Pinazza, Natalia (2011) Transnationality and transitionality in Sandra Kogut´s "The Hungarian Passport". Alphaville: Journal of Film and Screen Media 1 , ISSN 2009-4078.
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Abstract
This article examines Sandra Kogut’s The Hungarian Passport (2001) in the light of recent theoretical debates on diasporic and postcolonial filmmaking. It focuses on how Kogut’s displacement—both as the granddaughter of Jewish refugees and a foreigner in France—permeates the structure of the documentary in terms of narrative, visual style, subject matter and theme. In the process, the article addresses questions of transnational cinema in a postcolonial and diasporic context by exploring how the film’s transnational representations interrogate the validity of both national cinema and cultural identity as fixed concepts in contemporary Europe.
Metadata
| Item Type: | Article |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Depositing User: | Sarah Hall |
| Date Deposited: | 04 Aug 2014 10:43 |
| Last Modified: | 09 Aug 2023 12:35 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/10311 |
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