Gearey, Adam (2001) Law and aesthetics. Legal Theory Today. Oxford, UK: Hart Publications. ISBN 9781841132433.
Abstract
Book synopsis: Law and Aesthetics draws on the work of poets as well as philosophers. Taking as its starting point Shelleys assertion that poets are unacknowledged legislators,the book suggests that there is a way of thinking that, as yet, has not been taken up by those who make use of literary aesthetics to understand law. The book tracks this aesthetic thinking through the failures of critical legal studies and stages an encounter with psychoanalysis, before suggesting that an aesthetics of law can be exhumed from Nietzsches work. The aesthetic is a call to the creative: fashion new law. A review of contemporary legal theory that makes use of aesthetic perspectives suggests that dissident and radical Nietzschean energies continue to animate legal thought. In the final chapter, an aesthetics of law is shown to make for an interruption of legal categories, and the generation of new legal relationships. The book concludes with a further meditation on Shelleys poetry, and a call to continue in the spirit of aesthetic reinvention.
Metadata
Item Type: | Book |
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School: | Birkbeck Faculties and Schools > Faculty of Business and Law > Birkbeck Law School |
Depositing User: | Sarah Hall |
Date Deposited: | 08 Jan 2019 10:31 |
Last Modified: | 02 Aug 2023 17:47 |
URI: | https://eprints.bbk.ac.uk/id/eprint/25761 |
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