Di Bello, Patrizia (2016) The Greek slave and photography in Britain. Nineteenth Century Art Worldwide 15 (2), ISSN 1543-1002.
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Abstract
This essay explores some of the photographs of Hiram Powers’s Greek Slave sculpture taken and/or circulated in Britain in the nineteenth century. The statue’s popularity at the time makes it an effective case study through which to evaluate the early successes and failures of photography as a means of reproducing works of sculpture in the years before photographs could be efficiently printed in books and magazines through halftone reprographic techniques. As a visual essay, this piece invites the reader to look at the photographs as such—to focus on their materiality as objects made from various combinations of silver, metal, paper, leather, and card. In discussing the particular qualities of photographs in the form of daguerreotypes, calotypes, and stereoscopic slides, we will also see how these techniques allow for an experience that cannot be fully conveyed by their later reproductions.
Metadata
| Item Type: | Article |
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| Additional Information: | The attached file represents the author’s accepted manuscript of the final article and contains only the text; to see the full article and the images to which the text refers, please follow the link to the official URL. |
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Historical Studies |
| Research Centres and Institutes: | Nineteenth-Century Studies, Centre for |
| Depositing User: | Administrator |
| Date Deposited: | 17 Oct 2016 09:38 |
| Last Modified: | 02 Aug 2023 17:27 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/16347 |
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