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    Number of items: 25.


    Bacile, R. and Mcneill, John and Vernon, Clare (2022) Venosa, Acerenza and 'Norman' architecture in southern Italy. Arte Medievale , ISSN 0393-7267. (Submitted)

    Bowman, Mike Charles (2022) Writing by numbers: case studies in digital art history. [Thesis] (Unpublished)

    Boyle, Tiffany (2022) ‘These gymnasts do not simply perform gymnastics’ - an analysis of visual representations of the gymnastic body. [Thesis] (Unpublished)

    Buron, Melissa Eileen (2022) 'Twixt two worlds: the visions of James Tissot. [Thesis] (Unpublished)


    Caldwell, Dorigen (2022) Raphael (National Gallery, London, 9 April – 31 July 2022). Raphael, exh. cat., David Ekserdjian and Tom Henry, with Matthias Wivel and contributions by Caroline Elam, Arnold Nesselrath and Thomas P. Campbell, National Gallery Global, London, distributed by Yale University Press, 2022, 328pp, 200 colour illustrations. ISBN: 978 1 85709 658 3 1048789. Renaissance Studies 36 (5), pp. 798-807. ISSN 0269-1213.

    Candlin, Fiona and Ballatore, Andrea (2022) A geography of UK museums. Transactions of the Institute of British Geographers , pp. 1-17. ISSN 0020-2754.

    Candlin, Fiona and Butler, Toby and Watts, J. (2022) Stories from small museums. Manchester: Manchester University Press. ISBN 9781526166883.

    Crinson, Mark (2022) Shock city: image and architecture in industrial Manchester. London: Yale University Press. ISBN 9781913107338.


    Desai, Krupa Chandrakant (2022) Photographic histories of postcolonial India: the politics of seeing (and unseeing). [Thesis] (Unpublished)


    Freeston, Janine Price (2022) Colour photography in Britain,1906-1932: exhibition, technology, commerce and culture - the dynamics that shaped its emergence. [Thesis] (Unpublished)


    Handley, Neil (2022) Museums of the ‘new’ medical professions in the twentieth century. [Thesis] (Unpublished)


    Liebenrood, Mark Colin (2022) Museum closure in the UK, 1960–2010: contexts and microhistories. [Thesis] (Unpublished)

    Lyons, Hannah (2022) ‘Exercising the ART as a TRADE’: professional women printmakers in England, c1750-c1850. [Thesis] (Unpublished)


    Maniura, Robert (2022) Crossing boundaries with pilgrim badges. In: Wilson, K. and Clark, L. (eds.) Mobility of Objects Across Boundaries 1000-1700. Exeter Studies in Medieval Europe. Liverpool: Liverpool University Press, pp. 83-100. ISBN 9781800856349.

    Maniura, Robert (2022) The golden norm: the persistence of gold in the painting of Latin Christian Europe. In: L’or à la Renaissance en Europe occidentale. Approches interdisciplinaires, 9-10 June 2022, Paris, France. (Unpublished)


    Nead, Lynda (2022) A bruise, a neck and a little finger: the visual archive of Ruth Ellis. Radical History Review 142 , pp. 57-71. ISSN 0163-6545.


    Opacic, Zoe and Szakács, B.Z. (2022) Art and architecture in Medieval East Central Europe. In: Zečević, N. (ed.) The Oxford Handbook of Medieval Central Europe. Oxford University Press. ISBN 9780190920715. (In Press)


    Polgovsky Ezcurra, Mara (2022) Mutable bodies: abstraction and modern dance in 1960s Argentina. Oxford Art Journal 45 (1), pp. 83-104. ISSN 0142-6540.


    Retford, Kate (2022) Conversation piece. The Digital Encyclopedia of British Sociability in the Long Eighteenth Century , ISSN 2803-2845.

    Retford, Kate (2022) Talking pictures: sociability in the Eighteenth-Century British conversation piece. In: Mesplède, S. and Alayrac-Fielding, V. (eds.) Sociability Networks in Enlightenment Culture. Movements, Exchanges and Transfers. Transversales VIII. London, UK: Le Manuscrit. ISBN 9782304053531.

    Rosser, Stephen Francis (2022) Rebuilding the City of London in the age of global markets: a study of architectural discourse. [Thesis] (Unpublished)

    Rush, Simon John Nowell (2022) The first Romanesque architecture of Conflent, Pyrénées-Orientales, France (66). Tradition, system and style. [Thesis] (Unpublished)


    Thomas, Sarah (2022) Art history and racial Capitalism. Book review, 'Black Bodies, White Gold' by Anna Arabinden-Kesson. [Book Review] (In Press)

    Thomas, Sarah (2022) 'The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800–1852' / 'Reconstructing the Landscapes of Slavery: A Visual History of the Plantation in the Nineteenth-Century Atlantic World'. By Martha J. Cutter, Athens, The University of George Press, 2017, xviii. 291pp., $44.95 and $34.95, ISBN 9-780-8203-5875-8by Dale W. Tomich, Rafael de Bivar Marquese, Reinaldo Runes Monzote, Carlo Venegas Fornias, Chapel Hill, The University of North Carolina Press, 2021, xii. 161pp., $95.00 and $29.95, ISBN 978-1-4696-6312-8 and 978-1-4696-6311-1. [Book Review]

    Thomas, Sarah (2022) Swollen detail, or what a vessel might give: Agostino Brunias and the visual and material culture of colonial Dominica. Atlantic Studies 19 (1), pp. 60-85. ISSN 1478-8810.

    This list was generated on Wed Jun 7 02:21:01 2023 BST.