Mills, Victoria (2016) Curating feeling. [Editorial/Introduction]
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Text
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Abstract
This introduction discusses the process of ‘curating feeling’ in response to the ‘Fallen Woman’ exhibition curated by Lynda Nead at the Foundling Museum in 2015. It uses this idea to reflect on both the historical specificity of Victorian emotion and the ways in which emotive objects have the potential to collapse time, nurturing a transhistorical sense of emotional community. The introduction presents the articles in this issue of 19, which read the relationship between nineteenth-century arts and feeling across a range of cultural objects including painting, sculpture, music, literature, and architecture
Metadata
| Item Type: | Editorial/Introduction |
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| Additional Information: | 'The Arts and Feeling in Nineteenth-Century Literature and Culture', Mills, V. (Ed) |
| Keyword(s) / Subject(s): | Victorian Art, Emotion, Affect, Foundling Museum, Archive |
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Depositing User: | Vicky Mills |
| Date Deposited: | 28 Feb 2017 14:16 |
| Last Modified: | 30 Jun 2024 21:23 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/18207 |
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