Christie, Ian (2015) The visible and the invisible: from ‘tricks’ to ‘effects’. Early Popular Visual Culture 13 (2), pp. 106-112. ISSN 1746-0654.
Abstract
Gunning argued that ‘tricks’ largely disappeared from cinema between 1907–13 as narrativisation became dominant. But if we trace the use of ‘sensation’ devices, with their roots in many popular nineteenth-century narrative modes, then two crucial new film genres of the 1910s made extensive use of trick-based effects: the fantastic crime thriller and the ancient-world spectacle. While ‘effects’, as they were now known, remained crucial to many genres, the status of their expert practitioners declined as effects became invisible.
Metadata
| Item Type: | Article |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Depositing User: | Administrator |
| Date Deposited: | 05 Jul 2016 09:37 |
| Last Modified: | 09 Aug 2023 12:38 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/15675 |
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