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Ostrowska, Dorota (2020) Introduction to the special issue ‘film festivals and history’. [Editorial/Introduction]

Ostrowska, Dorota (2020) Producers’ playground: the British Film Producers Association and international film festivals in the post-war period. Studies in European Cinema 17 (2), pp. 128-139. ISSN 1741-1548.

Ostrowska, Dorota (2019) Cinematic sense of place: embodied celluloid spectres on the red carpet in Cannes. In: Wise, N. and Harris, J. (eds.) Events, Places and Societies. London and New York: Routledge, pp. 85-96. ISBN 9781138482470.

Ostrowska, Dorota (2019) "The migrant gaze" and "the migrant festive chronotope": programming the refugee crisis at the European human rights and documentary film festivals. The case of One World International Human Rights Documentary Film Festivals (2016). Studies in European Cinema 16 (3), pp. 266-281. ISSN 1741-1548.

Ostrowska, Dorota (2017) 'Humanist screens': foreign cinema in Socialist Poland (1945-1956). In: Ostrowska, Dorota and Pitassio, F. and Varga, Z. (eds.) Popular Cinemas in East Central Europe: Film Cultures and Histories. London, UK: Bloomsbury Publishing. ISBN 9781784533977.

Ostrowska, Dorota and Pitassio, F. and Varga, Z., eds. (2017) Popular cinemas in Central and Eastern Europe: film cultures and histories. London, UK: I.B. Tauris. ISBN 9781784533977.

Ostrowska, Dorota (2017) Cosmopolitan spaces of international film festivals: Cannes film festival and the French Riviera. Alphaville: Journal of Film and Screen Media 14 , pp. 94-110. ISSN 2009-4078.

Ostrowska, Dorota (2016) Aerial bodies in Polish Socialist cinema. In: Mroz, M. and Mazierska, E. and Ostrowska, Dorota (eds.) The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure. Edinburgh, UK: Edinburgh University Press. ISBN 9781474405140.

Ostrowska, Dorota (2016) Making film history at the Cannes film festival. In: de Valck, M. and Kredell, B. and Loist, S. (eds.) Film Festivals: History, Theory, Method, Practice. Abingdon, UK: Routledge. ISBN 9780415712477.

Ostrowska, Dorota (2014) Three decades of Polish films at the Venice and Cannes Film Festivals: the 1940s, 1950s and 1960s. In: Mazierska, E. and Goddard, M. (eds.) Polish Cinema in a Transnational Context. Rochester Studies in East and Central Europe. Martlesham, UK: Boydell & Brewer. ISBN 9781580464680.

Ostrowska, Dorota (2012) An alternative model of film production: film units in Poland after WW2. In: Imre, A. (ed.) A Companion to Eastern European Cinemas. The Wiley-Blackwell Companions to National Cinemas. Oxford, UK: Wiley-Blackwell, pp. 453-465. ISBN 9781444337259.

Ostrowska, Dorota (2012) An alternative model of film production: film units in Poland after WWII. In: Imre, A. (ed.) A Companion to Eastern European Cinemas. Hoboken, U.S.: Wiley-Blackwell, pp. 453-465. ISBN 9781444337259.

Ostrowska, Dorota (2012) The carnival of the absurd: Stanislaw Bareja's alternatywy 4. In: Havens, T. and Imre, A. and Lustyik, K. (eds.) Popular Television in Eastern Europe During and Since Socialism. Routledge Advances in Internationalizing Media Studies. Abingdon, UK: Routledge. ISBN 9780415892483.

Ostrowska, Dorota (2012) Poster graphic design and French film in Poland after World War II. In: Allen, S. and Hubner, L. (eds.) Framing Film: Cinema and the Visual Arts. Bristol, UK: Intellect, pp. 57-74. ISBN 9781841505077.

Ostrowska, Dorota (2012) Poster graphic design and French films in Poland after WW2. In: Allen, S. and Hubner, L. (eds.) Framing Film: Cinema and the Visual Arts. Bristol, UK: Intellect Ltd.. ISBN 9781841505077.

Ostrowska, Dorota (2010) International film festivals as producers of world cinema. Cinema & Cie: International Film Studies Journal (14-15), pp. 145-150. ISSN 2035-5270.

Ostrowska, Dorota (2010) Magic, emotions and film producers: unlocking the “Black-Box” of film production. Wide Screen 2 (2), ISSN 1757-3920.

Ostrowska, Dorota (2010) A short film about killing - debates about death penalty in Socialist Poland. In: Riber Christensen, J. and Toft Hansen, K. (eds.) Fingeraftryk: studier i krimi og det kriminelle (Festskrift til Gunhild Agger). Aalborg: Aalborg University Press, pp. 305-321. ISBN 9788773079812.

Ostrowska, Dorota (2009) Film as a source of visual knowledge in informatics, architecture and music. Studies in European Cinema 5 (2), pp. 105-116. ISSN 1741-1548.

Ostrowska, Dorota (2009) Cinema in ten TV episodes: Dekalog by Krzysztof Kieslowski. Critical Studies in Television 4 (3), pp. 72-107. ISSN 1749-6020.

Ostrowska, Dorota (2008) Reading the French new wave : critics, writers and art cinema in France. New York, U.S.: Wallflower Press. ISBN 9781905674589.

Ostrowska, Dorota (2007) Languages and identities in the contemporary European cinema. Journal of Contemporary European Studies 15 (1), pp. 55-65. ISSN 1478-2804.

Ostrowska, Dorota and Roberts, G. (2007) European Cinemas in the Television Age. Edinburgh, UK: Edinburgh University Press. ISBN 9780748623082.