HBO reader. Kentucky, U.S.: Kentucky University Press, pp. 116-124. ISBN 9780813124520.

Allen, Michael (2007) Divided interests: split-screen aesthetics in 24. In: Peacock, S. (ed.) Reading 24: TV Against the Clock. London, UK: I.B. Tauris. ISBN 9781845113292.

McCabe, Janet (2007) Mac's melancholia: scripting trauma, 9/11 and bodily absence in "CSI: NY". In: Allen, Michael (ed.) Reading CSI: Crime TV Under the Microscope. Reading Contemporary Television. London, UK: I.B Tauris, pp. 167-180. ISBN 9781845114282.

Allen, Michael (2003) Talking about a revolution: the blockbuster as industrial advertisement. In: Stringer, J. (ed.) Movie Blockbusters. Abingdon, UK: Routledge. ISBN 9780415256094.

Ames-Lewis, Francis and Joannides, P. (2002) Neoplatonism and the visual arts at the time of Marsilio Ficino. In: Allen, Michael and Rees, V. (eds.) Marsilio Ficino: His Theology, his Philosophy, his Legacy. Brill's Studies in Intellectual History 108. Leiden, Netherlands: Brill Publications. ISBN 9789047400547.

Allen, Michael (2002) The impact of digital technologies on film aesthetics. In: Harries, D. (ed.) The New Media Book. London, UK: Bloomsbury Publishing. ISBN 9780851709253.

Allen, Michael (2001) In the mix: how mechanical and electrical reproducers mediated the transition to sound in Britain. In: Donnelly, K. (ed.) Film Music: Critical Approaches. Edinburgh, UK: Edinburgh University Press. ISBN 9780748612888.

Allen, Michael (1999) Technology. In: Cook, P. and Bernink, M. (eds.) The Cinema Book. London, UK: Bloomsbury Publishing. ISBN 9780851707297.

Allen, Michael (1998) From 'Bwana Devil' to 'Batman Returns': a technological overview of contemporary Hollywood cinema. In: Neale, S. and Smith, M. (eds.) Contemporary Hollywood Cinema. London, UK: Routledge. ISBN 9780415170109.

Allen, Michael (1996) Film studies. In: Mullings, C. and Kenna, S. and Deegan, M. and Ross, S. (eds.) New Technologies for the Humanities. London, UK: Bowker Saur. ISBN 9781857391138.

Allen, Michael (1996) Re-viewing the film (studies) text. In: Chernaik, W. and Deegan, M. and Gibson, A. (eds.) Beyond the book: theory, culture and the politics of cyberspace. Oxford, UK: Office for Humanities Communication, Oxford University. ISBN 9781897791097.

Book

Allen, Michael (2020) Robert Redford and American cinema: modern film stardom and the politics of celebrity. New York, U.S.: Bloomsbury. ISBN 9781350141971. (In Press)

Allen, Mike (2009) Live from the Moon: filming and televising the space race. London, UK: I.B. Tauris. ISBN 9781845111694.

Allen, Michael (2007) Reading 'CSI': television under the microscope. London, UK: I.B. Tauris. ISBN 9781845114282.

Allen, Michael (2002) Contemporary US cinema. London, UK: Longman. ISBN 9780582437760.

Allen, Michael (2000) Family secrets: the feature films of D.W. Griffith. London, UK: BFI Publishing. ISBN 9780851707440.