Centeno Martin, Marcos Pablo (2018) The limits of fiction in the Japanese Avant-Garde documentary. Los límites de la subjetividad en la vanguardia documental japonesa. Kokoro 27 , pp. 1-9. ISSN 2254- 8300.
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Abstract
This essay seeks to participate in the rediscovery of the re-discovery of the Japanese documentary avant-garde through the figure of Susumu Hani (1928- ), who had a key role for both his theoretical and practical contributions. Hōryūji (1958) represents one of the boldest attempts to develop subjectgivity among new left filmmakers. This unique documentary must be assess in light of the writings in which Hani stated that it was possible to access subjectivities alien to that of the director through several kind of “protagonists who do not act”.
Metadata
| Item Type: | Article |
|---|---|
| Keyword(s) / Subject(s): | Susumu Hani, Hōryūji, avant-garde documentary film, subjectivity (shutaisei), Iwanami Eiga. |
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Depositing User: | Marcos Pablo Centeno Martin |
| Date Deposited: | 12 Oct 2018 13:50 |
| Last Modified: | 09 Aug 2023 12:45 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/24578 |
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