Guardiola-Rivera, Oscar (2017) Fanon and the intelligent machine; concerning violence, Part 2. Reflections from a conversation with Gayatri Spivak. Discourse: Journal for Theoretical Studies in Media and Culture 39 (2), pp. 177-194. ISSN 1522-5351.
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Abstract
Taking the form of a series of reflections emerging from a conversation between the author and critic Gayatri Spivak, this article turns the exploration of the question concerning violence to the significance of Frantz Fanon as healer, image, exemplar and, following the term coined by cinema philosopher and filmmaker Jean Epstein, photo-electric psychoanalyst. It advances on the exploration of the significance of the cinematographer and the camera as a tool for acceleration that by focusing on discontinuity allows a singular attention to voices that utter and images or gazes that confront us with contradiction thereby permitting to verify the universality of forms of justice and subjectivities in search for justice and liberation.
Metadata
| Item Type: | Article |
|---|---|
| Additional Information: | This is a pre-copyedited version of an article accepted for publication following peer review. The definitive publisher-authenticated version is available from Wayne State University Press. |
| School: | Birkbeck Faculties and Schools > Faculty of Business and Law > Birkbeck Law School |
| Depositing User: | Oscar Guardiola-Rivera |
| Date Deposited: | 19 Jan 2017 15:31 |
| Last Modified: | 02 Aug 2023 17:31 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/17966 |
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