Calè, Luisa (2007) From Dante’s Inferno to a TV Dante: Phillips and Greenaway remediating Dante’s Polysemy. In: Braida, A. and Calè, Luisa (eds.) Dante on View: The Reception of Dante in the Visual and Performing Arts. Farnham, UK: Ashgate, pp. 177-192. ISBN 9780754658962.
Abstract
Book synopsis: Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
Metadata
| Item Type: | Book Section |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Research Centres and Institutes: | Nineteenth-Century Studies, Centre for |
| Depositing User: | Administrator |
| Date Deposited: | 10 Jul 2014 09:56 |
| Last Modified: | 09 Aug 2023 12:35 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/10118 |
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