BIROn - Birkbeck Institutional Research Online

    William Blake’s 'Pestilence', sympathy, and the politics of feeling

    Calè, Luisa (2022) William Blake’s 'Pestilence', sympathy, and the politics of feeling. European Romantic Review 33 (4), pp. 515-533. ISSN 1050-9585.

    This is the latest version of this item.

    [img] Text
    Luisa Calè, Pestilence, draft submitted 2xi21 .pdf - First Submitted (AKA Pre-print)
    Restricted to Repository staff only

    Download (754kB) | Request a copy
    [img]
    Preview
    Text
    46584a.pdf - Author's Accepted Manuscript

    Download (977kB) | Preview

    Abstract

    Pestilence has often been encountered as an 'invisible enemy'. What happens when we give it visual form? This essay examines the dynamics of sympathy, spectatorship, and the politics of feeling activated in William Blake’s watercolour ‘Pestilence: The Death of the First-Born’ (c. 1805), now in the Museum of Fine Arts in Boston. While the Biblical story of Exodus controls the fear of the plagues by identifying the reader with the chosen people protected by providence, Blake’s Romantic vision articulates an alternative politics of feeling. Drawing on David Hume’s and Adam Smith’s theories of sympathy, this essay demonstrates how Blake’s composition invites the viewer to engage with the Egyptian plagues through a dynamics of divided attention, alternating between different points of view, identifying with the position of the destroying angel, the chosen, and the victims. The temporal dynamic of looking contrasts the gigantic form of the destroyer, which initially arrests the eye, with the miniaturized figures of the victims. By giving a face and a reciprocating gaze to the child threatened by the tenth plague of Egypt, Blake’s scene of Pestilence becomes a virtual test of moral sentiments in which viewers confront the ethics of freedom built on sacrifice.

    Metadata

    Item Type: Article
    Additional Information: Special Issue on 'Romanticism and Vision', guest edited by Terry Robinson and John Savarese
    Keyword(s) / Subject(s): William Blake, Pestilence, Exodus, Sympathy, Feeling, Fear, Attention
    School: Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication
    Research Centres and Institutes: Nineteenth-Century Studies, Centre for
    Depositing User: Luisa Cale
    Date Deposited: 14 Jun 2022 15:44
    Last Modified: 25 Jan 2024 01:10
    URI: https://eprints.bbk.ac.uk/id/eprint/46584

    Available Versions of this Item

    • William Blake’s 'Pestilence', sympathy, and the politics of feeling. (deposited 14 Jun 2022 15:44) [Currently Displayed]

    Statistics

    Activity Overview
    6 month trend
    0Downloads
    6 month trend
    0Hits

    Additional statistics are available via IRStats2.

    Archive Staff Only (login required)

    Edit/View Item
    Edit/View Item