Eve, Martin Paul (2016) Structures, Signposts, and Plays: Modernist Anxieties & Postmodern Influences in Tom McCarthy's C. In: Duncan, Dennis (ed.) Tom McCarthy: Critical Essays. Gylphi.
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Abstract
For his 2010 novel, C, Tom McCarthy has been diagnosed by Justus Nieland as a “forensic scientist of modernism” (Nieland 2012, 570). In this chapter I instead situate McCarthy within a broader intertextual scope that stretches into the postmodern frame and suggest that it would make sense to treat seriously the situation of McCarthy within postmodernism, or at least to investigate how his novels interact with this classification.
Metadata
Item Type: | Book Section |
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School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
Research Centres and Institutes: | Contemporary Literature, Centre for |
Depositing User: | Martin Eve |
Date Deposited: | 29 Apr 2016 15:27 |
Last Modified: | 09 Aug 2023 12:38 |
URI: | https://eprints.bbk.ac.uk/id/eprint/15059 |
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