Watts, Carol (2010) Set, unset: collaboration, encounter and the scene of poetry. Contemporary Music Review 29 (2), pp. 145-158. ISSN 0749-4467.
Abstract
This article considers the problems and questions raised by collaborative text-setting. The author considers the connotations of the word 'set', outlines the collaborative project Voiceworks, and considers notions of equivalence and translation in combining words and music. She comments on Pisaro's translations of Egger, offers a theory of cross-arts collaboration drawing on the work of Deleuze, and suggests how performance practice might unsettle traditional text-setting techniques.
Metadata
| Item Type: | Article |
|---|---|
| Keyword(s) / Subject(s): | Collaboration, translation, voiceworks, text-setting |
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Research Centres and Institutes: | Contemporary Poetics Research Centre |
| Depositing User: | Administrator |
| Date Deposited: | 26 May 2011 10:34 |
| Last Modified: | 09 Aug 2023 12:30 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/3473 |
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