Willcock, Sean (2015) Aesthetic bodies: posing on sites of violence in India, 1857–1900. History of Photography 39 (2), pp. 142-159. ISSN 0308-7298.
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Abstract
This article looks at how aesthetic concerns inflected the dynamic of imperial relations during the 1857 Indian Uprising and its aftermath. The invention of photography inaugurated a period in which aesthetic imperatives increasingly came to structure the engagement of colonial bodies with the traumas of warfare in British India. The formal conventions of image-making practices were not consigned to a discreet virtual sphere; they were channelled into the contested terrains of the subcontinent through the poses that figures were striking for the camera. I trace how one pictorial convention – picturesque staffage – had the capacity to engender politically and psychologically disruptive tableaus on the contested terrains of empire, as colonial photographers arranged for Indian figures to pose on landscapes that were marked by disturbing wartime violence.
Metadata
| Item Type: | Article |
|---|---|
| Additional Information: | This is an Accepted Manuscript of an article published by Taylor & Francis, available online at the link above. |
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Historical Studies |
| Depositing User: | Sean Willcock |
| Date Deposited: | 21 May 2019 10:26 |
| Last Modified: | 02 Aug 2023 17:51 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/27505 |
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