Seymour, Laura (2020) The feasting table as a gateway to hell on the early modern stage and page. Renaissance Studies 34 (3), pp. 392-411. ISSN 0269-1213.
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Abstract
When banquets are performed on the early modern stage, devils can be seen beside the eaters. This is notably the case when grace has not been said properly before the meal. This article focuses on a group of four texts: Thomas Dekker’s If This Be Not a Good Play, The Devil Is In It (1611), Thomas Heywood and Richard Brome’s The Late Lancashire Witches (1634), William Winstanley’s The Essex Champion (1690?), and Christopher Marlowe’s Dr Faustus (c.1592). These texts contain particularly striking examples of an early modern anxiety about the importance of saying grace and eating piously rather than greedily for maintaining hierarchies within the state and the household. They also show the ways in which debates about the Eucharist underlie, and can be mapped on to, representations of saying grace. The article demonstrates that the theatre makes visible early modern concerns about souls imperilled and household hierarchies destabilised by improper eating practices.
Metadata
| Item Type: | Article |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Depositing User: | Laura Seymour |
| Date Deposited: | 16 Dec 2019 10:52 |
| Last Modified: | 09 Aug 2023 12:47 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/29842 |
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