Flynn, Molly (2017) Twenty-First Century amateurs and the Royal Shakespeare Company’s Open Stages initiative. Contemporary Theatre Review: Interventions ,
Abstract
The twenty-first century has brought new attention to amateur creativity and the theatre is no exception with long-standing amateur theatre companies joined by forms of creative participation often described as ‘non-professional’, voluntary, vernacular and everyday. In line with broader cultural movements towards a repositioning of the amateur in contemporary culture, a number of professional performing arts organizations have begun collaborating with amateur performers in order to establish deeper connections within their regions while simultaneously attracting new audiences.
Metadata
Item Type: | Article |
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Additional Information: | Interventions are specially developed online features that add to and extend the themes and topics explored in the print journal. |
School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
Depositing User: | Administrator |
Date Deposited: | 09 Feb 2018 13:58 |
Last Modified: | 09 Aug 2023 12:43 |
URI: | https://eprints.bbk.ac.uk/id/eprint/21147 |
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